Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors. [more]
It’s been a while since we’ve released an Fstoppers original video, so today we want to take you behind the scenes with Mike Kelley. If you’ve been following Fstoppers then you know he’s been a writer with us for a while and is also one of the most talented architectural photographers in the country. Mike’s workflow and style is truly incredible and the amount of hours he spends on creating just one image is – as cheesy as it sounds – a work of art. [more]
After 2 years of planning we are extremely excited to announce Fstoppers Workshop Atlantis, our first ever live workshop event. We have 10 incredible instructors and we will be limiting the size of the event to around 200 students. The best part is the location; we are throwing this event at Atlantis Resort in the Bahamas. [more]
When it comes to architectural photography, there is one that stands above all: Julius Shulman. Not only was he responsible for creating the world’s most iconic images of architecture, but he was on the forefront of pushing the boundaries of the art form into what it is today. [more]
To be categorized in the “strange yet brilliant ideas” bin, the 1888 Hotel in Sydney, Australia is coining themselves as the first “Instagram Hotel” with their architecture both inspired by and made for Instagram shots. What results is actually a really well-designed space that’s fitting for the most discerning hipster… a hipster who can stay for free if they have at least 10,000 Instagram followers. [more]
‘Whatever it takes to get the shot.’ Carlos Ayesta‘s “whatever” involves rappelling from skyscrapers to get his unusual perspectives of Paris. In this beautifully shot BTS video by Guillaume Bression, we see Ayesta rappelling from various buildings and peeking into peoples living and workspaces. [more]
“Philly is Ugly” is a timelapse photography project by Philadelphia area photographer, Nathaniel Dodson. He took an impressive amount of time to not only create this short film piece, but also to extensively document his behind the scenes process. When he sent this to me, I couldn’t help but share this with you. In addition to the video, he provides a lot of info to help you learn everything that goes into creating a proper timelapse from pre-to-post production.
io9 scored some interview time with the talented, patient and hard working, Jeffrey Martin. How do I know Mr. Martin is all these things? Simple. Because that’s what it takes to make a photo so large it took 2 days to shoot, 4 months to edit and is comprised of more than 8,000 frames, at a resolution of 600,000 pixels wide. Watch this video that demonstrates the awesomeness that is the largest, most detailed, and zoomable, panoramic photo of Tokyo ever taken. Then go play with the photo for yourself.
As an architectural and interiors photographer, I own more lights than I even want to think about. Pelican cases full – hot lights, speedlights, monolights, color balanced bulbs, and modifiers to go along with all of them. Lowel recently released the very polarizing GL-1 Hotlight to much controversy: people mocked it or loved it. And truth be told, [more]
Shallow depth of field is something we can enjoy when shooting portraits, insects, products and other small and/or close subjects. But when shooting wide shots of landscapes and cities, it’s technically pretty much impossible to achieve this effect with our normal day to day lenses (assuming most of you don’t carry tilt-shift lenses or tilt adapters). Of course some parts of the image will be out of focus, but the general effect wont be as noticeable as when shooting close subjects with open apertures. This is when Photoshop comes into play. [more]
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I’d like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations. [more]
This year Patrick and I were invited to Gulf Photo Plus in Dubai to film a behind the scenes look of what it’s really like to go to this exotic workshop. The experience itself was one of the highlights of my life but the most memorable moment for me was the few minutes I had with each of the instructors. I decided to interview them about the pitfalls of their careers and what it takes to become successful as a photographer. [more]
In Michael Wolf’s latest photography series, entitled ‘Architecture of Density’, the urban landscapes of Hong Kong are explored. While his photos in the series rarely contain people, creative angles, or any context, they still manage to provide a mind-blowing look into the haunting and seemingly endless buildings of mega city Hong Kong. [more]
Architectural (and real-estate) photography is one of the most challenging and technical types of photography. In most cases, the goal is to get a clean shot with perfect lighting showing the place at its best and “sell” it to the viewer. It usually means the photo will show the location in a wide-’normal’ angle and without distortion. But there is a different kind of Architectural photography that shows buildings and rooms in a unique angle, creative lighting, and usually shows only small part of it. It’s about making art out of architecture. [more]
Jim Kazanjian’s surreal architecture images are a dreamlike scene that teeterings on turning into a nightmare at any moment. The dark dreamy mood and beautiful decay of crumbling elements allows the viewer to peek into a darker scene of a fictitious location. The hyper realism of the photographs was perplexing and I assumed that the images were shot and pieced together, little did I know that Kazanjian doesn’t use a camera for his creations. [more]