Photography is a business largely built on referrals, word of mouth and reputation. How you present yourself to others and take advantage of chance opportunities can make or break your career. Are you presenting the best possible version of yourself to clients and fellow photographers?
Creativity is the core building block of every great photographer. Those who know how to foster and stimulate the power of their creativity often can enjoy a tremendous boost in their work. Some methods such as listening to music or getting hammered are pretty common knowledge but there are also an endless collection of somewhat less orthodox methods that are also worth giving a whirl!
Holy butts. Sometimes the fact that I'm an artist and I'm allowed to get weird slips my mind. I don't have a boss, I'm allowed to create what I want, I'm allowed to try new things for the sake of playing, and I'm even allowed to start a blog post by saying "Holy butts." That rocks.
The number one questions I receive when talking about Instagram is "How do I build a huge following like you?" and I usually laugh and reply "I honestly have no idea." Though this is true in some sense, there must something attracting these people to follow me by the masses. Whether that be by liking, commenting or even reaching out to collaborate it's still a bit of a mystery to me. Beginning today I am going to break down the various ways to use Instagram for business but first I want to give you all 3 comprehensive steps to building a huge following.
As photographers, we meet people that come from all over the world and that sometimes speak very exotic languages. This is great, and I absolutely love it. However, it sometimes is a problem. For example, I use to proof and deliver my images using a web gallery. I have tried many of them: SmugMug, Pass, Zenfolio, PhotoShelter, etc. Despite the simplicity of their design, some of my clients would just not understand how it works because they did not speak a single word of English apart from "hello". So I looked on the web for quite some time to find a solution, I finally found it a couple of months ago, it is called PhotoDeck.
Berlin-based photographer/retoucher Erik Johansson creates wildly imaginative and often surreal images that has us posting on his work time and time again. Erik's images have been defined as a complex combination of his own photographs that captures ideas rather than moments. As impressive as his finals are, it was this simple 20 second video that caught my attention this time. You get a pretty good idea of Erik's technical process and if you're anything like me, you'll be motivated to create an Erik Johansson inspired piece of your own.
Have you ever wanted to create a dramatically lit portrait but you have felt limited by your lack of camera gear? Pye Jirsa over at SLR Lounge has just released a very technical video showing how you can accomplish complex lighting with just a single on-camera flash. The results are pretty incredible, and I would have never thought these images were created with such a simple lighting solution.
Jane Ridely of the New York Post revealed a compelling story of New Yorker Mark Reay, who for years has worked as a High-Fashion Model while living homeless. The rooftop dweller breaks the stereotype of the dirty, lazy, drunk that we tag along side our homeless community. Reay's roles and his look as that of the sophisticated and affluent. On set and walking through the streets of New York, you wouldn't guess that the well-dressed and well-groomed model may just be headed to sneak off to his rooftop sleeping quarters.
Yes, you've read that correctly. Nokia, the former maker of my favorite cell phone in which I could play "Snake" during high school math class, has entered the hot new virtual reality camera market. A lot of the camera details are scarce, such as pricing and when it will ship to the consumer market, but there are some key functions I am very intrigued by. As Fstopper's resident virtual reality filmmaker, I am hesitantly optimistic. Read below to learn why.
Recently, Richmond Virginia-based wedding and portrait photographer Meagan Abell made a stunning find in a thrift-store box of old images. Among the half-century-old family snapshots she uncovered a set of jarringly beautiful transparencies (slide film) and a desire to find the women on them. The #FindTheGirlsOnTheNegatives campaign has, overnight, caught fire, garnering worldwide attention and press. Ms. Abell was kind enough to take a few minutes out of her schedule of NatGeo and BBC calls to chat with me for an exclusive interview.
I am probably going to piss off Lee Morris and Patrick Hall and probably some of you with this post but there has been a lot of conversation lately, including multiple posts on Fstoppers.com, about ‘discounted,’ ‘gray market’ and ‘on sale’ cameras dramatically priced lower than their manufacturer’s suggested retail price (MSRP).
Gear, of course! Camera bodies and lenses galore! Nothing makes you a better photographer than dumping thousands of dollars on the latest technology! Right? No? Ok, I digress, I guess blowing all your hard earned (or borrowed) cash on the latest and seemingly greatest in camera equipment is probably about the least effective thing you can do to improve the quality of your work. So what SHOULD you be spending your money on then?
I've made 2 posts on Windows in the last couple of weeks and people seem to think that I'm a Windows hater. I'm not. All of my computers are Windows machines. Every computer in the Fstoppers office is a Windows machine. But I'm not some fan boy who is going to lie about my experience either and Windows 10 so far has not been a good experience.