Steve Gullick, one of rock music’s most prominent photographers of our time takes us into his darkroom and talks about the short time he spent capturing Seattle’s Grunge scene during 1990-1993. Steve shot bands like The Screaming Trees, Soundgarden and Nirvana for Melody Maker and Sounds. [more]
Ever wonder how Red Bull or any other company films their skate videos? How they get those awesome flying shots, rolling shots, and what goes into every aspect of the films? In this video, Red Bull takes you behind the scenes in their new skate video. To say the least, it’s pretty amazing. [more]
Fashion photographer Lindsay Adler is at it again, creating amazing images and sharing her secrets with the industry. Over the last year, since first hearing about Adler, I have been impressed with her willingness to constantly share tips and tricks openly in an effort to make all of us better at our craft. This morning I watched another one of her videos that really caught me eye and while it’s not something I would use very often, it did open my mind to thinking more creatively on shoots. [more]
We’ve got some really cool deals for you today, the biggest of which is on three sizes of Sony SDHC Memory Cards! In addition to this, Hasselblad is cutting some big money off of it’s H4D-40 medium format cameras! In addition to this, the newest Wacom Tablet is avaliable for pre-order and the Battery Pack for the D7100 is now in stock!
Chelsea Wolfe recently did a collaboration with Converse for Decibel magazine. They worked with director/photographer Charlene Bagcal to create a moody and beautiful video piece. We were fortunate enough to get an inside peek.
Bagcal and director of photography Brian Sowell shot with a RED One MX, using Zeiss lenses. They stuck with primes, using 16mm, 24mm, 35mm, 50mm, 85mm and 100mm lenses. [more]
For the launch campaign of the new H5D, Hasselblad asked Henrik Sorensen to put their new camera through its paces while shooting the new campaign. What he came up with is nothing short of spectacular. Denmark is known as the land of fairytales and castles so Sorensen opted to do a twisted take on that with a floating fairy in an 18th century palace…underwater.
Honestly while I think the whole shoot is awesome, my favorite thing is the backdrop. In a time where the prevailing [more]
Joe McNally takes us through his lighting setup for a recent Cowboy portrait he shot. Joe’s vision was to have the photo look like it was being lit by daylight coming through a window. He accomplishes this with a set of speed-lights and a 6×6 diffuser. He also adds additional lights to add fill for the shadows that the cowboy hat creates. Joe breaks down the gear… [more]
Imagine being brought into a room blind and told that you had to photograph one of the most talented photographers in the business today? Then, imagine you have to do it live, in front of a room of other photographers including David Hobby and Joe McNally. Oh and you’ve only got 20 minutes. Stressful right? Completely. Watch how these three amazing photographers handled their assignment of shooting the great Gregory Heisler in very different ways.
And I thought my Monday mornings in the office were tough! In this music video for the band “Biting Elbows“, the viewer (you) is taken on an adrenaline thrill ride including gunfights, explosions, high speed chases, parkour and more. The entire action is captured with a GoPro style point of view, but it’s thankfully not a big shakefest. The name of the song is vulgar, and there is considerable violence so consider this NSFW for conservative workplaces. [more]
Continuous lights are making a comeback and many photographers are giving them a second chance. In this lighting tutorial Jay P Morgan breaks down how he uses two continuous lights in his photo shoot. With the old technology of continuous lights most photographers avoided them, due to the heat the lights produced and the uncontrollable power and temperature of light. Now companies offer continuous light where you are able to fine tune the power/temperature of the light. The benefit from using continuous lights is you are able to see exactly where your light falls. [more]
In this behind the scenes video we follow the team over at Corridor Digital as they create a stunning and moving fanfilm after the video game mod of DayZ. Corridor Digital is made up of two friends, Sam Gorski and Niko Pueringer . Apparently, Sam and Niko are huge fans of the zombie video game mod and wanted to tip their hats to the creators of the game. In the behind the scenes video they talk about filming on location and the VFX process. Below is another video by Sam and Niko explaining their workflow while filming and editing.
Certainly, fashion editorials take a lot of time and energy and often involve entire teams to get the job done correctly. Superstudio just released a new video, showing how they were able to shoot an entire catalogue for their client NN07, without the use of elaborate studios, equipment or even models. Perhaps the most impressive part of it all is that they were able to do this, in a total span of 5 days, while in Argentina. [more]
As photographers, we usually focus on matching photography parameters with other photography parameters: matching ISO to F-stop, matching exposure to ISO and so on. But have you ever tried matching a photography parameter with sound parameters? By matching the frame-rate (fps) on the camera to the Hz units coming out of the speaker you can create magic in video, without any editing. Create something your naked eye will never see. [more]
Fstoppers recently brought you an exclusive interview with photographer Joey L. In the process, we took a peak into some of his latest projects and revisited some of his previous work. He recently also photographed the national campaign for National Geographic’s film, Killing Lincoln. He teamed up with Variable to execute the campaign. [more]
Last week we posted about the new Autodesk‘s and filmmaker, Jeremy Hunt’s, new short film, ‘Fix It In Post‘ demonstarting Autodesk’s Smoke for the Mac. In this behind the scenes video Jeremy explains on how he came about joining Autodesk and creating the short film and how much he enjoys the new editing software. He also remarks on using the RED Epic and his reasoning behind that certain camera choice.
