There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.
More often than not, when the photography bug bites, people jump all-in without direction, guidance or a mission in mind. You get the urge to learn everything and shoot everything without knowing where you want to go or, ultimately, what you want to do. This can lead to no bookings, dried up emails and ultimately, frustration. When you get ready to enter the exciting and rewarding field of photography, there are a few questions to ask yourself.
I'm not someone who is big into drones and flying cameras -- mostly because they take a lot of effort to learn how to fly. More importantly, there are typically many more things I'd rather spend my money on. Then I received an email from Antoine Balaresque, CEO of Lily Robotics, introducing me to Lily, and I threw all those reasons out the window.
There are few things that can boost your video production more than adding a smooth camera movement. One tool that every filmmaker needs to utilize from time to time is a camera crane. Recently we had the chance to test and use the Kessler Crane Pocket Jib Traveler , and I am convinced that it is one of the most portable and easy to use camera cranes on the market today.
Just a few weeks ago, Lowepro launched it’s first grab-and-go protective and customizable quadcopter drone storage system, the DroneGuard Kit . Lowepro’s solution is an interesting one in that you can adapt it for different devices combining organization, portability, and protection using it as a stand-alone kit, or as an insert with some of their other bags. Over the last two weeks I’ve been putting this bag through its paces on the streets of Chicago, as well as the in desert and dunes of Michigan. In my full review I’ll cover the features, price, build, aesthetics, and function of the DroneGuard to let you know just how they fit the current market.
Were you not able to attend this year's Fstoppers Workshops in the Bahamas? Well if you want to check out some of fun behind the scenes action live follow us on Periscope . Basically Periscope is a live video streaming app that will allow you to shadow some of the top photographers in the biz including Peter Hurley, Pye Jirsa, Julia Kuzmenko, Aaron Nace, Mike Kelley, and more.
In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.
Many new photographers hold a lot of excitement and fear inside of them waiting to be unleashed the moment they receive a call to do their first big photoshoot or ad campaign. For talented automotive photographer John Zhang, this was no different when he received a call from one of Land Rover USA's ad agencies recently. He has been nice enough to share his entire experience from the first client call to executing the shoot itself. There is a lot to learn from Zhang and his photoshoot, read on below!
I baby my external hard drives. I always wrap them in bubble wrap when taking them from home to the coffee shop, and I even have a little mini-pelican case for longer trips. I couldn't imagine how bad it would be if it happened to get even a quick salt water splash, let alone get stuck in the sand. In this video, watch what happens when this G-Tech hard drive is thrown right into the surf of the ocean.
Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”
As a photographer, there’s only so many things you can do on a wedding day to bring a little something extra for your couples. James Day was hired to shoot his sister-in-law’s wedding and in doing so, he decided he was going to push the envelope and deliver something they never imagined possible.
Tony Northrup and Chelsea Northrup continue to offer up informative videos to help photographers understand and Learn the Art and Science of Photography . This latest video has Tony breaking down: the pros and cons of using teleconverters, how using one effects your focal range, image quality, aperture, and autofocus capabilities. So if you've been thinking about buying a teleconverter , this video may help you make a more informed decision before picking one up.
Here is an odd story coming out of Tel Aviv. The Israeli restaurant Catit has begun serving their food on a new set of plates which have been specifically designed to help their patrons take better images of their food. They have even created a specific menu which focuses on color and presentation to bring out the best in your Instagram photos.
High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.
Working on a film set is a great way to set yourself apart from other still photographers because everyone is shooting video nowadays. Before you try your hand at shooting a short or some video content, it might be a good idea to get some experience on a large-scale production and learn how the process works from professionals. I’ve been working on production sets for years and your first day on the job can be intimidating.