Camera manufacturers have been in a megapixel race for some time. Canon has its new 5DS and 5DS R bodies, Nikon has its D810 and even the D810A for astrophotography, and PhaseOne, Hasselblad, Pentax, and even Leica are competing for medium format, high-megapixel territory. While Canon's 120-megapixel APS-H sensor is actually not entirely new (it was announced some time ago), the announcement that Canon is actually working to get it into a DSLR body and not just using it for bragging rights (their 250 MP sensor now lifts that crown) is a huge development. Meanwhile, Canon is among the first to announce some serious commitment to 8K video.
Creator and editor of Lonely Speck, pro night sky photographer Ian Norman is back with another great tutorial. Being nothing short of passionate when it comes to astrophotography Ian always seems eager to share what he has learned over the years. In his latest video Ian gives us the rundown on how he post processes Milky Way photos in Lightroom.
Although the summer heat is still lingering, fall is swiftly approaching. It's that time again: time to hit the books and head back to school. Books are expensive, but we have some exciting news: The New York Institute of Photography is giving three lucky winners their choice of a free photography course! There are just three easy steps to enter for your chance to win.
At this point, you've probably heard that the Virtual Reality revolution is coming. Seemingly every week, big companies are making announcements about dipping their toes into the 360 video technology game. For example: Facebook purchased the class-leading virtual reality headset company Oculus, Samsung released their GearVR headsets that work with their smart phones, and Nokia announced their stereoscopic professional VR OZO camera.
Professional hard drive and storage solutions company G-Technology unveiled a series of new hard drives that expand compatibility and flexibility with their growing Evolution Series solutions. Denoted with an "ev" in their product names, the Evolution Series products enable professionals to take portable project drives on the go, dock them to professional and extremely fast workstations in the office, and then go mobile again -- all with the same drive(s). Among the new devices is a creation from a G-Technology and RED Digital Cinema partnership: the ev Series Reader RED MINI-MAG Edition.
Prior to the a7RII’s release, the Sony Alpha mirrorless lineup played as a group of ambassadors to the possibilities in the technology. Each had their own role in showcasing how mirrorless could do amazing things that matched or exceeded DSLRs. With the a7RII, Sony has released the camera that its competition was warned of, and ultimately did nothing about. It has taken away the asterisk next to the Alpha name and is ready to play ball with the other top brand’s professional cameras on all levels.
As a young photographer, I used to think a beautiful flat light, that gave smooth skin tones was the best way to capture a portrait. I invested in a bunch of large diffuse light modifiers, such as softboxes, beauty dishes, and octoboxes, and shot photos of people with the smoothest and flattest lighting I could muster. Although, as time progressed, I learned the greater importance of telling a STORY with your photographs, rather than just making them look pretty or clean. This is when I learned about grids, bard doors, and negative fill in order to actually shape the light and not let it spill all over the photo environment. Thankfully, Profoto has debuted a series of videos to teach photographers about the most effective way to use light shaping tools.
I woke this morning to find that director Matt Rycroft, over at the Cooperative of Photography, had dropped this little gem in my mail box. In their latest video the COOPH team up with first class celebrity portrait photographer Greg Gorman, as he demonstrates how to approach a nude photography shoot.
When you point a camera at human, 99% of the time that person will strike a pose of some kind. These "poses" are absurd and the longer that these "poses" are held, the more ridiculous and hilarious they get. So why not shoot video and make your subjects wait and wait and wait.
In the last few weeks I interviewed both the Wickstrom’s and the Hage’s, creative couples who make their living while traveling full time. In this article, I’ll be sharing what I’ve learned from spending two months on the road with my partner, while trying to stay on top of projects and work on new ones. Come to find out, it is not as fun and dreamy as it sounds.
This week's winning image comes from Photographer Daniel Nordholm. It's a stunning landscape image that he captured in Lofoten, a beautiful archipelago in Norway. I was very excited to break from my norm of beauty and fashion retouching to tackle and share a landscape retouch. Many of the techniques and the workflow of a landscape can be very different from portrait retouching, while the philosophy can be quite the same. In this article, you will see the full retouch of the image in the short two-minute video. In all, the retouch took about an hour. I will also share some specific techniques for landscape editing that you can use in your images as well.
As some of you may have noticed by now, I'm kind of hooked on these mini documentaries put out by Seeker Stories. They're interesting, easily digestible, informative and from the point of view of our industry peers. This latest video features Bath-based, UK video producer/photographer Matt Paish as he takes us into North Korea on vacation. See what it's like to vacation in one of the most isolated nations in the world.
All of us, from time to time, get to a point where we wonder what we can do to improve our work. We take class after class on technique, and study our gear until we know it inside out. We hone our skills, practicing lighting and post processing until we have developed our work to a point we can be proud of. Yet, when all that is said and done, our work still lacks something. Where do we go next?
The darkroom has been replaced with Lightroom these days and many of today's photographers do not have the experience of processing their own prints the old fashioned way, much less anything larger than a common size. Here is a video from Norwegian photo assistant Oystein Gronvold which shows the process of producing a large 4x5 foot print in the darkroom.