Sunday seems like the right time to tell a big fish story, so I was happy when I stumbled across director Kibwe Tavares’s, “JONAH”. It’s a visually impressive fiction that begins with every photographer’s worst nightmare (a stolen camera) and becomes the tale of how one photo changed everything. Well, one photo and some masterful visual effects executed by Factory Fifteen and Jellyfish Productions. Watch the follow-up, “JONAH MAKING OF” for a peek into how it was all achieved. [more]
When calling ourselves artists, we also inherently accept the title of “story teller”. We each use different mediums, but our goals are ultimately the same: Creating memorable and engaging content. We use art to tell stories in beautiful and unique ways, which in turn helps connect us together. [more]
Recently, Julia Kuzmenko has been putting together a wonderful tutorial on how to read lighting in photography to help better understand different lighting concepts (Seriously, read Part 1 and Part 2). Applying these to photos, you can reverse engineer different lighting diagrams. However, using these concepts in your everyday life will allow you to give you a much better understanding of lighting techniques as well. [more]
Imagine a portrait photographer asking people to pose for a quick picture on the streets of a large city, nothing too out of the ordinary, right? Now imagine if he asked you to pose with a compete and utter stranger. That’s what New York photographer, Richard Renaldi has set out to do. The series entitled, ‘Touching Strangers‘ is an intimate look at how humanity could be. [more]
The music we use in our work, whether for videos or slide shows for stills images, is an integral part of the narrative and story we are trying tell. The genre, artist and music track we choose, sets the tone for the entire story we wish to tell. I treat music as the keystone that underpins the visual story of a BTS video, commercial work, documentary piece or creative editorial shoot that I am working on.
This week Getty has opened its public domain artworks collection for free use to, modify and publish for any purpose. They will allow access to 4,600 high-res images with more to come. Getty does ask you for a description of your purpose for the image and asks that you cite. [Digital image courtesy of the Getty's Open Content Program.]
When Falken Tire decided they were going to run an all Honda ad on the back cover of Honda Tuning Magazine, their creative department, headed by James Yim, knew it had to make a statement. Their solution was to include a lot of cars…45 to be exact. Here’s how they did it. [more]
This is the second part of the article on how to learn to “read” lighting in photography. If you haven’t read the first part yet, please start here: How To “Read” Light In Photography – Part 1.
And for those of you who have been waiting for the second part, let’s jump right back in and see what other cues we can use to breakdown lighting in other photographers’ work.
In the latest video from the “Life In Focus” series presented by F-Stop Gear, professional snowboarder turned photographer Jeff Curtes is interviewed about his beginnings in the world of photography, and he explains what he thinks is the key to his success. The video goes on to show Jeff hanging out of a car to shoot road bikers from mere feet away, while moving at a very fast speed. [more]
We’ve all had that moment. You’re out shooting on location, the shots are looking great, the weather’s perfect, and then CRASH… a rogue gust of wind tears through your set and blows over your light stand. Bummer, but there’s one piece of gear you can take on a shoot to prevent this kind of catastrophe, and it’s not a sandbag. [more]
Most of Vogue’s photo shoot behind-the-scenes videos aren’t full of a lot of meat, but they do give glimpses into the lighting and general demeanor of the actors and actresses on set. This video with Jennifer Lawrence is no different, but it’s hard not to love this girl. I think she might be near the top of everyone’s favorite actress lists right now. [more]
There are many factors to success in the creative industry. Of course a big chunk of it has to do with the quality of the work, but we know quality isn’t the only factor to being successful as a photographer, otherwise, there would be a lot more of us. Yet most photographers put all their efforts into developing their technical or artistic abilities and leave the entire business chunk untouched. [more]
Earlier this week, I stumbled upon Eskimo’s latest passion project “Wonderland”. At first, I expected a step-by-step guide to finding success with commercial work. But in fact, what I watched felt more reminiscent of a support group. [more]
Just recently Zach posted a guest article on 3 Nightmare Lighting Environments and How to Photograph Them with tips from top shooters Lindsay Adler and Erik Valind. This simple behind the scenes video takes a look at some amazing tips not only covered in the article, but in their book, Shooting in Sh*tty Light. You can catch their creativeLIVE workshop starting tomorrow. [more]
If you look at Toronto-based photographer Peter Schafrick’s webpage you will quickly become aware of his special affinity towards the use of liquids in his work. In one of his most recent series – “Toys” – he uses paints, toys and centrifugal force to create spectacular images full of color and motion. Bright colors, high shutter speeds, low aperture and a shallow depth of field all contribute towards achieving these unique pieces, but the special ingredient is a custom-built contraption nicknamed “The Spinster”. [more]