In the latest video from the “Life In Focus” series presented by F-Stop Gear, professional snowboarder turned photographer Jeff Curtes is interviewed about his beginnings in the world of photography, and he explains what he thinks is the key to his success. The video goes on to show Jeff hanging out of a car to shoot road bikers from mere feet away, while moving at a very fast speed. [more]
We’ve all had that moment. You’re out shooting on location, the shots are looking great, the weather’s perfect, and then CRASH… a rogue gust of wind tears through your set and blows over your light stand. Bummer, but there’s one piece of gear you can take on a shoot to prevent this kind of catastrophe, and it’s not a sandbag. [more]
Most of Vogue’s photo shoot behind-the-scenes videos aren’t full of a lot of meat, but they do give glimpses into the lighting and general demeanor of the actors and actresses on set. This video with Jennifer Lawrence is no different, but it’s hard not to love this girl. I think she might be near the top of everyone’s favorite actress lists right now. [more]
There are many factors to success in the creative industry. Of course a big chunk of it has to do with the quality of the work, but we know quality isn’t the only factor to being successful as a photographer, otherwise, there would be a lot more of us. Yet most photographers put all their efforts into developing their technical or artistic abilities and leave the entire business chunk untouched. [more]
Earlier this week, I stumbled upon Eskimo’s latest passion project “Wonderland”. At first, I expected a step-by-step guide to finding success with commercial work. But in fact, what I watched felt more reminiscent of a support group. [more]
Just recently Zach posted a guest article on 3 Nightmare Lighting Environments and How to Photograph Them with tips from top shooters Lindsay Adler and Erik Valind. This simple behind the scenes video takes a look at some amazing tips not only covered in the article, but in their book, Shooting in Sh*tty Light. You can catch their creativeLIVE workshop starting tomorrow. [more]
If you look at Toronto-based photographer Peter Schafrick’s webpage you will quickly become aware of his special affinity towards the use of liquids in his work. In one of his most recent series – “Toys” – he uses paints, toys and centrifugal force to create spectacular images full of color and motion. Bright colors, high shutter speeds, low aperture and a shallow depth of field all contribute towards achieving these unique pieces, but the special ingredient is a custom-built contraption nicknamed “The Spinster”. [more]
We can often get swept up in the world of digital video. Topics like ‘What it will mean for the future of photography when we can pull stills from video?’ occupy a lot of time and thinking.
Discussion like this is relevant but I sometimes think we miss the most important element of all. The single biggest contributor towards great video is actually making sure we understand what it is that makes a great still image in the first place. To go faster, we should actually slow down. Maybe even stop.
A few weeks ago, I flew to Los Angeles to shoot a commercial project for Mitsubishi. They had a custom Outlander built by RIDES Magazine and were in need of press shots. Studio shooting can be among the most challenging of all types of photography, but with a little patience and some care, its really not that difficult. Here’s how we did it. [more]
“Dress for the job you want, not the job you have”. I’m sure we’ve all heard this saying at one point in our lives. Even though I never took the advice (In your face Mom!) it can easily be reworked into something I firmly believe. “Film for the job you want, not the job you have”. [more]
One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers. If you understand how the direction of light and its degree of diffusion are controlled and how they affect images, it should be easy for you to train yourself to “read” lighting in the images you see in magazines, on billboards and in your favorite photographers’ portfolios.
Where we’re going, we don’t have roads. The North Face sent photographer Celin Serbo on assignment to an area near Canyonlands National Park to capture stills of Alex Honnold, Daniel Woods, and Matt Segal establishing new climbs in a place called Labyrinth Canyon. In this post, Celin reveals the challenges of shooting a 10 day expedition, and shares his amazing images. [more]
There have been many books written on the subject of face anatomy and how it impacts not only our perception of someone but our reaction to them as well. There are features we deem as authoritative, feminine, funny, somber, and so on. With over 7 billion people in the world we’ve got quite a few unique faces out there, and yet, certain features and proportions are universally and subconsciously interpreted as “appealing”. [more]
7 years of shooting Automotive Editorial Photography has taught me to streamline as much as possible. One area I’ve simplified to fit my needs is my lighting kit. I used to rent gear wherever I could, but after you use your own gear long enough you almost develop a relationship with it and now I definitely prefer to use my own lights. [more]
Yesterday, I showed you the process of pre-producing a successful photoshoot and used a recent session as an example on all the steps it takes to put together a successful session with a large team. Today, I put together a breakdown of the entire production and post production process on creating a successful portrait session and a behind the scenes look into what all goes into it. [more]