It seems like Stillmotion is never content sitting still for long. These Portland based filmmakers have spent the better part of a decade chasing their dreams and doing so on their own terms. The one consistent thread for Stillmotion has always been executing amazing stories that need to be told. [more]
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As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.
Now before you decide that you aren’t interested in wedding videography let me say that StillMotion’s work is unlike anything you have ever seen before. If you are a fan of flim and story telling then you will be blown away by what this team is capable of creating out of totally candid moments. Watch the informative video below and click on the full post to see their last 2 wedding trailers.
Stillmotion is a group of photographers turned videographers whose work literally knocks me out everytime I see it. Watching their final products is sure to change your view of wedding photographers in general, and for me personally, they make me feel like I have no clue what I’m doing behind a camera. Check out this BTS of them working on a Trash the Dress session and click on the post to see what they can do with a full wedding. It’s absolutely amazing!
The following is a guest post by Patrick Moreau of Stillmotion:
As image makers, we know the power a photo can have. Whether in the context of a wedding, a magazine ad, or even a simple a snapshot of your kids when they weren’t expecting it; the emotional effect of a photograph can be all-encompassing. Worth a thousand words, as they say. But can a photograph change the lives of thousands of people around the world?
As 2013 comes to an end, many of us are starting to think about fresh starts and goals for the New Year. For most, 2014 will mean expanding and upgrading gear or even taking a leap of faith. Personally, I’ve taken a very counter-intuitive leap of faith. I sold the most expensive video asset that I’ve ever had: My RED Scarlet. [more]
A couple of months ago, I created a video tutorial to show how camera movement can affect your story. The take away from the video and article was that filmmaking should be about the sexiest camera movement, but instead the focus should be on camera movement that fits your story. Learning how to put my story first was something repeatedly drilled into my head while attending a workshop by filmmakers “Stillmotion” last year. Stillmotion’s story-first approach has been the key to their success and has helped them land huge contracts shooting the Superbowl, Callaway Golf and Canon just to name a few. [more]
“Trevor, I see that a lot of people are visiting my site, but no one is contacting me for business. What can I do better?” I get this question quite a bit either via email or at the workshops I teach and while there is no magic solution that will work for everyone, I’d love to share what has been the biggest game changer for me in my business. [more]
Last week I was at Disney with my family and had my DSLR with me to get some good photos, but I hadn’t planned on shooting video and there was no way I was going to haul a video rig with me around the park even if I had planned on it. When I shot video I made sure to lean on something stable and let stationary objects do some of the work for me without the shake of my hand affecting the shots. [more]
DIY photo/video gear projects can almost always save you a few bucks if you have the skills and time to make it. But there are a few DIY gems out there that can save you hundreds of dollars, if not more. One of these gems is stillmotion‘s tutorial on 3 point lighting for video interviews made from a whopping total of $26! They did a great job of pinching every penny while still yielding a great DIY product. If you end up trying this (or variations of it) we’d love to see your outcome in the comments below. Enjoy! [more]
This is a crazy concept that is truly amazing: Directed by Emmy-award winner Patrick Moreau of stillmotion, the docu-short PULSE profiles the making of the BioBeats app, a new technology that utilizes cameras to generate custom music based on a human heart rate. The subject of this short is awesome in itself, but it’s also one of the first Short films to be done on the Canon C100. Let us know what you think! [more]
As a photographer just starting my own wedding photography business, I quickly realized how much pro gear really costs. I don’t shoot often enough to afford all of the gear that I need but when I do have a shoot, I like to use professional gear and I like to have backups in case something breaks (especially for weddings). For those of you who are just getting started like me, or those of you who need specialty equipment, you may want to consider renting gear. [more]
We get asked to show our lighting for our Fstoppers Original interviews all the time but it seems like we always forget to shoot our lighting schemes. StillMotion just released a killer video that shows how they light interviews with key, fill, hair, and background lights. By using Profoto’s new HMI lights with Air remotes, you can easily change the output of each light without moving from behind your camera. Of course all of this still applies to still photography as well.