One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
San Francisco, a city of picture-postcard beauty wasn’t always as pretty as it is today. Semi-industrial ‘wastelands’, like the South of Market (SoMA) neighborhood, have been transformed into expensive, hip hoods, filled with tech firms and wealthy tech workers living in luxury condos. Let’s cast our mind back to a time not long ago, a time before the internet and the associated tech money that has changed the city so dramatically, and remember what San Francisco used to look like.
Offering next-level follow filming, the Ghost Drone can automatically follow you and be controlled via smartphone. Recently, professional kiteboarders Jullien Fillion and Jason Slezak put the device to the test by having it follow them on foilboards over the clear blue waters of Maui.
Building a quality portfolio can be an expensive endeavor, especially if you don't budget and carefully consider your costs. Putting together professional quality shoots on a budget can be challenging. After experiencing some of the wide variations in cost for things like models, makeup artists, and the other essential pieces of a shoot, I wanted share my experiences and lessons learned the hard way.
Since launching their two mobile photography lenses last year, the Moment team in Seattle has been working hard to improve other aspects of the mobile photography experience. They have revealed their newest creation, the Moment Case, which works in conjunction with their mobile app and current two lenses. With the Moment team’s success with using Kickstarter on their last project, they have decided to turn back to the site to fund the Moment Case as well. The best part is, it’s available for order as of today, and lucky for me I had the pleasure of being the sole individual outside of the Moment team, to test the prototype case prior to today’s launch. However, it’s currently only available for the iPhone 6, which is making me wish I didn’t pick up the 6+ a few months back.
About a month ago I listed some of my favorite editing tricks and while experienced editors knew the deal, I got a lot of feedback saying that at least one or two of those techniques were helpful for people who have only started to edit videos in the last few years. So here are 5 more, some maybe a touch more advanced, editing tips for the video editors out there.
In this episode of Critique the Community, we are joined by architectural photographer Mike Kelley. Mike has been a long time writer for Fstoppers and last year Fstoppers produced the highly proclaimed photography and Photoshop tutorial Where Art Meets Architecture. Today Mike and I give an extended critique of 20 architectural images submitted through the Fstoppers Community.
A big portion of my work comes from clients in the tactical and law enforcement industry. This past week I attended a trade show for my industry. I knew this was going to be an amazing opportunity to network, make connections, and, fingers crossed, make some new clients. I realized I needed to come up with a strategy that would set me up for success and assure that I got the most out of my experience. A made a list of ideas to try out. I took the ones that worked the best and developed this simple five step plan that will make your next trade show visit a beneficial one.
The CASE remote is a wireless device that creates a mobile hotspot attached to your camera, providing you with live-view connectivity on your mobile device. One can easily control shutter triggering, HDR, focus stacking, time-lapse, and photo transfers from your iPhone, Android, or tablet. Fstoppers had the opportunity to give this device a spin and here's what we thought.
Featuring the one and only comedian Randall Higgins, Call of Duty: Advanced Warfare Havoc has released this outstanding trailer for what they call the "KillCameraman." Poking fun at the obvious first person shooter point of view and how there's always a replay and video playback in a video game war zone. This is just an all around fun and perfect promo video to entertain us before the release of the new in-game bonus packs.
London-based product photographer Sean Tucker is releasing a three-part video series on photographing large objects, such as chairs and sofas, in a studio setting. Here in part one, Tucker demonstrates how to set up your lighting and camera in order to achieve a great, clean image that will be easy to cut out in post-production for online product catalogs.
As a designer I've always been fascinated with branding and the history of logo marks across many top-tier brands. From Apple to Adidas, every brand has its story, and some of which are disputed. That includes Nike and their iconic Michael Jordan "Jumpman" logo mark used on the wildly famous Air Jordan shoe line. Photographer Jacobus Rentmeester is now suing Nike in Oregon Federal Court for copyright infringement on the photo he shot in 1985 of the famed basketball star in which he says the logo was based.