Photography is the perfect counterpart to road travel. On a mission that seems to blend aspects of Ken Kesey, Robert Frank and Matthew Brady, fine art photographer Anton Orlov is traveling across the United States in a school bus doing wet plate collodion photography. You might’ve seen his Kickstarter video in 2011 that involved retrofitting a school bus into a mobile darkroom nicknamed “The Photo Palace.” [more]
Imagine never having the keepsake of a photograph as a memento of your family. This is a common reality for many in rural areas and third world countries and Portland-based photographer Joni Kabana aims to do something about it. She founded “Prints for Prints: A Global Rally for the Printed Photograph,” a non-profit that auctions photographic prints to raise money so that people in rural areas can have their own family portraits. [more]
There are many great photography books out there but this is a list of five of my all-time favorites, the ones routinely jockeying for space on my nightstand even though I’ve read or pawed through them numerous times. Each is a continual source of inspiration and provides welcome insight into the thought-process behind successful imagemaking at the highest level. [more]
Since 2008, The Impossible Project has kept the Polaroid flame alive with their line of instant films. Today, in the Apple app store, they’ve released version 1.2 of an iPhone app designed to integrate mobile photography with analog instant film. The features allow for instant digitization and photo sharing for your Polaroid prints as well as a way of making Polaroid prints from iPhone captures with their soon-to-be-released Instant Lab. [more]
NASA’s Cassini spacecraft has relayed back images of the Earth and moon from 900 million miles away. The images, taken in a series of photos on July 19th as Saturn was backlit by the sun, portray the blue planet as a diminutive blip in a vast dark solar system.
Imagine a colorful self-setting rubber that you can keep in your camera bag and bust out at any time to repair on-the-job cracks, breaks and tears. Sugru is such a product, a moldable Play-Doh-like synthetic that can also be shaped into custom camera grips, monopod and tripod mounts and can add color and texture to existing buttons on your DSLR. [more]
Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province. [more]
On the Fourth of July, legions of photography enthusiasts like you will head out with their tripods to make images of firework displays. To minimize your failures on location, here is a quick primer to insure that you are in the ballpark to make successful images when the explosions begin. [more]
The Look3 Festival of the Photograph was just held in Charlottesville, Virginia June 13-15 but the nice folks at Livestream have archived some of the best content from the weekend and you can stream it now for free for a limited time. In case you weren’t able to attend, you can stream complete artist talks by National Geographic photographers Michael “Nick” Nichols and Tim Laman, Magnum photographer Susan Meiselas and art photographers Carrie Mae Weems, Gregory Crewdson, Martha Rosler and Richard Misrach. [more]
The greatest 20th Century photographer you’ve never heard of is about to become a household name. Vivian Maier, the reclusive, very private Chicago nanny whose 150,000-image archive proves her to be one of the most talented street photographers of the past century, is about to be immortalized in two separate films.
Photographer Carlton Ward Jr. doesn’t want to save the world with his imagery but he definitely wants to try and save Florida. Specifically, a wildlands passageway that connects the Everglades of southern Florida to the Okefenokee swamp in Southern Georgia. For 100 days in 2012, he, along with a filmmaker, bear biologist and conservationist, crossed the entire state in a continuous path using kayaks, paddleboards, bicycles, horses and their own feet. The visual chronicle was recently published as a book and broadcast as a PBS special.
Print is not dead and celebrity portrait photographer Sam Jones has created offCamera magazine — part print magazine, website, web television series and podcast — to showcase and profile actors, musicians and artists working at the highest level of their professions. Jones, whose work frequently appears in Rolling Stone, Vanity Fair and Men’s Journal, intends for offCamera to be an artistic vehicle for further exploration of the casual chats that often occur on set during his editorial photo shoots. [more]
Photojournalists prepping images for competitions often walk a fine line between the enhancement of a photograph and outright alteration. Swedish photojournalist Paul Hansen, winner of the 2012 World Press Photo Award, has denied that his winning image of two dead Palestinian children in a funeral procession, is a forgery. A forensic image analyst named Neal Krawetz came forward on Monday with an allegation that the image is a composite, an egregious manipulation that may invalidate the award. Yesterday, World Press Photo issued a statement verifying the authenticity of the image. [more]
Jim Colton of the National Press Photographer’s Association is publishing a three-part primer on the Perfect Portfolio on the NPPA web site this week. While the series is tailored to emerging photojournalists, all photographers could take a few tips away from the series. With advice from award-winning photographers as well as photo editors, art buyers and curators, the primer explores the fundamentals of editing, sequencing and presenting your strongest work. [more]
You submit your assignment images each year as a staff photojournalist at a major newspaper and never place in the prestigious Picture of the Year International competition. Then, years later as a freelance photographer, you win first place for a body of work that was undertaken solely as a personal venture. This is the story of Bob Croslin’s self-assigned “Grounded,” a portrait project of injured birds undergoing rehabilitation at a sanctuary in western Florida. [more]