EA Sports has been allowing fans to vote for the cover of their newest installment in the college football series NCAA Football 12. For the contest, they filmed four short behind the scenes videos from each player’s photoshoot which can all be found in the full post. The photoshoots consist of two primary setups: hall of fame style portraits and on the field action shots. Each portrait was created with a gridded beauty dish and a hard background light while the action shots were lit with a huge octabank, some stripboxes, and a bunch of white v-flats acting as both gobos and reflectors. I’m not sure that the final images are online yet since the contest just wrapped up, but you can see a lot of them on photographer Tim Mantoani’s site. My vote goes to Mark Ingram; roll tide roll!
One of the first things you learn as a photographer is to get a proper model release when considering to sell your work commercially. However, simply having a model release still might not prevent you from litigation. A law firm recently published an ad looking to represent firefighters who were affected by the federal James Zadroga Act. The advertising agency used by the law firm photoshopped a stock image of Robert Keiley who was modeling as a firefighter. They then created a scene where it appeared as if he had been at Ground Zero on 9/11. The argument is how much can a stock image be altered before it becomes false advertising (the ad did clearly state that the image was a depiction of a 9/11 firefighter)? In this Fox News story, two attorneys give two different sides of the argument. I think the law might fall in favor of the law firm who hired the ad agency; what do you guys think?
Every month here at Fstoppers we run a photo contest that is judged by one of our readers. We’d like to congratulate Jim Dillahey for winning the March Fstoppers Forum Photo Contest. Click the previous link to see his winning photograph and watch for his banner at the top of the site to see more of Jim’s work.
As we do every month, the winner of the contest gets to pick the next theme and Jim has chosen “CONFIDENCE”. Just like Jim, this month’s winner will also win a custom image and website link on the Fstoppers rotating banner above and also a HUGE Photoflex White and Gold Reflector which is great for location and studio uses. The winner will also get to choose a custom camera strap from Riley G Designworks who are making some of the coolest photography straps I’ve ever seen. As always, our contests are judged by the winner of the previous month’s contest so you have to impress Jim not anyone on the Fstoppers Staff. Have fun submitting to the April Fstoppers Forum Contest and good luck to everyone!
Robert Seale is a high end sports portrait photographer who was recently commissioned by Sports Illustrated to photograph Evan Longoria of the Tampa Bay Rays. His attempt to create something unique and a bit off-kilter involved using a huge 8′x5′ piece of Plexiglas that was 1.25 inches thick and 400 pounds. He then set the huge piece of Plexi on a 5 foot tall frame of scaffolding. Using a couple of Profoto Pro-7B strobes and a unique ‘below the player’ angle, Robert was able to create this photograph for the magazine. The concept and image are fantastic but unfortunately the BTS video is just a timelapse. If you have a hard time imagining what is going on in this video, head over to Rob Galbraith’s post for a traditional write up.
There always seems to be two camps when it comes to photography: those who go by feel and those who go by technique. Neither one is necessarily a wrong approach but knowing the technical stuff definitely helps when you are faced with problems or unexpected results. In this video Mark Wallace explains the inverse square law and how it affects light falloff. I’ll admit, not having gone to school for photography, it did take me a while to completely grasp this idea when I first started shooting. Once you understand this concept, you should be able to not only light your scenes better but also become more versatile when giving a single light double duty lighting both your subject and the background.
I was going to post a video showing Rafael Nadal’s latest Armani underwear shoot but figured Megan Fox might be a little easier on the eyes. Now you are probably thinking that any photoshoot with Megan Fox wearing little to nothing would probably produce strong images from any photographer and you’d be right. But what I found interesting was the way photographers Mert and Marcus used hotlights and large scrims to light the entire set creating a natural light feel. You can see the setup around :35 seconds. Not everyone has access to large HMI lights but it’s still an interesting way to shoot and could probably be reproduced firing strobes into white walls in a room. Click the full post to see the final video and you can see the photos here.
If you’ve ever been hired to photograph an environmental portrait or a lifestyle image, most of the time your client is expecting a very natural looking image. Using too much flash will kill the mood and remove any sense of a natural environment. Matthew Jordan is no stranger around here, and we love his videos because he articulates his intentions well and tells why he does the setups he does. In this short and to the point video, Matthew talks about how he photographed a natural lifestyle portrait of Vanessa Williams with her daughter. Knowing how to pull off an image like this is an important tool to have in your bag of tricks and is a big money maker in the editorial and lifestyle market.
