I have been following Taylor Morris' story since the beginning. We share a mutual close friend, and because of that I was quickly exposed to the story of a Navy EOD tech who lost all of his limbs in Afghanistan. His story has been nothing short of inspiring and motivational, but furthermore he has had the help and support of a few amazing videographers and photographers to help spread his story.
Her name is April.
She's a 1970 Volkswagen Bus converted into a mobile photo booth with The Photo Bus written on the door. John Deprisco, a wedding photographer based out of Kansas City, came up with an idea to put a photo booth on wheels and create The Photo Bus from his Volkswagen Bus.
A few months ago, I hit up my buddy Paul Miller, who is a movie director out of Southern California. Regular readers of my personal blog site may recognize Paul from my previous Mad Max Interceptor shoot. Paul told me that he is part of a group of folks that essentially constructs clothing, weapons, and even vehicles to re-enact the Mad Max post apocalypse in the Mojave desert, much like some re-enact the US Civil War. They are often referred to as "Wastelanders" after their annual gathering entitled "Wasteland Weekend".
I was recently hired by the team over at TheRealMach5.com to shoot new marketing images of the "the only officially licensed Mach 5 in the world that was built to the Speed Racer cartoon Mach 5 specifications". As you can see from the video, it was a hot hot day. I was probably suffering from heat stroke and a wicked farmer's tan by the end of the day, but I got to tear around in the Mach 5 on Florida back roads after the shoot (thankfully she's street legal if you don't drive with the spinning saw blades on it haha), so it was completely worth it.
I had the pleasure to be hired to shoot an amazing car collection last year, which included 2 ultra-rare special Bugatti Veyrons. For example, the silver Bugatti, as you will watch, is a one-of-a-kind 100th anniversary Bugatti called the Sang Bleu… literally 1 of 1. We also had a decent-sized portion of a private airport at our disposal to use for the shoot. Pretty incredible experience. Read on to learn more about the shoot itself and my lighting.
Some of the most interesting and exciting video footage often comes out of car commercials. The current ad for Cadillac's new 2013 ATS features some pretty awesome footage of the luxury sports sedan speeding down the winding roads of Morocco's Atlas Mountain. This stretch of road overlooking the Dades Gorge is one of the most dangerous roads in the world. So when director Jeff Zwart decided to test the ATS's Brembo brakes and limited-slip differential, he not only put the drivers in danger but also put a ton of camera gear in harms way. Full behind the scenes video in the full post
A good car chase has heroes, villians, jumps, crashes, helicopters and more. Youtube master Freddie Wong manages to capture the best elements of an epic car chase but does it on a small scale. By using RC cars, Freddie and his crew are able to set up the scene and retake as many times as they want. Check out the final video below.
Pirelli, known on this site mostly for their (NSFW) Calendar Photoshoots, also creates their TV spots with a high-level approach. Literally, this behind the scenes video shows the setup and production needed to capture skiers BASE jumping off of a huge cliff. How do Pirelli tires fit in? Check out the final cut of the completed video and you'll see how it all comes together. Spoiler Alert: They throw a car off of the cliff too!
When asked to come up with some new promo material for the Progressive International Motorcycle Show that was creative, racy, and original, I.D.E.A met the challenge. By teaming up with Trina Merry, a body paint artist, and Juan Moreno, the photographer for the day, the team was able to create the motorcycles by using human bodies.
There's this "man rule" that every red-blooded male should drive at least one 12-cylinder vehicle before they die. This is one of those jobs where I got to assert that rule with a golden fist. A gold-plated Lamborghini Aventador and a 1965 Shelby Cobra replica with a BMW Alpina suspension and late model Mustang 5.0 engine... both incredible vehicles created by the team over at Prestige Imports and both sets of keys left in my care alone. One of those jobs where you pinch yourself and ask, "how did I get here again?"
There are a few ways to photograph motocross in action, but one of the best is to use a high powered strobe. For his latest shoot in NamJi, South Korea, Manchul Kim takes a couple of strobes to the track and sees how close he can get to the action. Since motorcycles can be dangerous and all flying by you, it's a good idea to strap on a remote trigger to your camera and step out of the way.
The past summer we were hired by the ad agency Tier 10 Marketing (same one as my Honda Accord campaign), under the creative direction of Scott Rodgers, to produce and film a new tv ad for Acura via the New York Acura Dealers Association. I've been an advertising photographer for years, but I co-founded a video production company, 8112 Studios, a few years back along with my friend Nicholas Cambata. We have been very busy with a variety of crazy challenging and fun projects this past year and this ad job was no exception.
To put a little twist on filming one of Nissan's most recent car commercials, the crew involved shot everything on a miniature scale by using a few different RC vehicles. Check out how the team tried to preserve some of the standard elements that you might see in a car commercial. The group gets quite creative in building customized camera mounts to keep the best angles.
Recently, I was approached by my Creative Director, Scott Rodgers, over at the ad agency Tier 10 Marketing to shoot some ads with the newly redesigned 2013 Honda Accord. The problem? The shoot had to take place in less than 48 hours, we were shooting with 2 of the first cars in the United States, and there was literally NO time to permit for a shoot that had to take place in New York City. Why the rush? US Honda dealers needed these images right away for some new ad campaigns as the first new Accords hit our shores.