Zoom, focus, spray and pray. That seems to be the M.O. of many photographers who shoot runway. I admit, I was one of those photographers. The one who scours through thousands of images at the end of the night, wishing they had shot more strategically. And, after two hours of culling, flagging three images per look, they’d be lucky if only one was tack sharp. After many shows, I’d criticize my every move and would long for a time machine to do it all over again.
We might be focused primarily on photography here at Fstoppers, but many of us shoot video and many more are heading to the dark side and getting into the world of motion. This gorgeous little animation from the guys over at Inside The Edit details what a video editor does, and why editing is both misunderstood and yet so critical in the narrative process.
Cinescapes Collective is a Saskatchewan, Canada based production group that has been putting together unique documentary content that has a dramatic and cinematic aesthetic. Their most recent short tells the story of Kessler, the creators of popular video production gear like sliders, cranes, and now motion control products.
As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.
Peter Menzel is an award winning photojournalist whose work has appeared in many national and international publications such as: National Geographic, Time, Wired, Geo, Stern, Paris Match, Life, Le Figaro and Forbes. Today his new project: Waste in Focus. A documentary project that profiles eight families in four different cities with one weeks worth of trash.
Photographing large groups and make the photos look good is always a hard task. Any group of over 7-10 people can look awkward and the photos are usually not very appealing. But what if the group is not of 7 people, but of 1,500-2,000 people. If any of us will get the task of shooting 2,000 people we'll probably think it's a prank. But for photographer Chaim Perl it is part of his daily routine. Check out the in-depth BTS video and images of how he creates these huge group shots.
Even the best photographers need inspiration. 500px is a beautiful playground for some of the best photographers in the industry, and also one of the most powerful tools for motivation. There’s no sifting through rubbish to find quality work in your feed, which is often a problem with various social media platforms, like Facebook. Here's a list of photographers and their mind-blowing work in 4 different genres you MUST be following.
Craig McDean knocked it out of the park again for the May issue of Vanity Fair. I mean, I doubt a bad picture of Scarlett Johannson exists in the first place but he did an awesome job as per usual. Vanity Fair has taken to creating beautiful behind the scenes videos to accompany their covers lately and this is my new favorite. The video is beautiful. Granted, it's a little difficult to see exactly what is being used as far as lighting goes, but we
Last fall, Nashville based photographer, Andres Martinez, remade a series of famous movie posters with the actors replaced by friends of his who were engaged. While these aren't the first time someone's made movie-poster-inspired wedding / engagement images, these are some of the best I've come across. The posters hit Reddit earlier this week and were a hit. Their subject matter spans old classics, Lord of the Rings, westerns, even Twilight.
Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.
As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.
Photojournalist Jonas Ginter always wanted to take the idea of the still-2D spherical panoramas and somehow make them in video format. It took him 2 years to develop the idea and tools, but finally last week he achieved his goal. Jonas used a 3D printer to build a special mount that holds 6 GoPro cameras, and placed them as close as possible to each other to make sure they overlap. The result is simply great.
Australian supermodel and Victoria Secret Angel, Miranda Kerr, exposes all for British GQ's May issue. Accompanying the provocative nude images of Kerr, is an interview where she discusses love, sex, and potentially experimenting with another woman-ooh steamy. I'm sure you're wondering what could be better than a naked supermodel saying things like "The more sex I have, the more defined my arms and stomach get.” Well, I'll tell you: Australian pranksters called The Bondi Hipsters mimicking the photo shoot frame by frame.
After working with lightweight, compact jib options for DSLR sized cameras, I decided to check out a more affordable and durable option. In this review I’ll show you a sample of the footage from the Taurus Jr. Heavy Duty Jib, and point out where it rocks and where it could be better.