Jim Kazanjian’s surreal architecture images are a dreamlike scene that teeterings on turning into a nightmare at any moment. The dark dreamy mood and beautiful decay of crumbling elements allows the viewer to peek into a darker scene of a fictitious location. The hyper realism of the photographs was perplexing and I assumed that the images were shot and pieced together, little did I know that Kazanjian doesn’t use a camera for his creations. [more]
What started out as an small project to kill time during slow business months has turned into a major project that’s been picked up by numerous news outlets and taken him all across Europe in search of these hauntingly beautiful structures. In this video, Jonathan Andrews photographs the remains of World War Two bunkers and defenses and walks you through his entire process from inspiration to actually shooting.
To have an eye for fine art requires a special kind of talent. Nicolas Ruel does a fantastic job of creating unique photographs that capture the essence of a city in his “8 Seconds” project. For all of his images within the project, he sets the camera to an 8 second exposure and changes perspective mid shot. This lets him capture a layering effect in a single shot.
One thing I love about photography is when people take different approaches on it. Tom Ryaboi does that extremely well. Granted, some of these shots are your standard architectural/urban shots, however, most of them are stunning. The main thing I am wondering about Toms shot on the roof of the building, is it real? Composite? What do you guys think? [more]
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create ‘good enough’ real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I’ll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each. [more]
One of the best contests each year is the National Geographic Photography Contest. They always receive so many photographic entries that are simply amazing shot from locations all over the world. I picked out a few of my favorites to share here along with the links to go see more. [more]
I’ve never been one to take landscape pictures. I just don’t like any that I take. I can’t seem to get the composition right or lighting. I am a portrait photographer. It’s what I do. However, I greatly appreciate photographers who are able to capture the true beauty of a certain location. Photographers, like Fakrul, are able to do just that. The perfect exposure, bringing out details I would never have noticed had I been the one to take the shot. [more]
Architectural photography is something I can never seem to get down. I love shooting people much more than buildings, but when it is executed correctly I love it, even though it is not my favorite thing to shoot. I could look at good architectural photography all day. What’s interesting is how architectural photographers use light to sculpt, add contrast, and bring out details in their work. Check out this really in depth tutorial from Vancouver architectural photographer Roger Brooks on how he lights and retouches an architectural interior.
Ready to have your mind blown? Check out these installations by Swiss artist Felice Varini, in which he painstakingly paints patterns and designs into enormous spaces in such a way that from one specific angle, they look entirely surreal. This concept is nothing new, (we’ve all seen those chalk drawings on the street) but the scale and size of Varini’s installations is simply incredible. But what does this have to do with photography, you ask? [more]
With it being halloween and all, I figure this would be a perfect set of shots for it. Andre Govia has a very good eye for the creepy and scary shots. This series of shots from abandoned locations in Europe are simply spectacular. He is currently on a tour to capture the most haunted and creepy images he can and is doing a very very good job of it so far. [more]
David McLain has made his life’s work traveling the globe capturing stunning images for different editorial magazines. With seven feature articles in National Geographic, he knows his way around a quality image and what it takes to get one. During this interview, he steps back and talks through the camera work available in Sony’s new a99 camera and the ways it will help him continue to capture incredible moments. [more]
I love when artists create something that hasn’t been seen before, especially when it is something as amazing as Rauzier’s hyperphotos. These images (rather, pieces of art) take panoramic photography to the next level. Most are made of hundreds, if not thousands of images, and incorporate a dream-like twist in each one. If painting has M.C. Escher, photography has J.F Rauzier. [more]