Let’s face it, learning new software can be a pain in the ass sometimes. As photographers we have to juggle between Photoshop, Lightroom, our camera’s proprietary software, and countless other editing software tools. Most of us learn just enough to get the job done but in the process we probably fail to get the most out of each program. SLR Lounge has sent the Fstoppers team a copy of their new Lightroom 4 Workshop Collection to test out and this thing smokes! They’ve also discounted both the download and the physical copies for the holidays! Read more details [more]
A few weeks ago I posted an interesting behind the scenes video of cheetahs running at full speed while being filmed with the 1200 fps Phantom camera. The camera setup is pretty crazy if you haven’t watched the BTS video already. Here is the final slow motion footage of five different cheetahs running along side the dollied camera. If you skip to the 5:40 mark, you can see even more behind the scenes footage from the shoot.
If you were asked to film the world’s fastest animal running in slow motion, what would you do? Director Hans Weise and cinematographer Greg Wilson teamed up with National Geographic to produce some stunning footage of a cheetah running at full speed. After meticulously building a 410 foot dolly to die for, the team propelled a few Canon 1D X cameras and a high speed Phantom along side the cheetah. I can’t wait to see the final footage but after watching the behind the scenes video I’m sure it’s going to be breathtaking.
UPDATE: Here is the final slow motion footage used for National Geographic:
Most of our readers should be familiar with Brain Farm. Basically they have been taking cinematography to the next level when it comes to action sports; think of them as the planet earth of extreme footage. Chase Jarvis recently invited executive producer Chad Jackson and pro snowboarder Travis Rice over to his Seattle studio to talk about the release of The Art of Flight. Watch the inspiring interview in the full post [more]
As most of you are aware, the lower section of Manhattan is still without power. Luckily our friends at Adorama have setup a charging station to help juice up your portable electronics. In this video Mark Wallace encourages everyone to spread the word since most of those residents won’t be active online. If you own any powerpacks like the Alien Bee Vagabond, if you charge it up you can get multiple charges for your cell phones or laptops.
Let’s face it, as much as we want to believe great photographs are created “in camera”, every single image you see published has been manipulated in Photoshop in some way. When it comes to producing attention grabbing photos, having a strong grasp on post production goes a long way. Oct 30th – Nov 1st fashion photographer Lindsay Adler will be setting down the camera and teaching everything she knows about retouching in her creativeLIVE workshop Retouching and Creative Photoshop. If you have a few spare minutes, be sure to tune into her free video stream. The full workshop description is [more]
Some of the most interesting and exciting video footage often comes out of car commercials. The current ad for Cadillac’s new 2013 ATS features some pretty awesome footage of the luxury sports sedan speeding down the winding roads of Morocco’s Atlas Mountain. This stretch of road overlooking the Dades Gorge is one of the most dangerous roads in the world. So when director Jeff Zwart decided to test the ATS’s Brembo brakes and limited-slip differential, he not only put the drivers in danger but also put a ton of camera gear in harms way. Full behind the scenes video in the full post [more]
Right now the hottest spot on the globe for photography is in New York City at Photo Plus. Our good friends at creativeLIVE have set up an unbelievable opportunity for photographers to learn from eight of the industry’s leading photographers all for FREE. Catch creativeLIVE’s free event Photographers Ignite live right now. If you missed any of the speakers or want to revisit these amazing workshops, [more]
For over a year and a half now, David Reynolds has been filming his “budget” series of short films called The Underwater Realm. Each week he and his team release a behind the scenes video on how they overcome some technical aspect of filming (previous Fstoppers posts here). This week Eve explains how he tackled the challenge of making a small diving pool appear like an infinite ocean using something other than green screen. If this is what is required on a budget, I can’t imagine what the full blown productions look like!
One skill set any photographer needs to master is how to pose people in ways that don’t look awkward. Doug Gordon has been teaching his “flow posing system” to photographers across the country for years. Now, starting today Oct 11th through Oct 13th, Doug is hosting The Doug Gordon Photography Project over at creativeLIVE. If you struggle with telling your clients what to do in front of your camera, you should definitely tune into this FREE creativeLIVE workshop. Check out what is covered [more]
In a world filled with portable speedlights and 3200 watt power packs, photographers might overlook another critical feature of their studio lights: flash duration. Basically flash duration is the time your strobe light contributes to the exposure of your photograph (flash actually can act as “constant light”). Earlier this year, we posted about Broncolor’s flash duration compared to Profoto, but how does a much cheaper strobe like the Einstein compare? The results are pretty remarkable! [more]
Around this time last year, I was asked to shoot a wedding for a young couple getting married in Charleston. I came to find out that the groom’s father was none other than Nikon advertising photographer Mark Alberhasky. Mark and I hit it off instantly so when I found out he has been shooting wildlife with Nikon’s V1 mirrorless camera, I knew he would be perfect for Fstoppers Mirrorless Month. Mark explains how mirrorless cameras can out perform dlsrs [more]
Stanley Kubrick was one of the most acclaimed producers and directors in American cinematography (the Shining is one of my all time favorites). Back in 1975, Stanley directed the three hour masterpiece Barry Lyndon. From a photography standpoint, the film is most noted for Stanley’s use of Mitchell BNC cameras mounted with NASA Zeiss f/0.7 50mm lenses. [more]
There was once a photographer who said the best camera is the one you have with you. Today that camera is probably the one built into your smart phone. But just how well does that old saying hold up when you compare say an iPhone 5 to a Nikon D3s or Hasselblad H4D? The guys over at Bammo have put all three cameras through the paces and the results might shock you. Find out which camera has the most resolution, dynamic range, and fastest ability to upload to Facebook.
One of the most difficult things about being a full time photographer is learning how to properly market yourself and your business. New York Times Best Seller authors Sarah Petty and Erin Verbeck are masters at small business marketing and company branding. Today through October 5th, they are hosting a free to watch workshop called Photography Brand Makeover on creativeLIVE (watch it now here). If you want to learn how to stand out from your competition and increase your overall profits, this is a workshop you don’t want to miss. [more]