Adobe has been king-of-the-hill when it comes to high-end photo editing for as long as I can remember. With the exception of programs like Gimp (I only know one working professional who uses this, for reasons beyond me) Photoshop is the undisputed industry standard. That may be a thing of the past if Affinity Photo has anything to say about it.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Even if you're new to this site, I'm pretty confident you've seen some sort of article about this unique photo series in which Michael Paul Smith builds intricate models and photographs them to recreate scenes from his imaginary childhood. Even I marveled at the fact that these were photographs of 1/24 scale models and not real scenes from history. Soon, Smith will be releasing a book called "Elgin Park" in which he explains his creative process and his life. If it is anything like the video above I will absolutely read it.
Photography, for many of us, is a very personal ambition. As with any art form we pour our blood, sweat, tears, and heart into every project be it a paid or unpaid venture. Many of us put so much emphasis on the success of our creations that we are afraid to share them with the world. Many great pieces of work go unseen because of this irrational fear we hold.
One of those most important parts of any portrait sessions is what happens after the shoot is over. In the last part of this series I want to talk a bit about the end of your photo session, and how you can ensure you have a happy client that will not only come back for more but will tell their friends how awesome the experience was. Almost every day I get a call from someone asking me to advertise on Google. I simply reply “no thank you” as I don’t feel that Google can compete with word of mouth. As I have mentioned in first part of this series, word of mouth is one of the most powerful advertising weapons you have, with the ability to grow your business exponentially. This will be a bit different for everyone, but I think you can take this and apply it to any type of photography session you do.
With companies like Profoto and Elinchrom offering an increasingly broad range of self-contained strobes, Broncolor was no doubt feeling left out with its predominantly pack and head oriented lineup. That’s all changing now with the release of the new Siros strobe; a compact, wall powered, feature rich and wallet friendly flash unit.
While on location for Red Bull's King of the Air in Cape Town, South Africa, digital art photographer Lars Daniel Terkeleson caught up with professional rider Nick Jacobsen for an incredible photo session. In a unique approach to using speedlites in sports photography, he was able to capture action in rare form against the breathtaking South African sunset.
Thunderbolt docks have always been something that I've wanted, but haven't absolutely needed. The $300-$500 price range of these little all-in-one boxes didn't spark urgency in my search for the perfect dock either. Given a little time for the excitement (and price) of Thunderbolt-related technology to die down a bit, however, the prospect began to grow more interesting. An improvement on their previous dock, CalDigit's $200 TS2 seemed to be the perfect connection dreambox at the right price. So how did reality fare against expectations?
I first came across the work of Colorado-based photographer Drew Lundquist in 2013 when he was working for the powerhouse advertising agency Elevendy. Lundquist is a composite photographer who specializes in what he labels "theatrical special effects photography." His composite work is extremely clean with an immaculate attention to detail. Everything from his compositions to his color work leaves you wanting to see more and more. Lundquist's work has been featured numerous issues of Advanced Photoshop Magazine, and his work is the cover image for the current edition of The Professional Photoshop Book. Lundquist is well on his way to becoming one of the big names in the compositing game. I highly recommend taking a few minutes to check out his work.
If you missed last years Fstoppers Photography Workshops in the Bahamas, you may not know what it's all about. From May 13th -19th we Fstoppers will once again have 20 different photography workshops take place at Atlantis Resort in the Bahamas. In this video Lee and Patrick answer everyone's top questions about the event.
Canon announced the addition of two new DSLR cameras to its EOS Rebel lineup: the EOS Rebel T6s and the EOS Rebel T6i. Featuring a newly developed 24.2 megapixel Canon CMOS imaging sensor, both cameras deliver the highest resolution available amongst EOS models with an APS-C format sensor. Both cameras feature built-in Wi-Fi and NFC capabilities.
After weeks of rumors and speculation, Canon has finally confirmed that the megapixel monster known as the 5Ds/5Ds R is real, and coming to stores here soon. Boasting 50.6MP full frame sensor, Canon has surpassed Nikon and Sony, offering us the highest resolution to date for a DSLR camera system. Alongside the new cameras, is the 11-24mm f/4L, finally bringing an updated ultra wide angle to the Canon lineup.
Have you ever been lost in a daydream? Photographer Adrian Sommeling will let you stay in his. He creates mind-blowing composites that let you imagine a whole story at once, giving the viewer an ability to internalize and translate with their own meaning, in a surreal world.
Recently, I sang the blues about being a careless photographer on Facebook, Twitter, etc, and that culminated in the article Don't Be An Annoying, Whiny Photographer on Social Media. While I stand behind the points I covered in it, I've heard tons of feedback already. "Ok, wiseguy, what should a photographer do on social media then?" is the general message I've been seeing. I might have likened these behaviors to that of young children, and that might have not set well some shooters out there.
Whether it pains you to see hundreds to thousands of dollars of expensive equipment be destroyed in an instant or you experience some kind of morbid pleasure from it, after you start watching this compilation of drone crashes it will be difficult tear your eyes away. From wild rams who decide that they would rather not be filmed to spontaneous quadcopter failures to the classic “oops, there’s a power line there,” the video shows a multitude of different ways to crash a drone that will make you wince.