Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.
While the original source couldn't be independently confirmed, the studio behind the recently released movie, "Everest," apparently sent BBC a clip of the still unreleased film without audio effects. Instead, throughout the entire otherwise hair-raising scene, the actors speak to each other in a tone seemingly more appropriate for a focus group discussion between amateurs trying to solve a Rubik's cube than for a life-threatening situation climbing Mount Everest.
I love cameras: all shapes and sizes, formats, brands, and styles. No matter what kind of camera it is, I’m interested in what makes it work and what makes the image quality different than others. I enjoy experimenting with 35mm film, instant film, and all types of digital formats. I believe that using different cameras is a great way to better yourself as a photographer. Over the past several years, I’ve developed a decent collection of cameras and the more I obtain, the more I try and jam into my bag. At a certain point, I started to realize that my obsession was getting ridiculous and it just wasn’t practical to bring all of these toys with me to every shoot I had. This being said, where do you draw the line? And what goes into deciding what camera to bring with you? If you're like me and enjoy experimenting with different types of cameras, here is an inside look at some of my favorites and what goes into my decision process when choosing which one to bring with me to a photo shoot or on an adventure.
What do iconic movies like Dr. Stranglove, Alien, Psycho and Star Wars all have in common? They all knew how to create that, "Oh f**k" moment. You know the one I'm talking about. Every thing is fine. All good here. Wait a minute. What's that? BAM! Well Director Joey Scoma of RocketJump Film School shows us how to recreate those nail biting, butt clenching, knee jerking moments using tried and true video editing techniques.
We here at Fstoppers can forgive our beloved Trevor Dayley for jumping ship and joined the crew over at SLRLounge as long as he keeps turning us on to useful tools and tips like the Adobe Color CC app. This thing is so cool and it's free. Adobe never seems to stop enriching it's eco systems with improved connectivity and functionality. The Color CC app allows you to sample real world colors (you'll see what I mean by that in Trevor's video) or create color palettes from photos straight from your mobile device.
Recently, I have been experimenting with creating a sort of more intense style of headshot for certain clients who are interested in a more surreal, vibrant, look to their headshot as opposed to the more traditional headshot which is designed to to more closely emulate realistic lighting. The heavy cross-light look uses powerful lights that are positioned perpendicular to your the main light to create a strong highlight to the side of the face while living a distinctive shadow down the subject's cheek. Heavy cross-lighting can do a great job of building a sense of three dimensionality without sacrificing the soft, flattering, feel of a traditional headshot.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
Our next episode of "Critique the Community" will include any automotive imagery, cars, motorcycles, engines, or other vehicles. The above incredible image by Digital Macdaddy should inspire you to submit your best automotive photos below! Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.