Here is the exciting conclusion to the New York City Photo Throwdown episode. Just after their REFOCUS last week, Chris Fain and Jennifer Rozenbaum are now going to get down to the nitty gritty and putting their finger to the shutter to shoot street performer Matthew Silver in the Peter Hurley Studios. YOU decide the winner of this episode of Photo Throwdown!
Anna Mia Davidson has been shooting and documenting sustainable farmers in the Pacific Northwest for the past seven years. The USA Television Network and Aperture collaborated for a campaign called, “The Character of America,” which commissioned nine photographers to document the positive aspects of America. Anna was one of those commissioned to further her personal project under that campaign. She also gained further funding from Fotodocument to be able to complete the project.
Finding clients is a challenge all by itself so when we are fortunate enough to have some in our corner it is a natural reaction for us to go above and beyond the call of duty to keep them happy. While this is admirable from a customer service point of view it is not always feasible to say yes to every request. Here is how I have learned to overcome my fear of saying “no” to a client.
The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.
French photographer Eric Pillot traveled to zoos across Europe for his project “In Situ;” capturing the artificial habitats of the animals who reside in captivity. Pillot’s images portray a sense of disconnected sadness as animals pose with downcast eyes against vivid backgrounds.
Dirty backgrounds are something that most of us have had to deal with at some point. Sometimes, all we need to do is clean the background. Other times, it's actually better to do a full background replacement. The full replacement can be as subtle as eliminating shadows and sensor dust or something as drastic as changing the background color. In this tutorial, we go over an easy, but precise, way to do this.
Let's face it, smartphone cameras are getting better and better with every release. Mobile photo editing software is getting better too, and with the rise in popularity of Instagram over the last four years, sharing vintage-looking photographs have become quite the trend. Online content studio Rubber Republic produced the #PictureBelfast campaign for Tourism Ireland featuring fashion and lifestyle blogger Donna Ross going head to head with Belfast based photographer Andrew Rankin. Their challenge was to take photographs showing off the best of Belfast – half with a smartphone and half shot on film – where Internet users would try to guess which method for each image was utilized.
It seems like everyone and their accountants have known someone who had the inside scoop on the details surrounding the highly anticipated GoPro 4. Every week, Facebook feeds would explode with the latest outlandish rumors, getting even the most tepid of us excited. Well, these latest rumors may in fact be the real deal.
Over the last several years, I’ve been fortunate enough to grow an audience wider than I’d ever thought possible. From the days of taking photos of whatever was in front of me, to speaking at the Phase One Stand Out Photographic Forums this October in LA and San Francisco, it’s been, to the say the least, quite an adventure. All that would not be possible, however, if it wasn’t for the Google and, more importantly, a core group of photographers who, at one point or another, shared with me the answers to questions that had been burning so bright in my mind, that I literally couldn’t sleep until I’d found a satisfactory answer.
You may have noticed during our studies of umbrellas and technique that we have been lighting everything in a very direct manner, illustrating some very basic techniques for you to test out with your own photos.
Those techniques will serve you well, and can be used to create beautiful photos. But it’s time to try something a bit advanced, something that will give you the ability to better control your umbrella light and impart your own style into the photo.
The FAA announced yesterday that it is giving certain exemptions and special status to six video production companies that would use these exemptions specifically for the purpose of aerial filmmaking with drones. While information about the process of earning an exemption is scarce, these production companies were approved after consideration of a special request that they sent to the FAA -- 40 more of which have been sent in by numerous additional production companies and are supposedly still up for consideration.
You've finally made it - You booked your flight, double checked your gear and... You're in the Arctic. It's your first night, and the northern lights begin to form up in the sky. The adrenaline starts to flow as you're gearing up and rushing outside to find the perfect location for your perfect shot. It's only when you're settled in your spot that you begin to realize - It's not exactly a walk in the park to operate the camera with your warm and cozy gloves, and just as you get the hang of it - Your camera warns about low battery level. As you probably have guessed by now - photographing in the Arctic weather during the winter can be somewhat challenging and different, especially if you're coming from temperate climates.
The great thing about the program Lightroom is that there are usually a number of different ways to accomplish a task. In this video I show you one fantastic way to create some nice colors in your photo by using a slider tool that you might not have even touched before. As I usually do the video is short - about 2 minutes - and I've provided some samples below to see a before and after as well as steps for those that prefer to read it versus watch a video.
A documentary about 97 year old Harold Martin, a Australian POW survivor from WW2, traveling back to the Burma Thai Death railway to find the grave sites of his fallen mates.
Photographer Samm Blake met Harold in her parents cafe, in the town of Albany, Western Australia. This started a multi-year project of filming, photographing, and performing audio interviews with Harold across the globe as he traced his story.
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
Today, the team at Oregon Live exposed a new rule proposed by the United States Forest Service, that, if passed, will take effect in November. The rule calls for any member of the "media" to first apply for a permit before being allowed to take photos or video on 193 million acres of designated wilderness areas. Oh, and by the way, the permit costs $1,500.