Bruce Dale is a veteran commercial and advertising photographer who has also taken some amazing nature and photo journalistic images over the years too. He’s worked for National Geographic as well as the White House and companies like Nikon, Southwest Airlines, Caterpillar, and Acura. Finding success in so many fields of photography is not an easy task and that’s why I love this career recap video that shows over 30 years of BAD photos. It moves pretty quick, but Bruce does take some time to explain a few of his most memorable images. I always enjoy watching videos from true professionals like Bruce since they really have ‘been there, done that’ which is not always true of the younger breed of photographers we have today. I hope you enjoy this weekend video and be sure to check out Bruce Dale’s website too.
So we did a little experiment and tried our first ever photoshop contest….and the results were interesting to say the least. I think the holiday parties might have come early for some of our readers! If you have not checked out the images submitted you can check them out here on the forum. I really wanted to pick one of the crazy ones that made me and Lee laugh as the winner but I have to give credit where credit is due. So hit the Full post to see who won the Think Tank Photo Urban Disguise 35 camera bag and let us know in the comments if you guys enjoyed this contest. Also check out our monthly photo contest running on the forum here (December theme is “Illusion”).
One of the most famous of all of the national geographic photojournalists is probably Joe McNally. Joe has shot everyone and everything working for Life, Time, Fortune, Sports Illustrated, and countless other highly rated publications. But perhaps his most manic photoshoot of all was a Nat Geo piece for their story The Power of Light. When you step back and think about it, the most obvious photograph for a story on light would be to take a wide angle shot of the guy who changes the light bulb on top of the Empire State Building…yeah most definitely! I never knew there was a video showcasing how this image was created so I hope you all enjoy it as much as I did. Oh and if you haven’t picked up Joe’s very detailed books about lighting, head over to his Amazon Store and pick up The Moment It Clicks or The Hot Shoe Diaries.
Do you guys remember that show The Shot that was on VH1 maybe 3 years ago? If you do then you probably remember 1st runner up Dean Zulich. Dean has released a great behind the scenes video that outlines everything involved with two of his shot setups. The results are great, and I think this video has something for both the beginner photographer and the experienced photographer. It’s nice to hear Dean admit that sometimes you have to shoot on set with the realization that some work will have to be done in post production later. Great photography isn’t always about doing it all in camera or all in post but rather knowing your original vision and making it happen…after all that’s the only thing clients care about!
After 45 days, we are proud to announce that we have randomly chosen a Twitter follower as our winner. View the full post to see if you are that lucky winner.
While many Canon and Nikon users are bickering about whether DSLR cameras should even have HD video capabilities, the company RED is completely changing the game between both photography and motion video. If you have even been slightly interested in video then you have probably heard about their famous RED One camera (District 9, The Social Network) that shot in 4k resolution. Well very soon they are releasing a new camera called the RED Epic which will shoot 60% more resolution at 5K (up to 28K!) as well as being able to pull large 12 megapixel images directly out of video. There is no doubt the bridge between still cameras and video cameras is quickly narrowing, and innovators like RED are definitely at the forefront. Check out this video where Ted Schilowitz takes questions from fans in Vietnam where the RED One is already the primary video camera of choice.
Every single time NASA launches a shuttle into space they film it from every possible angle. The purpose is mainly to give engineers documentation for later analysis but also to make sure everything is going as planned during the event itself. Video Producer Matt Melis along with researchers at the Glenn Research Center have put together this lengthy video outlining exactly what happens as a shuttle launches into space. It’s pretty interesting to hear about the lenses and cameras they use on every launch as well as seeing the slow motion footage captured. Enjoy this video because on June 28th, 2011 we may see the final NASA shuttle launch as funding is cut from the space program. Video #2 is posted in the full post.
UPDATE: Rich Tully works directly with Clark Little and just sent us this much better video. Click the full post for the original video posted:
One thing I love about running a website like Fstoppers is that I am introduced to all sorts of photography I would never have come across on my own. Such is the case with professional wave photographer Clark Little (you must check out his website). I owe a thanks to my dad who first told me about Clark’s work and now we have a video that shows what it is like to be directly in contact with a huge wave crashing over you. If Clark comes across this post, we’d love to see a formal behind the scenes made with interviews and some information about how your approach to ‘wave photography’ has evolved. Perhaps Fstoppers needs to head out to Hawaii this spring!
