My buddy Ray Wert from the ad agency Tiny Toy Car knows how I love gadgets, filmmaking, and obviously custom camera trucks capable of racing in the Baja and destroying anything in its path. Last month he got me a sneak peek of this Ford ad (below the break) before it aired and introduced me to the director, Tim Damon, who told me about his incredible custom Ford Raptor that he used to film rally racer Tanner Foust as he thrashed the new Ford Fusion in the hills of California.
Videographer Mario Muth spends a couple hours interviewing Darren Heath regarding his Formula 1 photography. Darren covers a ton of information in this interview from what he looks for in composition, gear, to post production. If you have any desire to get into Motorsports photography or just want to hear an award winning photographer give some advise, you should watch the video. To see more of Darren’s unique Formula 1 photos check out the rest of the post.
Car photography can be done in many different ways using different techniques. Some people like shooting it with gelled strobes, some like to lightpaint it or just shoot with available light. There is no one right way to do it. Shooting cars is something most photographers can try: just take your (or your friends) car and start shooting it – but as easy as it is to try – its not easy to produce breathtaking results. Check out this collection of amazing car photos found on Flickr.
Last spring, I met a group of 4 cyclists planning a 35 day epic adventure from coast to coast across the US. Their goal was to cycle over 100 miles a day, resting only one day a week, in order to raise awareness and funds for the poor and needy in Burundi, Africa. I decided it would be awesome to tag along and film their journey.
French photographer Renaud Marion’s latest series “Air Drive” is a fun nod to the idea of flying cars with a touch of old school. A retro Jaguar, Cadillac, soft top Mercedes-Benz and even a mid 1970′s Camero have been given a futuristic update right out of The Jetsons.
The cars and the photographer’s imaginary vision give this series a futuristic vintage look & feel worthy of taking a peek at more of the work. Who wouldn’t want to drive any one of these hovering automobiles? [more]
I have been following Taylor Morris’ story since the beginning. We share a mutual close friend, and because of that I was quickly exposed to the story of a Navy EOD tech who lost all of his limbs in Afghanistan. His story has been nothing short of inspiring and motivational, but furthermore he has had the help and support of a few amazing videographers and photographers to help spread his story.
It might be easy to form a quick opinion about a picture like this. I’ll admit it, when I first heard “trucks,” I was already curious about the people I was going to work with. It’s not often that you run into someone who is passionate about their vehicle. [more]
Her name is April.
She’s a 1970 Volkswagen Bus converted into a mobile photo booth with The Photo Bus written on the door. John Deprisco, a wedding photographer based out of Kansas City, came up with an idea to put a photo booth on wheels and create The Photo Bus from his Volkswagen Bus.
A few months ago, I hit up my buddy Paul Miller, who is a movie director out of Southern California. Regular readers of my personal blog site may recognize Paul from my previous Mad Max Interceptor shoot. Paul told me that he is part of a group of folks that essentially constructs clothing, weapons, and even vehicles to re-enact the Mad Max post apocalypse in the Mojave desert, much like some re-enact the US Civil War. They are often referred to as “Wastelanders” after their annual gathering entitled “Wasteland Weekend”.
I was recently hired by the team over at TheRealMach5.com to shoot new marketing images of the “the only officially licensed Mach 5 in the world that was built to the Speed Racer cartoon Mach 5 specifications”. As you can see from the video, it was a hot hot day. I was probably suffering from heat stroke and a wicked farmer’s tan by the end of the day, but I got to tear around in the Mach 5 on Florida back roads after the shoot (thankfully she’s street legal if you don’t drive with the spinning saw blades on it haha), so it was completely worth it.
I had the pleasure to be hired to shoot an amazing car collection last year, which included 2 ultra-rare special Bugatti Veyrons. For example, the silver Bugatti, as you will watch, is a one-of-a-kind 100th anniversary Bugatti called the Sang Bleu… literally 1 of 1. We also had a decent-sized portion of a private airport at our disposal to use for the shoot. Pretty incredible experience. Read on to learn more about the shoot itself and my lighting.
Some of the most interesting and exciting video footage often comes out of car commercials. The current ad for Cadillac’s new 2013 ATS features some pretty awesome footage of the luxury sports sedan speeding down the winding roads of Morocco’s Atlas Mountain. This stretch of road overlooking the Dades Gorge is one of the most dangerous roads in the world. So when director Jeff Zwart decided to test the ATS’s Brembo brakes and limited-slip differential, he not only put the drivers in danger but also put a ton of camera gear in harms way. Full behind the scenes video in the full post [more]
A good car chase has heroes, villians, jumps, crashes, helicopters and more. Youtube master Freddie Wong manages to capture the best elements of an epic car chase but does it on a small scale. By using RC cars, Freddie and his crew are able to set up the scene and retake as many times as they want. Check out the final video below.
Pirelli, known on this site mostly for their (NSFW) Calendar Photoshoots, also creates their TV spots with a high-level approach. Literally, this behind the scenes video shows the setup and production needed to capture skiers BASE jumping off of a huge cliff. How do Pirelli tires fit in? Check out the final cut of the completed video and you’ll see how it all comes together. Spoiler Alert: They throw a car off of the cliff too! [more]
When asked to come up with some new promo material for the Progressive International Motorcycle Show that was creative, racy, and original, I.D.E.A met the challenge. By teaming up with Trina Merry, a body paint artist, and Juan Moreno, the photographer for the day, the team was able to create the motorcycles by using human bodies. [more]