Camera stabilization is always a tricky game, with no easy solution. Cheap stabilizers are often difficult to balance, and expensive ones are often bulky, and make mobilization a problem. Introducing MōVI by Freefly, a stabilization system that is expected to change the DSLR movie scene forever, and its already got award winning videographer Vincent Laforet’s stamp of approval. [more]
Bugs, rain, rough terrain and carrying gear– forget about all of that. Shift your focus and get creative all of a sudden. Think: how can you approach taking an image that you’ll have just one chance to get, but also capture it in a unique way? One take is all Tim Kemple had, and using a Phase One camera, he scored this shot of kayaker Tyler Bradt going over a waterfall in the jungles of Mexico. [more]
Have you ever been on a shoot in which you used two cameras or had an assistant shooting with you, imported the files into Lightroom and then realized they were not time synced properly? If so, this quick 5-minute video is for you. Lightroom makes it incredibly easy to time sync your files so they all line up perfectly in chronological order by capture time. I’ll show you how it’s done in the video and read on below for some additional quick tips. [more]
Visual effects have been a huge part of the movie industry since well… movies began. Adding that extra little touch of magic makes a movie that much better and there are millions of ways to do that. [more]
Photoshelter is hosting a webinar featuring retoucher Kristina Sherk this week, and to advertise the webinar they posted an animated gif showing before and after Sherk got her hands on the image. I was shocked, as Sherk not only easily erased 10 years off the model, but even more amazingly did it without making it look fake. [more]
Jay P. Morgan takes us out to the Bonneville Salt flats in Utah to teach us how camera angle affects body shape. Shooting with a 50mm and 24mm lens, Jay takes us through various heights and shows us the outcome from each level.
[more]
Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least. [more]
In one of their most recent advertising campaigns, Yokohama blends a fun mix of high speed sports car chases and childhood games to produce two different commercials. The filming process involved multiple rigs and setups to get a variety of shots, including the director hanging through the windshield of a truck filming the driver. Check out the final commercials below.
Los Angeles based filmmaker, John Irwin, customized a DSLR intervalometer and hacked his Canon’s firmware to allow him the advantage of shooting long exposures in video mode during the day. The device uses a remote trigger to allow a controlled burst of exposure that is carefully calibrated beforehand depending on the available light. The key to his method was his ability to ramp the camera’s shutter to blazing fast speeds (upwards of 1/93000) each time the remote trigger is clicked. [more]
Nick Saglimbeni is back with an all new episode and photo set of his imaginative series, SlickForceGirl. This time Nick shoots model Nazanin Mandi in a espionage-themed role in which apparently Nick kept secret even from her until it was time to start shooting. What’s wonderful about this series is that a portion of all of the proceeds go to The Breast Cancer Charities of America (BCCA) for their iGoPink campaign. Way to use creativity to help spread good works. [more]
After Bar Refaeli took over the Superbowl with her controversial commercial, Bar found time to do something she never did before: pose nude for a magazine shoot. The magazine that paid her to do that is currently unknown, but somehow the photos leaked earlier today. Check out the BTS and the final results in the post. [more]
From sultry ballads to uplifting melodies, Michael Bublé can definitely bust out a few tunes. In his most recent music video ‘It’s a Beautiful Day’, famed music video director, Marc Klasfeld, talks about the long steadicam shots used in the longer sequences of the video. The video was shot using an ARRI Alexa. I always find it interesting to see how they go about filming music videos especially those with larger production values. [more]
Video portraits, or long portraits, are just what they sound like- a subject sitting in front of a camera for several minutes. I first came across video portraits about 3-4 years ago when I saw Clayton Cubitt‘s long portrait of photographer Noah Kalina. Cubitt is best known for his NSFW, in-your-face fashion photography. And while lot of the work in his portfolio has an immediacy and titillating flashiness, what caught my attention in his video portraits is the extreme patience and restraint they possess. [more]
Fabian Oefner’s latest series entitled Black Hole shows us a world of paint, drills, and motion, all within 1/40,000th of a second. While high speed photography is nothing new, the art of it is still underground, as its still incredibly expensive. Oefner’s newest work uses high speed photography to show us a world of color that our eyes normally could not process. [more]
Commercial photographer Alex Koloskov takes us through his setup for this relatively simple (although it uses five lights) product shot. While not an incredibly in depth video, there are definitely some often overlooked things it shows that should be committed to memory. The first is that in several cases a basin of dry ice in water can make a much more versatile fog than your standard Halloween store fog machine. [more]
