In B&H's latest episode of "Wedding Photography Tips" wedding photographer Susan Stripling offers up some solid nuggets of advice for you to chew over before taking on your first wedding gig. Susan addresses some really important issues, that a lot of shooters wouldn't even consider, prior to embarking on a career in wedding photography.
Keeping track of contracts and payments can be somewhat cumbersome. If you're like me, sometimes you want to write everything down and have an excel spreadsheet just to double check everything. Along with that there is a neatly organized folder on your hard drive, external, and hard copied in a cabinet somewhere. Agree wants to eliminate a majority of the hassle we experience in our day to day when talking to clients.
Every year Crankworx holds a Mountain bike event in Whistler, Canada that is a combination of downhill, slope-style and enduro competitions. They also host the Deep Summer Photo Challenge, where they put six photographers head to head, with the challenge to build a slide show that showcases mountain bike culture within Whistler. Watch this behind the scenes from Laurence Crossman Emms, as he explains the thought process behind his slide show that later becomes the viewers’ favorite.
The Department of Energy (DOE) recently gave final approval of $168 million in funding for what would be the most powerful (and likely most expensive) camera to date, created for the new, primarily National Science Foundation-funded Large Synoptic Survey Telescope (LSST) that will live on the peak of Chile's Cerro Pachòn.
There has been a disturbance. Have you felt it? Some astute photophiles (not a word I just made up) have noticed a change in quality in their posts when Instagram pushed a photo to Facebook after the most recent update, 7.5. So I decided to run a few comparison tests of my own to see if the quality really was different, and why my photos suddenly started to look so gritty.
Musicbed, the music licensing website in which many filmmakers rely on for quality pieces to accompany their videos, has launched a new site with big goals in the film licensing sector. Filmsupply is not content with the way stock footage tends to always stick out, and wants to change that with a highly curated library from hand-picked contributors.
Oh the world of high end retouching. This week cosmetic company Dior released a new video and ad campaign featuring their hot spokeswoman, Jennifer Lawrence. With a not so subtle nod to Sharon Stone in Basic Instinct, this new lipstick commercial isn't so bad upon first watch. Social media has gone ablaze however once screen grabs from the video have been making their way across the internet. Where are Jennifer's eyelids! We have the behind the scenes video to see where things went wrong.
Platon has photographed many of the world's most powerful leaders and biggest celebrities and often shoots covers for magazines such as Wired, Esquire, Newsweek, Rolling Stone and New York Times Magazine. Most recently, he captured comedian and TV show personality Stephen Colbert for the cover of Time, which you can see in the video posted above. His style of shooting proves that you can take some of the most legendary portraits of our most powerful people with nothing but a light or two and a real connection between subject and photographer. In fact, I learned that from him directly when he came to teach a couple of classes to some of us lucky photo majors back at Rochester Institute of Technology over 10 years ago. It was those classes that changed my view on portrait photography forever.
VSCO Keys is no more. There is no glorious explanation, no plans for a big, better, more badass version.
Today, mass emails filled the inboxes of photographers everywhere letting us all know that the maker of some of the most popular photography mobile software and editing presets was calling it quits with the beloved Lightroom shortcut plugin.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?