Fujifilm X-Series owners will be happy to hear that today, the corporation has announced a new prime lens and teleconverter for their highly-regarded system. By adding another 35mm (53mm full-frame equivalent) prime and 1.4x teleconverter, Fujifilm continues to enrich their ever-burgeoning lineup. As an added bonus, those who are attending the Photoplus Expo in New York can play with the new equipment for a day at no extra charge.
Something I've been asked a lot during my career is where I went to art school. Whether I took that as a compliment on my dedication to my craft or an insult saying that I couldn't have gotten to that point without years of instruction, I still really don't know. As you can probably tell, I was self-taught, not even finding photography until I was a senior in college, already committed to grad school for my MBA.
Our next episode of "Critique the Community" will feature headshot photography. This featured images was taken by the master himself, Peter Hurley, and in our next episode Peter will critique 20 random images submitted by our readers. Please post your submissions into this post by Thursday October 22nd at Midnight for your chance to get direct feedback from Hurley and the FS staff.
A brand new full-frame mirrorless camera has just entered into the game, and it comes from the German-based luxury camera brand Leica. The Leica SL (Typ 601) is a 24-megapixel camera that packs a number of interesting features within its eye-catching design such as 4.4MP EVF with 60fps refresh, 11 frames per second burst capture, internal 4K video, and touchscreen controls, so let’s take a closer look.
There are a lot of videos online, I mean a lot. The two words I hear out of clients that always make me cringe are "viral video." I want you to take a couple of seconds and expunge those words from your vocabulary... great! As many of you know SEO is the driving factor for long form content (such as this article.) Believe it or not, most of the principles that apply here are almost identical for video SEO.
I find myself saying this a lot these days, but that's not a typo. In fact, the listed ISO range for the new KONO! Donau film is actually ISO 3-6. With such a low sensitivity, photographers can capture longer exposures in daylight. The film's extremely blue tones serve as a reminder that it's still in the experimental range, but there's an entirely new limit to what you could do with a hand-rolled ISO 3-6 film.
So you want to travel with a model? I've been shooting portraits for around four years now, and have started to (finally!) add more traveling to my life. Unintentionally, it turns out that my travel partner, my friend Victoria, also happens to be a model. In a relatively short span of time, Victoria and I have shot together in multiple countries and states, including Florida, North Carolina, New York City, Ireland, Italy, and France. In my career up until this point, I had worked with a variety of models, choosing them based on how they fit a location or look. Here are some of the pros and cons of the experience.
Have you ever wondered how baby photographers (no, not babies that are photographers) pose newborns? Have you wondered how they got those little writhing, crying, flailing bundles of joy to stay the heck still for at least 1/200th of a second? Well, the crew over at Redhead Photography seems to have found the right combination. In fact, the babies in this video are so malleable that it's a little bit unnerving.
With a slightly more enterprise-solution twist, Amazon has announced a new 50-terabyte "Snowball" drive that ships itself to your address, gives you ten days to load it with as much data as you can, and then gets picked up by UPS to transfer the data back to Amazon Web Services (AWS) cloud storage — all for $200 per job. The process works in reverse, too; so, you can import or export a job between any AWS product more quickly and at less cost than alternatives.
Building a respectable name for yourself as a photographer can oftentimes feel impossible, especially in a market saturated with other photographers. In an industry with so much competition, you need to differentiate yourself and your work from the rest your competitors if you really want to stand apart from everyone else. That sounds extremely overwhelming, but there is a very practical and efficient way to carve out your own niche in this market.
Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting. But what happens when you want to create a similar effect in the studio, where your strobes are often too powerful for shooting wide open? Today, I'm going to share with you a fairly unconventional lighting technique that will allow you to shoot your lenses wide open in the studio.
Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.
Just days after we saw the release of the world's widest full-frame f/1.4 lens, we're now seeing the release of the world's longest full-frame f/1.4 lens. Zhong Yi Optics, mostly known for their ultra-fast mirrorless lenses, has put up a pre-order page for their new Mitakon Speedmaster 135mm f/1.4 lens.