Novak Djokovic is currently ranked alongside the top tennis pros in the world. Only a crazy person would put his life and talent in jeopardy…but that is exactly what Head Tennis Racquets have done for their Untek IG Speed MP racquet commercial. The full commercial is really awesome with mysterious briefcases, seductive women, vintage prop planes, and music straight out of a Tarantino film. As far as I can tell there are no special effects here just lots of conjones by Novak and his tennis trainer.
Brandt Botes is an award winning graphic designer based out of CapeTown, South Africa. Just like photographers and other creative professionals, graphic designers struggle with creative and economic challenges when they venture out on their own and start a new business. Brandt recently started his boutique design shop Studio Botes and decided to take some advice from other creative entrepreneurs who have also dealt with going solo professionally. Many of the little sayings in this video are really clever but most of them are absolutely true. What points stick out the most for those of you who have had success with your own business? I think 5:00 is my personal motto :)
About 10 days ago I received an email asking me to check out a video showcasing a new invisible camera. Initially I thought it was probably some crazy technical exercise but about half way through it became blatantly obvious that the whole video was a complete joke. Instead of reaching for my Haterade, I decided to have some fun with it and share Chris Marquardt’s story with you.
Was Fstoppers really getting a demo model of the camera? No! Was it going to be on sale “a week from this Friday”? Not quite. However we were right that you would probably be hearing some news about the camera in the beginning of April. Why did Chris create this hoax? According to this release, “We did not do this to mock you. The Invisible Camera is our humble attempt to bring back wonder and amazement.” How do you feel about The Invisible Camera? Hoax gone wrong or a fun journey back to your childhood filled with wonder and amazement?
It’s almost April which means that two of our photo contests are about to wrap up. The March Photoshop Contest challenges you to create the best tshirt graphic art of Noam’s Stolen Scream for a Think Tank Photo Bag as well as a custom shirt featuring your design.
For the March Photography Contest you can submit your best interpretation of the theme “COLLABORATION” and win a Photoflex Starlight and a custom banner on the top of Fstoppers.com! The chances of winning either contest are really good because only a few dozen people have entered so far.
Click on the links above to submit your entry and as long as you have it posted before 6am Eastern Time then you will be eligible. And remember Noam is judging his contest and February winner Julius will be judging the Photo Contest. Good luck to all!
I have to admit, I really enjoy the bands, artists, photographers and other creative professionals I discover watching Carson Daly’s show Last Call. One such artist is Los Angeles based photographer Alex Prager. If I had to describe her work, it would be very editorial in nature with a lot of retro clothing, fashion wigs, and classic Americana references. What I find most inspiring about her work is that she holds nothing back when creating the bright and simple world found in her photographs. Almost every one of her images looks as if it was actually created in 1967 whether it be the hair style, the makeup, the clothing, the cultural references, or even the lighting and film grain. What’s even more remarkable is her humble story on how she became a photographer with no formal training at all. If you enjoy this interview from MOMA then click the full post to watch more candid video of Alex talking about her work.
Getty photographer John Moore enjoys living life on the dangerous side of the lens. The Pulitzer Prize winner has traveled the world covering wars in Somalia, Afghanistan, South Africa, and Central America. Back in February he was sent out on assignment to cover the uprising in Egypt and wound up staying to report on the military actions of Gaddafi in Libya and revolts in Bahrain. Halfway through his travels, John’s cameras were confiscated and he was left to shoot with one of these. The images in this video are intense but are probably the most remarkable photographs I’ve seen during these political uprisings in the Middle East.
I can’t remember the first time I saw this video by Gregory Crewdson but I’m glad it came across our desk again. Gregory is more or less a conceptual photographer who uses both sound stages and real locations to create images that make you stop and question what is going on in the shot. His lighting is very similar to what you would see on a big budget movie, and the amount of resources required for these sorts of productions is probably beyond what most photographers would even consider.
As creative professionals, we always take extra care to notice the details in our work and to make sure that everything we do is as perfect as possible. In the video world, sound engineering and production can actually make a huge difference in the overall success of the visual elements on the screen. If you enjoyed seeing how Oscar winning editors produced the sound of Inception a few months ago, you are going to enjoy listening to Craig Henighan as he explains some of the effects used in the blockbuster hit Black Swan.