I'm a full time professional photographer based out of Charleston, SC. Most of my time is filled shooting weddings and commercial work throughout the east coast. When I'm not shooting or managing Fstoppers, I enjoy playing on the boat, cycling, loud amps and classic guitars, attending church, traveling, and planning the next creative adventure.
It’s almost April which means that two of our photo contests are about to wrap up. The March Photoshop Contest challenges you to create the best tshirt graphic art of Noam’s Stolen Scream for a Think Tank Photo Bag as well as a custom shirt featuring your design.
For the March Photography Contest you can submit your best interpretation of the theme “COLLABORATION” and win a Photoflex Starlight and a custom banner on the top of Fstoppers.com! The chances of winning either contest are really good because only a few dozen people have entered so far.
Click on the links above to submit your entry and as long as you have it posted before 6am Eastern Time then you will be eligible. And remember Noam is judging his contest and February winner Julius will be judging the Photo Contest. Good luck to all!
I have to admit, I really enjoy the bands, artists, photographers and other creative professionals I discover watching Carson Daly’s show Last Call. One such artist is Los Angeles based photographer Alex Prager. If I had to describe her work, it would be very editorial in nature with a lot of retro clothing, fashion wigs, and classic Americana references. What I find most inspiring about her work is that she holds nothing back when creating the bright and simple world found in her photographs. Almost every one of her images looks as if it was actually created in 1967 whether it be the hair style, the makeup, the clothing, the cultural references, or even the lighting and film grain. What’s even more remarkable is her humble story on how she became a photographer with no formal training at all. If you enjoy this interview from MOMA then click the full post to watch more candid video of Alex talking about her work.
Getty photographer John Moore enjoys living life on the dangerous side of the lens. The Pulitzer Prize winner has traveled the world covering wars in Somalia, Afghanistan, South Africa, and Central America. Back in February he was sent out on assignment to cover the uprising in Egypt and wound up staying to report on the military actions of Gaddafi in Libya and revolts in Bahrain. Halfway through his travels, John’s cameras were confiscated and he was left to shoot with one of these. The images in this video are intense but are probably the most remarkable photographs I’ve seen during these political uprisings in the Middle East.
I can’t remember the first time I saw this video by Gregory Crewdson but I’m glad it came across our desk again. Gregory is more or less a conceptual photographer who uses both sound stages and real locations to create images that make you stop and question what is going on in the shot. His lighting is very similar to what you would see on a big budget movie, and the amount of resources required for these sorts of productions is probably beyond what most photographers would even consider.
As creative professionals, we always take extra care to notice the details in our work and to make sure that everything we do is as perfect as possible. In the video world, sound engineering and production can actually make a huge difference in the overall success of the visual elements on the screen. If you enjoyed seeing how Oscar winning editors produced the sound of Inception a few months ago, you are going to enjoy listening to Craig Henighan as he explains some of the effects used in the blockbuster hit Black Swan.
When Denis Smith found himself faced with a dark depression in his life, he found motivation and purpose through his newly found photography hobby. After moving to South Australia, Denis picked up a camera and began to explore the serendipitous world of night photography. After playing around with long exposures he realized he could bring his own creativity to his images in the form of light painting. Denis’s images are really interesting because he mixes strong technical long exposure landscapes with his unique “ball of light” light painting technique. Skip to 5:20 on this video to see how he came up with the idea and check out many examples of his work over at Ball of Light.
It’s almost the end of the month which means entries to the March Fstoppers Forum Photo Contest are due! Previous winner Julius picked the theme “COLLABORATION,” and as part of his prize, he will be picking the March winner.
The winner of this month’s contest will also judge and pick the theme for April, get their own rotating banner at the top of Fstoppers for a month, and win a Photoflex Starlite QL constant light for photography and video. Not everyone has been as creative with the theme “collaboration” as I would have hoped but that means it’s still anyone’s game on who will win. Good luck to all!
Did you know that every time you look at one of those amazing images captured by Hubble cameras you are actually looking at a composite image made up by as many as 1400 still shots? Did you also know that the colors you are seeing in those images are completely faked and added by scientists in order to show off specific details within the scene? This interesting timelapse video released by NASA shows exactly how they create their images by combining thousands of black and white RAW files from 3 Hubble cameras. Let me remind you, just because you see a lot of photoshopping in this video doesn’t mean the final images are not real or falsely rendered. The technology needed to produce images this detailed requires combining multiple images and adding colors not normally seen by a human eye or even the most expensive cameras created.
I remember seeing this video a long time ago and really enjoyed it. Maybe we thought it was not educational enough to post it but after watching it again I think it’s worth sharing. For those of you who have not already seen this short story, the Dark Side Of The Lens is a poetic journey into mind of surf photographer Mickey Smith. The cinematography is outstanding and the locations are breathtaking. It’s this sort of presentation that truly makes me appreciate what we all do as artists.
Have you ever seen those commercials where old footage appears to come back to life with added scenes or impossible revelations are revealed years after the initial filming? The NBA commercials “Where Amazing Happens” feature high school footage of some of their hottest players practicing with another high school player “from the future” who encourages them with accomplishments from their own future professional career. In this video, go behind the scenes with Phoenix Suns player Steve Nash as the crew shows how they used actors, green screen, and special effects to successfully combine old home footage with compelling new footage in these fun basketball commercials. Click the FULL POST to watch the other NBA Videos.
Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.
We have been getting a lot of emails about this movie called The Bang Bang Club which is based on real accounts of photojournalists during the South Africa apartheid. I’m sure the movie is going to be a big Hollywood blockbuster type of flick but it should be an interesting watch once it hits the screens on April 22nd. Check out the trailer below and read up on their story here.
I can’t tell you how many photographers I encounter think being successful has to do with being at the right place at the right time. Sure a bit of luck on your side always helps, but if you are looking to quit your day job to become a professional photographer, increase your photography income over last year’s earnings, or catapult your career as one of the industry leaders then you need to work hard and work smart. The guys over at Photoshelter sat down with professional photographer Brian Smith to talk about what it takes to push your career to the next level. You simply can’t wait for your big break, you need to create them.
When I tell people that I grew up in Anchorage, Alaska, everyone always asks me what it’s like to see the Northern Lights (Aurora Borealis). I always try to explain how it looks by relating it to a laser show or smoke streams but I’ve never found a way to describe it to someone who hasn’t seen it for themselves. Two days ago Terje Sorgjerd created the best visual representation of the Aurora Borealis I have ever seen from Pas National Park near the Russian border. Using a timelapse dolly from Dynamic Perceptions, a Canon 5D Mark II, and a few wide angle lenses, Terje was able to take long exposure iamges and size them down to create an 4K video masterpiece. Check out the Geophysical Institute if you live near the North Pole and want to monitor the activity of the Aurora.