We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
Over five terabytes filmed over the course of two grueling years, A Taste Of Austria is comprised of over 600 time-lapse clips intricately woven together through creative clip transitions. Time-lapse movies often take themselves entirely too seriously, focusing on the dramatic through epic song choice and long drawn out pans. This short video incorporates creative use of sound coupled with quick and calculated cuts to give the viewer a sense of a fast-paced guided tour through the spectacular European countryside.
House of Cards, in my opinion, is one of the best shows available to stream on Netflix - if not anywhere. Their breakout drama series exploded on the scene just a few short years ago well before their original content became synonymous with high quality shows, movies and documentaries currently on the network. House of Cards' true appeal (outside of the hilariously twisted Frank Underwood) is the way it's artistically shot. This video demonstrates just how powerful two colors can make a show about corrupt American government that much more beautiful.
"I'm really starting to get tired of how blurry and pixellated my 4k image looks," said no one ever. But in the never ending quest to squeeze the most resolute, highest quality image possible out of our (relatively) inexpensive cameras, Art Sanchez was able to get 8k video from a $2,000 Nikon D800.
A lot of us became photographers not so much for the pay check but because we were passionate about photography. Still we all have to pay the bill and please our clients which means a lot of the time we have to shoot whatever comes our way. But every once and awhile we get the opportunity to do something fun and inspired like this creative collaboration by photographer Steve Shaw and painter Gregory Siff for Treats! Magazine. I know not everyone will get what these artist have to say and there will be plenty of trolling but when peers come together to create, how can we not want to celebrate the process?
Black and White conversions programs are a dime a dozen. You have the ability to do black and white conversions in Adobe Lightroom and Photoshop and also in third party software like Silver Efex Pro and Perfect B&W, but if you're just learning how to edit, I always recommend sticking with Adobe Lightroom because of the easy user interface.
The humble memory card is perhaps one of the most overlooked and neglected pieces of gear. It has the incredibly important and difficult task of accurately, quickly, and securely recording and storing all the data our cameras capture and it must do so time and time again. All this is demanded from something that we generally see as a disposable item, and one which we are prepared to save money on, but is that really the right mindset for something so important? Linus of LinusTechTips.com has put together an incredibly informative comparison video that explains it all!
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
Elinchrom has been the brand of choice for years many Europeans and Australians photographers alike. They are cheaper than Profoto or Broncolor, offer a good range of modifiers and – unlike Paul C. Buff – have service centers outside of the USA. To many photographers they also have been a great way to get into studio photography before moving up to Broncolor or Profoto. With the Elinchrom ELC Pro HD, it seems like the brand wants to change that and offer a higher-...
With the recent announcement of the Profoto B2, Elinchrom's position in the ultra-portrable strobe pack market was somewhat overshadowed as the former exceeded the Elinchrom Quadra Hybrid in many aspects. Not to be outdone, Elinchrom has now announced the release of its next generation on-location pack and head kit known as the ELB 400.
Leave it to the same university that would probably save our world from an apocalypse to, until that need arises, create better, smaller lenses. Harvard’s School for Engineering and Applied Sciences (SEAS) recently expanded on a previous design for flat optics by adding nano silicone antennae that actually bend the light. The result is an incredibly thin and completely flat glass lens capable of the same light bending properties as our current lenses, but with virtually zero chromatic aberration.
Morgan Maassen is a blossoming surf photographer with many notable photography achievements under his belt at the ripe and youthful age of 24 years old. Already nailing covers for some of the industry's most recognizable magazines, Maassen has made a name for himself and his unique photographic style in the surfing world. Maassen's work often borders the line between an ethereal, dreamlike universe and a sharp contrasted reality of life on the water. Fstoppers had an opportunity to sit down with Maassen and ask him a few questions about how he got to where he is, what inspires him, and how he approaches underwater photography on a daily basis.
How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.