Sean Goebel might only do photography in his spare time while working on his PhD in Astronomy, but that hasn't stopped him from licensing work to the likes of Canon, the Discovery Channel, and others. A quick watch of his timelapse works, including Epochs and Mauna Kea Heavens and it is easy to see why. His latest timelapse project is included here, along with a brief look into its creation.
In this World War II period piece a steeled tank commander (Brad Pitt) and his crew of five men trek past enemy lines to attack the Germans when they least expect it. Fury was shot on Panavision Panaflex Millennium XL2 cameras using Panavision lenses. What I do love about this particular b-roll is that they show you what the raw footage looks like on the monitors that the director reviews before any post processing is done to it. You can catch Fury in theaters now.
Las Vegas based commercial photographer Michael Herb recently got his hands on Westcott's 59 inch Zeppelin to test out on location in the Nevada desert. The photoshoot featured three models in an apocalyptic theme at a salt lake bed. In the behind the scenes video he shows just how difficult it can be to put together the Zeppelin on the separately purchased speedring. Even with the problems at set-up Michael still quite enjoyed shooting with the Zeppelin and plans to use it in the future.
In my last Fstoppers post , I shared an interesting video called Briefly, which discussed how and why a company or advertising agency might approach developing or executing a creative brief.
Remember, the brief is the information that you receive going into an assignment and client relationship. It can serve as your guide to understand what your client aspires to accomplish; a jumping off point to get your own mind working to produce concepts and content ideas. Some briefs are short; some briefs are lengthy and detailed. Some are open for interpretation; others seem rigid and strict.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.
With hopes of saving at-risk environments and capturing them before they are gone forever, a team of 15 timelapse artists have decided to join forces and create a feature film. Eric Hines , Michael Shainblum , Drew Geraci , and Joe Capra are just a few of the names on the "CodeX" roster. They are crowdfunding to try and make this project a reality, and I spoke with team member Ben Canales on why this project matters.
Benjamin Von Wong is at it again. He teamed up with the team at SmugMug on yet another collaborative masterpiece. This time, he left the cold, foggy San Francisco forest , and retreated to the warm, sunny outdoor confines of the SmugMug campus in Mountain View, California. With only $20, a couple lights, and a lot of creativity, he turned everyday tech employees into athletic specimens.
Having been enthralled with how the world looks from a macro lens ever since the first Honey I Shrunk the Kids movie its always been fascinating to think what it would be like to see at that scale. The guys at Macroscopic Solutions have come up with a plan to show that vision in the most accurate way possible, with Macropod. A new photographing system by Mark Smith and Daniel Saftner
People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.
Recently I had the opportunity to fly to Ohio and photograph the enigmatic alternative rock duo Twenty One Pilots for the cover of Alternative Press Magazine. Sure, you may have seen my posts before about shooting musicians and magazine covers, but never have I ever had to hang one of my artists upside down for a trick shot. Watch the video and read below to see how this shoot came together!
Most people I work with manually dump thousands of files at the end of their shoot day (myself included.) A stack of cards, hard drives, and waiting for one card to finish before starting the next. All of this is followed by checking each dump to make sure nothing was missed. A new software app from Red Giant is looking to help this process, without bogging users down with extra steps.
The team from Modest (a Buford, Georgia-based production company) recently shot a commercial for Glock, featuring the G41 tactical .45 caliber pistol . The commercial itself is a gorgeous-looking short film of a special ops unit swarming a plane out on an airport tarmac. The BTS video above shows how they pulled off an impressive continuous shot passed down a pulley on crane, to car, to golf cart, to ground – all what looks to be shot with a Blackmagic Cinema camera stabilized on a Movi M10 3-axis gimbal . It’s really freaking sweet.
Alex Buono, member of the SNL's film unit, helped produce one of the coolest title sequences ever using time-lapsing, light writing, freelensing, and other effects. The show is celebrating their 40th season so they wanted this sequence to be classic and iconic, a little dressed-up, and typography integrated into the cityscape.
Photographer Tyler Shields is known to be one of the craziest photographers in the world. Just few months ago we posted about how he fed a $100k purse to an alligator , all in the name of art. That seemed to be a bold move that can take years to recover from (financially). This week Tyler proved once again that money doesn't mean much to him and that he'll do anything for art, even if that means blowing up his own Rolls Royce Silver Shadow car he got just few months earlier. Check out the BTS video explaining the idea behind it, and of course the final slow-mo video.
Going back to that moment when Easter morning comes and my mother, the "Easter Bunny" at the time, had purchased two of every single X-Men character on the market for my older brother and I. Since then I have had an extreme passion for super heroes and all that comes with it, especially when in movies!