First, second, third, and fourth generations of several companies’ drones are now out on the market. But it’s only as we head into 2016 that the drone race is really on and that all the other possible players with their collectively interesting ideas who might have lagged behind a little are now crossing the halfway point. That race won’t end anytime soon, as the consumer drone market’s innovation is only picking up. I caught up with Vantage Robotics Co-Founder and CEO Tobin Fisher on a beautiful San Francisco morning on Crissy Field, where he let his company's new 4K drone, “Snap,” do just that.
If you Google the solar system, you will be shown images of all the planets in our solar system laid out in the order they rotate around the sun. The problem with these images is that each planet's respective distance to the sun is not shown to true scale. This leaves the viewer without a true understanding of just how far away each planet is from another. That’s why Alex Gorosh and Wylie Overstreet set out to make a true-to-scale representation of the solar system.
The Steadicam was invented in 1975 as a mechanical way of stabilizing video cameras. In 2013 Freefly introduced the Movi, an electronic gimbal that basically made your average Steadicam obsolete. Since then the price of electronic gimbals has plummeted to a level that the average consumer can actually afford. That hasn't stopped Sachtler from creating a hybrid stabilizer that costs $45,000.
I have always been a firm believer that the best camera is the one that is with you. Images are about story and feeling, not megapixels and dynamic range. When a moment happens, you want to be ready. Buttons, menus, confusing UI and accessories just delay a photographer from capturing those moments right at their peak. The less switches, buttons and taps your camera takes to get ready to take the shot, the better off you are to be ready to take the shot.
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
It could be argued that the 80's pushed the experimental envelope further than any other decade before it. For the first time in history, consumers were able to watch movies in the privacy of their own homes, the camcorder brought home video recording to the masses, and digital technology opened the doors for tons of horrible musical and visual effects. When you combine home education with the ridiculous fashion of the 80s, you get this: pure comedy gold.
Yesterday, we posted Part 1 from our latest episode of "Critique the Community" on un-posed wedding photos. For this episode we promised to give feedback for every single image that was properly submitted. If you missed the last video, we went through a little over half the images and gave our thoughts. Today, we'll be giving feedback to the rest. Check them out below.
Nick Saglimbeni teamed up with the visual effects guru Raffael Dickreuter to create a lighting tutorial unlike anything I've ever seen before. Instead of simply filming their location, they completely recreated it in 3D to teach photography and lighting on an entirely new level.
It can be too easy to focus on giant light modifiers and expensive strobes as being where you should spend your money when optimizing your studio, but it can also be handy to consider some of the cheaper, less obvious, options that will help make your shoots go smoothly. In this article we take a look at five less common and cheap pieces of gear that can improve your next shoot.
With all the hype surrounding the release of the Sony a7SII, the wait to order it is finally over. Sony has created this camera body to revolutionize the way cinematographers shoot with DSLRS. Although the cameras probably wont ship for another month or so, this camera is worth being first in line for.
The current king-of-the-hill 35mm, the Sigma 35mm f/1.4 A DC HSM, costs $900. That's not too shabby for a lens that absolutely dominates its "L" and high-end Nikon competition, which both cost significantly more. Canon and Nikon offer budget 35mm options: a f/2.0 IS and f/1.8G, respectively, both of which cost under $600 and are no slouches themselves. With the availability of extremely well performing 35mm lenses at the sub-thousand-dollar price point, why on earth would someone buy a slow (f/2.8) 35mm for $800?
The iPad may work as a laptop replacement for casual web and email surfers, but for us photographers, it's not really a professional tool. Many photographers still own an iPad as a digital portfolio or for casual use, but its simplified operating system makes using it professionally very difficult. Apple is taking a big step forward with the iOS 9 update which finally allows multitasking and it's available right now.
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.
The new Canon 5DsR is already known for its crazy large megapixel count. At just over 50 megapixel, it is currently the highest megapixel full-frame DSLR on the market. The file size of each detail packed raw file is around 60mb. That’s about 16 images per gigabyte of card space. Now imagine 825 images being combined into one super sized panorama. That’s what David Bergman did when he created a 20,000 megapixel image of Yankee stadium.