Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.
If you’re a regular user of small flashes, you know how overwhelming it can be when it comes time to purchase modifiers for your lights. One of the more popular systems is David Honl’s line of accessories, based around his Speed Strap concept. I’ve reviewed and tested every piece in the line, and I’ve got all the info you could possibly want. [more]
Lauren Marsolier uses all kinds of elements in pictures to assemble and reconstruct non-existent but yet familiar landscapes. There is much to be said and to be appreciated of pure composition. Lauren’s photographs leave me with such a feeling of peace and calm through her balance of color, leading lines, geometry, texture and light. Simply put, these photos are truly art. Enjoy! [more]
This is the kind of project that I find exciting, inventive, and…kinda gross. A group of German garbage men are taking some pretty amazing pinhole photos using dumpsters as cameras. They simply drill a hole in the dumpster and expose the image onto a giant sheet of photo paper. Each shot requires about an hour long exposure. They even do all of their own [more]
One of the tried and true techniques to making normal photographs stand out is to use a tilt shift lens and “miniaturize” your subject matter. Brazilian photographer Valentino Fialdini decided to put a unique spin on this lens trick and make the miniature world look lifesize. Using his tilt shift lens, Valentino was able to increase the depth of field in these tiny Lego rooms to make them look like normal building interiors. The illusion was accomplished by [more]
Here’s a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change. [more]
When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up. [more]
Creating 3D images of interiors, with furniture, colors and textures is a time consuming process to say the least. But now Matterport, a device prototyped from an Xbox Kinect, uses twin lenses on a hand held unit to render a three dimensional space. This tech obviously has a way to go but the preliminary results are impressive none the less. [more]
Let’s Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours. The people in the film who rolled up their sleeves to transform their community with colour. I love this unity through art. Enjoy!
Architectural Photographer Chris Luker creates thoughtful images of buildings and locations, and really digs deep to communicate the details and context of the place. In a very thoughtful and informative video, Chris describes his thoughts and process for trying to translate the “language of architecture.” There’s some really deep thoughts here, Jack Handey would be proud.
When photographers think about their dream shoot, it usually has more to do with Angelina Jolie and a Ferrari than painstakingly positioning a piece of cooked cauliflower.
Shooting interiors and still lifes can be notoriously difficult. And when done poorly, it can be downright boring… which is why I love photographer Lisa Hubbard and her work. Hubbard’s work is fresh and quirky, with a style and sense of humor that never gets old. Her impressive list of clients, including Anthropolgie, Absolut, Bon Appetit, Burberry, Kmart, and Martha Stewart, certainly agree. Check out this week’s FS Spotlight with Lisa Hubbard to get the scoop on her life as a successful interior and lifestyle photographer.
We are heading into the final stretch for our 2011 Behind The Scenes Contest and someone is about to win a truckload of gear! The latest video that caught my attention was from LA photographer Mike Kelley. Mike has been featured on our site before but in case you missed that post, his portfolio is full of some pretty kick ass commercial images of buildings and outdoor environments. So it was only fitting for his contest entry to showcase how he approaches an outdoor commercial architectural shoot. Mike uses a lot of exposures and some well thought out accent lighting to create a composite image that looks really nice. As much as I love this video, Mike won’t win this competition by impressing anyone here at Fstoppers. Instead his video has to make a lasting impression among our celebrity panel of judges. If you have any questions for Mike, leave them in the comments below.
Jay P. Morgan is a commercial photographer based out in Los Angeles. His behind the scenes videos have been a hit with our readers because they always feature some useful lighting or photoshopping technique. In his latest video, Jay shuts down a highway ramp in order to light an 18 wheeler truck against the LA skyline. It’s pretty interesting that an image like this is shot in camera and not completely photoshopped but that’s what makes Jay P. Morgan a hero around the office. If you enjoy this video be sure to check out some of his other videos here.
I was just sent a fantastic video by architectural photographer Scott Hargis. In the video Scott talks about framing a shot, something that I struggle with at every interior shoot I’ve ever had. It’s very temping to shoot ultra wide so that you can see more of the room but as Scott points out, when you do you also loose the feeling of that room. Once you check out the video below head over to Scott’s website to see what a great photographer is capable of.
Strobist has an interesting article by architectural photographer Mike Kelley. Usually exterior shots of homes and buildings are simply too large to effectively light with speedlights or big power packs. The tried and true method of capturing a great looking exterior shot is to turn all the lights on in the building and wait for the ambient sky light to match the build’s artificial light. In the behind the scenes video below, Kelley shares his “selective lighting” technique and how it can be combined with multiple exposures from a small Canon 430EX to produce a sort of hero shot for publication. Click the full post for the final images.