Camera and Video equipment can be expensive! Whether you are just getting into digital media or are a seasoned professional, we are all looking for bargains and ways to justify dropping even more coin on photography gear. Everyday our email is full of readers asking about what gear we use/recommend and if there are any deals out there to be had. So we have created an Fstoppers Gear Guide that includes every piece of equipment we use for both photos and video separated into categories.
You can also check out the latest Canon rebates (most end Jan 8) and Nikon rebates (most expire Dec 31st) through BHvideo.com which we find to have the best prices online. So check out the Fstoppers Gear Guide and if you want to get some new toys for Christmas, don’t miss out on these Holiday rebates through Nikon and Canon.
Jay P. Morgan is a commercial and advertising photographer based out in Los Angeles, California. We have featured his work before and this time Jay is using a three light setup to make some portraits of a jazz player. If you are still uncomfortable with your lighting skills, Jay does a really good job explaining exactly what each light does and why he placed them where he did. Click on the full post for part two of this photoshoot where Jay adds some “special effects” in the form of an air canon firing at his subject.
As a photographer getting into DSLR video, I love it when a reader of ours emails us with a question we can answer or better yet a question we have not thought of before. Well FS reader Christian emailed us about how we sync our DSLR audio with audio we may have recorded in a separate unit (zoom, iphone, computer, etc). Until recently we used to just do it manually by lining up our wavefiles from both sources in Adobe Premiere. But there is a much much easier way now thanks to Plural Eyes by Singular Software. Plural Eyes simply analyzes each waveform and automatically aligns each and every camera angle and audio clip right there in your timeline. It’s brilliant software and extremely inexpensive for what it does. Check out this little demo from the 2010 WEVA Expo and click the full post to see a well made tutorial on how to sync your files step by step.
Congratulations to Janis Amolins for winning the November Fstoppers Forum Photo Contest. Click the previous link to see his winning photograph or watch for it on our top rotating banner at the top of the site (first image on your mobile device).
As we do every month, the winner of the contest gets to pick the next theme and Janis has chosen “Illusion”. This month’s winner will also win a custom image and website link on the Fstoppers rotating banner above and also a Photoflex LightReach Kit which is perfect for lighting your location photos (no assistant needed either). As always, our contests are judged by the winner of the previous month’s contest so you have to impress Janis not anyone on the Fstoppers Staff. Have fun submitting to the December Fstoppers Forum Contest and good luck to everyone!
Have you ever watched a scary movie where the only part of the scene you can see is being lit by a small flash light or candle from five feet away? Well those are the conditions cave photographer Stephen Alvarez regularly works in when he climbs below the earth’s surface. Together with his team of assistants, Stephen is able to light his photographs in majestic fashion by strategically placing his lights throughout large caverns. I have really never seen anything like this before, and it makes me appreciate my easy work environments in comparison. Be sure to head over to Stephen’s website to check out more cave images as well as his photojournalistic work through National Geographic.
It is December 1st which means you only have 15 days left to win the Apple iPad we are giving away through our Twitter Account. If you haven’t heard about this
or have been living under a rock, click the video below to find out how you can win and also be sure to check out Lee Morris’s post on how to use an Eye-Fi card to wirelessly tether your DSLR camera to the iPad.
Over the holiday we received a few emails about a video we shot where we used a ringflash as the key light (SB-800 Flash Mod). Obviously you can’t shoot video with the ringflash look unless you have an expensive flash with a modeling light. But what if you want to shoot stills and get that hard yet even lighting that is common in macro and fashion photographs? Well if you already own an on-camera speedlight then you can use a product called the Rayflash to produce ringflash style images on a budget. I actually own one of these and use it every now and then, and what I really like about it is that I can use it on location where I would otherwise have to have a huge battery pack. If this sort of thing interests you, check out this video that was clearly made for ExpoImaging explaining the product. Any other Fstoppers readers using this product or something similar?