When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).
There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio – impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.
Sometimes the greatest tool for creating unique movement is your own body. Using human-powered camera moves, an aggressive color grade, and high-speed cameras, the final video in the full post is definitely worth a watch. In this behind the scenes video, Sebastian Linda explains how his vision came together using a high speed camera to create a fascinating ‘dream world’ of skateboarding. [more]
Casey Neistat was approached with an unusual proposition from Mercedes Benz. They wanted Casey, a successful Youtube filmmaker to make a car commercial for the new Mercedes Benz CLA, even though Casey has never filmed a car commercial or anything close to resembling one. The following set of the three videos is his rather interesting journey so far. With Casey’s charismatic personality it’s curious to see how the commercial will turn out. I will update this when the final commercial is released. Enjoy. [more]
When people think of high end commercial automotive photography, they’ll sometimes call to mind images of cars with that distinct light streak down the side. That light streak that so many automotive photographers lust after is actually not a product of black magic, as it seems to be when you’re starting out, but actually incredibly easy to replicate with a technique called light painting. [more]
Melissa Rodwell is easily one of my favorite fashion photographers. It’s not even because of her work, although it is phenomenal for sure. She is at the top of my list due to how involved she is with us mortals. If you’re unfamiliar, she runs FashionPhotographyBlog.com, a site so popular it holds the number 1 spot on google when you search for fashion photography. That’s not an easy feat. Every now and then she puts out a behind the [more]
During the film era people would often use different tools, such as prisms, to create new and interesting images. Without the use of tools like Lightroom and Photoshop, camera malfunctions, such as light leaks could be very valuable in creating unique art. Perhaps its time to remanufacture these ideas, and use them to help create something truly interesting. [more]
If you’ve ever wondered what it would be like to work with a retoucher on a concept you’ve had in mind, this may be just what you’re looking for. Photographer Justin Bettman wanted to create a concept but didn’t have the ability to do so on his own, so he teamed up with creative retoucher and manipulator Krzysztof Rejek to bring his idea to life. [more]
As many of you know, I earn my living as a wedding photographer, It’s a job that I wouldn’t trade for the world, but occasionally I get the opportunity to do something a little different. In this case, it’s about as far removed from wedding photography as you can get. If you remember at the end of last year I showed you how to photograph a World War Two machine gun, this time though, we’re going after something just a little bit bigger. [more]
Night photography is a very broad category, open to many different approaches and techniques to create a unique image of the world, or universe around us. The team at Walley Films has done a great job in this video, documenting the night/light painting photo workshop led by Scott Martin and Lance Keimig in Texas. While you won’t get the full hands-on workshop experience, hopefully you can pick up some tips or inspiration for your own work.
As a commercial photographer for brands like Patagonia, Marmot, and Garmin, Lars Schneider has spent years in the outdoors producing fantastic images for his clients. Being on the road might be a burden for some, especially when it impacts the time they can spend with family. This photographer has included his family though, and has taken to the road across the US in a 1971 Volkswagen. [more]
I’ve been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title “The Unicorn Project”. I’ve posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles. These happen to be two of my favorite television cars of all time. Watch the video and read the full post below to learn how it was done.
Not too long ago we featured a tutorial that showed you how to make a fantasy desert kingdom out of tourist images, and thought I would share with you another amazing project by a talented artist. Alexander Koshelkov has quite an impressive resume of outrageous Photoshop compositions that excellently use real world items to create fantastical scenes. He just released this time lapse where you can watch his latest composition which took him just over 7 hours and uses 284 Photoshop CC layers. [more]
Today my Facebook Newsfeed has been bombarded with posts about people going to see ‘The Conjuring’. Released today, the supernatural thriller is getting great reviews from critics and viewers alike. Check out this b-roll and behind the scenes footage of the movie. With James Wan behind the helm the camera work is nothing short of amazing. [more]
Fro Knows Photo received an email from Fred Dingelhoff, a blind photographer in the Netherlands. Fred lost his right eye when he was 9 months old to a tumor and then when he was 21 years old a tumor in his optic nerve took his sight in his left eye. [more]
This week the ever talented Benjamin Von Wong has taken a particularly difficult challenge of shooting not only a cover album for classical artists, Homzy/Kesler Duo, but their music video for their latest single, ‘Curiosity’, on the same day. In the behind the scenes video Benjamin walks you through the lighting he used for the photography portion of the shoot. [more]