Robert Gallagher knows his way around commercial photography. On this assignment, he puts Matt Kemp, a baseball player for the Dodgers, in front of the camera to shoot the cover of Forbes Magazine. As can be seen in the video, the studio set up includes 4 different lights. With a few assistants, Robert also manages to snag a one-light shot in the tunnel heading out to the field.
As a photographer, there’s often one question I hate little more than “I was wondering if you’d take a couple shots for me for free?” However, as human being, I think there’s something to be said for photographers and videographers offering to do shoots for which people can never repay you. [more]
If you remember Simeon Quarrie, you’ll recall that he goes out of his way to please his wedding clients. A couple months ago we featured his ridiculously stressful same-day edit from his wedding day video team. In this shoot, Simeon goes above and beyond once again to deliver a really special experience to his clients.
Recently, some of the engineering crew from Duke University with the assistance of scientists from the University of Arizona, University of California – San Diego, and Distant Focus Corp decided to slap together 98 minuscule cameras, each with a 14-megapixel sensor and capture an image with all of them through a single lens.
Alex Koloskov has had a few of his behind the scenes videos featured here on fstoppers. In this charismatic behind the scenes video, Alex takes the photography assignment of shooting some liqueur bottles in an attractive way and walks us through his set up. His in depth explanation of the lighting and staging process gives you a great understanding of how he got his final “sexy” shot.
Everybody know’s Hawaii can be a dream vacation. Aaron Feinberg shows us how beautiful it actually can be. In three days, he traveled around the island of Kauai and spent the best hours of the day photographing some of the most beautiful places of the island.
Bokeh is the out of focus or blurry areas of a photograph. The wider the aperture a camera is shooting on, the softer the Bokeh is. In this cool DIY video, Matt from Make Magazine, shows an easy way to add a little flair to your pictures by creating custom shapes for your bokeh. Although everyone seems to break out this technique with stars and hearts around Christmas time, as Christmas lights are a great light source for this technique, here are a few more creative examples.
Besides getting a great glimpse into the filming of a well put together sunscreen commercial, Gary Lankford offers some great perspective on the usefulness of DSLR’s as opposed to using some of the bigger and more expensive rigs that might be out there. The versatility of having several cameras and being able to take them anywhere can outweigh some of the higher quality option cameras. Check out the final commercial below.
This little clip shows you how little equipment you need to create an eye catching scene. The Theory uses a simple mini projector and an iphone to create a creative high speed police chase. Although this kind of technology has been used for a little more high end commercial output, it’s refreshing to see people having fun and doing it well. What kind of projects do you think this could be used for?
If you keep up with fstoppers, it’s likely you saw some unique portraits posted HERE using the Brenizer Method. This post explains that method a little more. If you want to hear Ryan Brenizer explain his own method, he posted his own video on his website. If you you’re too lazy to watch the whole thing though, here’s a summary with some examples.
Gregory Villien is a true renaissance man when it comes to media. I was not only blown away with his compilation of slow motion sports clips, but after visiting his website, it’s clear he’s a man of many talents. He’s got a collection of his own photography, music, designs, and other projects. This guy dabbles in it all.
Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.
Ryan Mcmanus from Brothers Films and Stefan Weiss from Weisscam teamed up for an ingenious and complex shoot showing off the new BMW S1000 RR. What impressed me about this shoot was not only the incorporation of 1000 fps with a three dimensional element, but also the creativity in setting up the rig to film. I cant imagine the amount of work that had to go into post production for something like this. This is a great example of thorough planning and great execution.
Ken Burns is somewhat of a a legend when it comes to stories and film making. His documentaries cover some fantastic issues within the U.S. and have a fine tension throughout the film which keeps his audience captivated. In this short interview by Redglass Pictures, Ken shares what he feels the key elements of a captivating story are. How do you think his idea of that “extra element” applies to what you shoot or edit?