Nicholas Gore

Staff Writer http://www.NicholasGorePhotography.com Facebook
My name is Nicholas Gore and I'm an event and portrait photographer based out of Charleston, SC. I've been shooting for about 6 years and I'm really excited to give back by sharing as much information as I can.

[BTS] Faye Sampson Shoots With Natural Light

Faye Sampson is a photographer based in the UK and has made this really great Behind the Scenes video of her shoot for the magazine Magnetize.

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[BTS] Shooting With The Olympus i-SPEED 3 In The Paris Metropolitan

This is a really interesting behind the scenes video of the shoot for the music video for “What I Like” by Blake. The Olympus camera highlighted in the video was used at some crazy frame rates, from 100 to 400fps.

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[Interview] The Strange World Of Steven Klein

This is a really interesting interview with Photographer Steven Klein, talking about his work, especially his then recent work with Madonna.

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[BTS] Guess Jeans Spring/Summer Photoshoot

So this video is mostly just absurdly attractive people having their pictures taken, but this video really gives you a great idea as to how big the scale of these productions are. They also seem to be using a lot of natural light for these shoots, which is kind of amazing.

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[BTS] Light Painting With WiFi?

Ok, so not technically WiFi, but the series of images in this video were shot using  a specially designed pole with 80 bulbs that turned off and on depending on the signal strength of the WiFi in the area. It’s a really interesting concept which is the result of a collaboration between Touch, a research project that investigates Near Field Communications and a London design company called Berg.

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[BTS] Timothy White Shoots for “Cowboys and Aliens”

Well, It seems like the video doesn’t allow embedding so everybody check it out HERE

This is a great behind the scenes video from Timothy White as he does the promotional photography for Cowboys and Aliens. I’ll warn you, there’s not much about the technical side of photography, a lot of these shots are done with natural light, but you can see most of his lighting set ups when he does use lights, and he talks at length about environmental portraiture and creating a dramatic image.

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[BTS] Voices Of Haiti: Behind The Scenes

This is how you photograph a disaster torn area. The (possibly) staged pictures children’s toys in rubble do wonders to sell magazines, but when it comes to getting a sense of the actual people who are affected by the disaster, this is how it should be done.

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[Gear] Yat Lee Pairs a Phase One IQ180 with Vintage Lenses

As a fan of vintage gear, both photographic and otherwise, this is really cool to me. Drew Gardner recently interviewed Yat Lee, a photographer in Hong Kong, who instead of pairing his incredibly expensive camera with an equally awesome lens, chose to take another route.

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[BTS] Annie Leibovitz Shoots “Nice Work If You Can Get It”

Annie Liebovitz is probably the world’s best known photographer, and in this video she’s working on an assignment for Vanity Fair magazine with Matthew Broderick and Kelli O’Hara for the magazine’s April issue.

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[BTS] The Wade Brothers Film “House Of Fly 53″

This is a pretty cool time lapse of the production of the Wade Brothers shoot “House Of Fly 53″. It’s a pretty interesting concept that incorporates both a 10 minute video and a series of images used for print and web advertising. The incredible part of all of this was that both the video and stills were shot at exactly the same time, which saved production and talent costs.

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[BTS] Ryan Schude Photographs “The Diner”

In this video , Ryan Schude walks us through his incredibly complex image “The Diner”. This is an incredibly complex scene which was shot at an old diner in LA and was lit entirely as one scene.

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[Workflow] Complete Erik Almas Composite And Edit In 3 Minutes

Earlier today we posted a great behind the scenes video from Erik Almas that dealt mainly with shooting the elements for a composite, this video however takes you from the point where he finishes shooting, to the completion of the final image.

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