The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
With the untimely passing of Paul Walker midway through the production of Furious 7, now in theaters, it was questioned for months how they would replace the unfinished shots needed with the star. Many stories were circulated including the complete scrapping of the film, but with the help of CGI and Paul's brothers Cody and Caleb Walker they were able to finish the movie and fill in the gaps that Paul had not yet finished.
Some of you thought that my post last week about photography accessories brand Photoflex suddenly closing its doors without warning after 30 years of business was a possible April Fools' joke. I wouldn't blame you since it seemed to be annouced late in the day prior to April 1st and they seemed to be a fully-functioning business right up until the final moments. I did email Photoflex to inquire about more information and they did just send back the following press release:
Instagram has been around for a few years now and it comes with no surprise people still want to find new and interesting ways to manipulate and push the limits of how it all works. Though the Instagram algorithm has its secret formula no one can seem to solve they still find ways to get around that, this time it's for fun. Thanks to a handful of advertising specialists and social media experts we now have Likecreeper!
I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.
The One Man Crew from Redrock Micro was a treat for small interview productions, whereby a fully automated slider could capture subtle camera moves and add tremendous production value. It wasn't without a few issues though, and for the last few years we had been hearing about a version 2 that would address these. Redrock has finally delivered.
When a fashion photographer travels between both coasts of the U.S., shoots assignments in the Caribbean islands, and spans the continents of Europe and Asia for work, it’s safe to say he’s “made it.” Living through those experiences when the stakes are so high prepares you for anything – and that’s experience from which we are all lucky to learn.
Let's face it; the industry is changing. Art directors and potential clients are not looking to simply hire a photographer anymore. They do not care about your lighting, your gear, or even your previous clients. So what do they care about then? Photographer John Keatley sits down with artist rep Maren Levinson at Redeye to discuss the future of photography, and there is a very good chance you are not going to like what she has to say.
Watch as LA based photographer Dan Marker-Moore shows us how he stitches hundreds of photos together to make one Time Slice image. Dan travelled Hong Kong and Shanghai to shoot the same landscapes at different times of the day. This series of photos were then color corrected in Lightroom before a composite was created in After Effects. By lining up slices of the photographs, that had been offset in time / exposures, the photos create a sense of time-in-motion for each landscape.
Photography isn't always the safest pursuit, especially when you delve into the world of documentary and travel photography. Shooting out in the field can be unpredictable, from the weather and terrain, to the wildlife and the local people. The more you push the extremes of your photography, oftentimes, the more risk you'll take — to both your gear, and yourself.
Nino Batista is my favorite writer here at Fstoppers. As one of the editors here, I don't make that a secret. His work here is always open, honest and so incredibly helpful to the readers, and to our own writing staff at Fstoppers. His talents as a photographer are only matched by his willingness to help others learn and grow in the field he loves so incredibly much. Sadly however, Nino Batista needs our help now.
Many makeup products can make the skin glow and can look great when associated with a good contouring. However, shiny products when used under strobe light can be difficult to dose out correctly. In a previous article I showed you a technique to diminish that glowing effect when too much highlighter or too few setting powder is applied. Let’s see how we can amplify the glow of the skin when more products could have been used to give a fresh look to your model's face.
If you haven't heard of the app Phhhoto you're certainly not alone. Phhhoto is a mobile GIF/cinemagraph/image sequence creating and sharing platform that was released last year on iOS and will be coming to Android in the future. As of this week it now has over a million registered users and is really starting to take the world by storm. I'll admit I didn't really take it seriously myself until I saw Jeremy Cowart post a couple Phhhotos. After having messed around with it for the last week I can honestly say it has me pretty excited. I'm on Phhhoto and here's why you should be too.
Matt Mangham, the director of photography over at fortyonetwenty – a San Diego production company – has recently created a personal photography series titled Analog where he finds and tells stories that explore the current state of film photography. Episode one of the series follows Southern California lifestyle photographer Brooks Sterling as he heads out to a surf shoot with his trusty Nikonos underwater camera.