Blackmagic Design let loose today that “Me+Her,” a live action short film premiering at the Sundance Film Festival, was shot on the Blackmagic Cinema Camera (MFT) and Pocket Cinema Camera. This is good news, as it shows that there are those in the industry who are embracing the relatively new bodies. Take a look at some stills from the movie, as well as behind-the-scenes images from the set. [more]
Few months back we featured a great video showing how Joe Fellows creates his stunning parallax videos. After posting the article, many of you had follow-up questions on his techniques and methods, so he decided to release a ‘part 2′ video explaining some of the cool tricks he uses to transform a 2D photo into a 2.5D video. [more]
Shooting events is like running a marathon, it often feels like it’s never ending. At the end of the day you are sore, dirty, and you may have blacked out for a portion of it from dehydration. Using an ergonomic camera sling for one or both cameras is a great solution for saving your neck and back and also keeping your cameras secure on your body. This is a no-brainer investment if you are an event shooter and may change your life if you haven’t been using one. [more]
It’s fair to say that films usually come together much stronger when actors or directors are emotionally invested in the content. Seattle based filmmakers/writers Casey Warren & Danielle Krieger recently released their short film “From 1994” which is very close to Casey’s heart. [more]
About 9 years ago, I was a tour photographer for the rock band 3 Doors Down and I had the chance to attend my first Nascar race (from the infield no less!) As a car guy, it was a great chance to watch all of the action from the front row. Never did I imagine in my wildest dreams that I would be getting a call from the National Guard nearly 10 years later to do the official 2014 photoshoot of one of my favorite drivers and his new car, Dale Earnhardt Jr. [more]
In another beautifully shot segment from F-Stop Gear’s Life In Focus series, wildlife photographer Charles Glatzer shares his passion and background. Formerly a commercial photographer, Charles decided to follow his dream and now teaches outdoor photography workshops as his primary business. [more]
Are you bored of shooting portraits on white, black, or gray? Are you looking to add some color and creativity to your subjects and environments? Are you looking to shoot more composite photography using backplates you’ve made on location and subjects you’ve shot in studio? If you’ve answered yes to any of these questions and aren’t already a genuine wiz at using gels, then this post is for you. [more]
I know it’s only a week and a half into the new year, but I’m calling it early. Schwartz Flavour Shots has the most beautiful commercial of the year. Created by DJ MJ Cole with filmmaker Chris Cairns and a brilliant assist from the pyrotechnic wizards ‘Machine Shop,’ this video is a pretty spicy set of slow motion explosions. Schwartz calls it a ‘Sonic Flavourscape.’ [more]
Follow Industrial Light and Magic (ILM) as they explain how they created the design for the city of San Francisco in the year 2259 for the film Star Trek: Into Darkness. They also go into depth over the creation of the visual effects for the scene where the USS Vengeance crashes into the city and exactly how large some of the files ended up being.
I’m a huge fan of the Profoto gear. When I came across this behind the scenes video on Profoto’s blog, I just had to share it with you guys. To kick off the “Year of the Horse” Tokyo-based photographer Irwin Wong came up with a creative shoot in the middle of the forest. [more]
One of the most important things to know as a photographer is how to balance available light with controlled light. Unfortunately, many in the industry lack the knowledge and the techniques of how to do it. Watch this short video to learn the basics on balancing light bulbs (constant light) with strobes (controlled light) – simple and important.
Max Riché is back with an amazing shoot this time for Bicycle Magazine. During this past summer Max received a surprising email from Stacey, Photo Editor at Bicycling magazine wanting him to shoot the magazine cover for the special 100th Tour de France Anniversary issue. With the help of Google Maps and some friends who lived near the Alps Max was able to pinpoint the best location for the shoot. [more]
Featured last year for his “Wedding Day Zombie Apocalypse” composite, Photographer Josiah Moore is up to his old tricks again. This past fall he shot a wedding where both the Bride and Groom were car enthusiasts. He decided to make a fun chase scene out of a photo from the reception, and this video shows his process in Photoshop. [more]
When looking at portraits, we have a tendency to look at the eyes first. We can’t help it, it’s part of human nature. This is why I personally believe it is extremely important to capture and refine the eyes in your photos to create more engaging portraits. Retoucher Michael Woloszynowicz created an awesome 4 part video series about how to make your eyes look amazing in post production. See the rest of the post below to watch video parts 2 through 4.
I had the opportunity to hear Greg Heisler speak a few months ago about his book 50 Portraits. I hadn’t even thought of it at the time but once it finished I immediately regretted not filming it for our readers here. As luck would have it he repeated a similar lecture in NYC Ilford, and they recorded it! Yes, two hours is a decent chunk of time to devote to watching this, but you need to. [more]