Search Results for: food
One of the biggest niches in commercial photography today is food photography. We’ve all had the same experience, walk into a small local restaurant and ask to see their menu. The photos look atrocious and you wonder to yourself, “who took these photos?” You know you can probably do a better job, but how much better can you really do? “Photographing Food” an ebook series by Taylor Mathis helps you take ordinary food photos and makes them extraordinary. [more]
When you are on a food photography shoot, you will hear the term the “Hero _____ ” throughout the day. DO NOT EAT THE HERO. The hero is the picture perfect version of the food that will be in the final shot. Here is a look at what goes into finding the hero for your shot.
I’m a big fan of clever puns. I’m an even bigger fan of puns done in an original way, which is hard to do these days. The Instagram / Tumblr account “Talking Food” has blended the awesomeness of food photography and pop culture puns like “Go Shawty It’s Sherbert Day” and my favorite “Batman and Reuben.” If you have a few minutes to kill check out the page for over 100 puns that will put a smile on your face and food that will make you hungry. The most impressive part, the graphic design is all done on an iPhone. [more]
For beautiful salivating food photography, you don’t need a lot of lighting equipment. To create a shot that will make your viewer’s stomach start to rumble you only need one diffused light source. Using only one light source creates a natural look with one set of shadows. By changing the direction and intensity of these shadows, you can create countless lighting scenarios that will leave your viewers hungry. Let me show you how one light can provide many options.
Have you ever looked at a picture of a dish and been embarrassed? It could be that a sliver of drool escapes from your salivating mouth. Or you could be a crowded place and looking at a food shot causes an embarrassingly loud rumble from your stomach. Looking around and pretending that it wasn’t you won’t save you. The food photographer and stylist have done their jobs. They have made you hungry. So how did that do it? [more]
Have you had trouble lighting reflective surfaces? If you were given a food like ceviche to style, would you know where to begin? In this post, I am going to show you how I styled and shot a scallop and peach ceviche recipe. Here is a little background on the shot. The recipe developer meant for this dish to be served at an outdoor entertaining event, and wanted to highlight the light refreshing nature of the dish. With this in mind, I chose lighting and props that would help communicate this. Here is how I created the shot.
Have you ever wished you had an extra hand that you could set a prop in and know that it wouldn’t move? Fortunately photographers and videographers have dozens of clamps, clips, stands, and arms that allow them to place any piece of lighting gear, lighting modifier, or prop anywhere they would like to. You could have a model or member of your crew hold a utensil in place, but there is a high chance that they will experience fatigue and drop the food. Here is a solution that uses grip gear to ensure your food will stay in place for as long as you would like.
What do you do when you find yourself in a restaurant without a decent window to shoot by? You will have to create your own light. If you are new to food photography and never had to use artificial light to light a dish, you may find yourself unsure of where to start. You don’t need multiple flashes and a bunch of modifiers to create a beautiful shot. All you need is a flash, a light stand, a large diffusion source, and a piece of white foam board. Here is how I use these tools to create a beautiful backlit shot.
How do you choose the right aperture for an image? If you are shooting at night with only available light, you may prefer a faster, wide open aperture to let more ambient light through your lens. If you are shooting a landscape, a smaller, stopped down aperture will give you a deeper depth of field and ensure your whole landscape is in focus. On the contrary, if you are doing a creative portrait session, a shallow depth of field can create an interesting and captivating portrait. If you are new to food photography, you may find yourself wondering, “What is the best aperture to shoot with?”
If you live in the Northern Hemisphere, Summer is officially here! This means plenty of picnics, outdoor barbecues, and many more occasions where you can take pictures of food outside! When outside, you won’t have control of the weather conditions. To be able to have nice, soft, diffused light in any weather, there is one piece of equipment that I always bring with me. It is small, light-weight, and essential to creating mouthwatering pictures of food on a bright sunny day. Can you guess what it is?
“Oh, I can just fix that in Photoshop® after the Shoot.” Have you ever heard a photographer say that, or thought that yourself? Yes, Photoshop® is an amazing program that can fix almost anything, but the time it takes to do so is often longer than just fixing it on set. Worse than the time it takes, what if it is something that you just can’t fix? Having to tell your client that you need to re-shoot something when you could have easily fixed it on set could be an expensive mistake to make. When shooting food, many solutions to retouching problems will costs less than $5. Here are a few of my favorite items that will save you time and money on post-production.
There are many different surfaces that you can shoot your food photography on. You can use a table in your kitchen, a table in a restaurant, the floor, or any other flat surface that you can find. When selecting a surface, the colors, patterns, and textures of the surface will have a great effect on the look and feel of your final image. With the background playing such an important role in your image, there should be some thought put into what you shoot on. The best way to control this is to make your own backgrounds! Let me show you why wooden planks are my favorite surface to shoot on.
If you follow us here on Fstoppers, you know how much we love food and food photography. For the past few months we posted here countless of tutorials, methods, tricks and business tips to help you take your food photography to the next level. Now it’s time for some inspiration: Check out this set of delicious-looking dishes that will leave you hungry. Very hungry.
What is the best lens? If you shoot wildlife, a long zoom lens will bring you close to the action but allow you to keep your distance so as not to startle your subject. If you shoot architecture, a tilt shift lens will allow you to make sure all the lines of your room or building are straight. Shooting weddings? You will most likely need a lens that can zoom for a variety of wide and close shots. When photographing food there is only one way to get those close up mouthwatering shots that your clients desire! Allow me to show you how a lens with macro capabilities will change how you shoot food! [more]