Ken Block, owner of DC Shoes and action sports mogul is well known for his incredible skill in a rally car. He's also been known to make some incredible videos, such as his original Gymkhana piece. For this installment, Gymkhana 5, Ken decided that he wanted to take over San Francisco: and that is just what he did. He also made sure that it was captured to perfection: I can't imagine that any less than one hundred cameras were used in the making of this piece.
I've always been fascinated by technical photographs showing every single part of complex machines. And shockingly enough, most of those images are created with a lot less Photoshop than one would imagine. "Explode" photographer Adam Voorhees shows us a quick timelapse of his latest Kawasaki Moto photograph shot for ESPN. Click the full post to view the final image.
Pepsi Australia recently teamed up with Kelly Racing to produce the Pepsi Max super car. Photographer Chris Benny was hired to shoot the new car and lucky for us, he filmed a quick BTSV of the production. As with many shoots, the weather became a problem but Chris had a backup plan. With a little post work Chris made the outside shots pop and then moved the car inside to finish the shoot.
In what may well be the most outrageous photo shoot that I have ever seen, Olaf Hauschulz was presented with what must be an incredibly rare opportunity to shoot a Lamborghini Gallardo for Lamborghini Magazine. The setting? High in the snow-covered mountain ranges of Romania, with the car drifting around corners, inches from guardrails
This little clip shows you how little equipment you need to create an eye catching scene. The Theory uses a simple mini projector and an iphone to create a creative high speed police chase. Although this kind of technology has been used for a little more high end commercial output, it's refreshing to see people having fun and doing it well. What kind of projects do you think this could be used for?
Have you ever been going through the magazine rack of your local book store and just stood staring at the cover of a car magazine? No? Ok, well maybe that's just me. But when I see a photo of a blazingly fast sports car clinging to the corner of a race track it certainly piques my interest. Even if you aren't a "car person" chances are you have at least wondered how these cover shots are made.
Every now and then a unique way of filming the same old car commercial catches my eye. Event Projection uses projection mapping to advertise the S-Max put out by Ford. Although the filming involves a little more than the average studio equipment, the crew is able to incorporate some great action shots without leaving their studio. Check out their behind the scenes above plus the final commercial below.
Here's a behind the scenes video for Volvo's upcoming Summer campaign shoot. They traveled to Gotland, Sweden, which appears to be absolutely gorgeous. Don't be fooled, the guy with the smaller camera is a model, not the photographer. Thanks to a friendly reader, we know that the photographer is Gothenburg-based Marcel Pabst.
Ok, admittedly this video has more to do with the Mercedes than the 5D Mark II but what they have done with the two is far too cool not to show you. Using mats of LEDs and mounting Canon's 5D Mark II on the opposite side, the promoters of Mercedes new F-Cell concept vehicle, were able to render the vehicle virtually invisible. To see the set up and the resulting video jump into the full post.
Fstoppers.com has featured some great behind the scenes videos over the years and showcased amazingly talented professional photographers in our Fstoppers Originals series. Recently Patrick and I were invited to Scottsdale, Arizona to expose the secrets of commercial photographer Blair Bunting. When Blair invited us down to Loft 19 Studios, his idea was to shoot something big, expensive, and one of a kind.