In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.
Erik Almås is at it again creating etherial images for clients on location in exotic places with a color palette noticeably familiar. I must say too that this location is just about as exotic as you can get without becoming flat out dangerous. This week Erik gives us a glimpse into a campaign he shot on location in Namibia, Africa. Read more about Erik's mission statement below.
In 2007, world-famous portrait photographer, Platon shot what he later described as one of the scariest assignments of his life. He was to photograph Time Magazine's person of the year: Russian president, Vladimir Putin. Recently, CNN shared the story behind the image in a rare interview with the photographer.
I'm always fascinated by what makes the best photographers think they way they do. What shapes their ways of seeing? In the current climate of photography, it's easy to get lost in everything technical. We can often lose sight of the most important thing about photography...why we photograph. In this video from Steve McCurry's Youtube channel, we get a glimpse at what goes on in the master mind of perhaps the world's greatest living photographer.
Bokehliscious photos. That is the ultimate goal for any photographer no matter the experience level. When "bokeh" is mentioned, the first thing that comes to mind is the lens and the aperture. Although both play vital roles in bokeh, there are a few key elements that play an even more important role in achieving the finest milkyness in a photo. These requisites aren’t often discussed or even seen as necessary.
Some days, as we plod through our respective news feeds, it seems as though the Internet was invented for one thing and one thing only; to share photos. Although the quality of the photos we have to wade through can sometimes be questionable, and at times our feeds can become overwhelming, the relative ease with which photos are shared is in my opinion, the greatest benefit to our seemingly photo-obsessed and Social Media saturated society planet.
The camera movements in modern timelapses are impressive enough to me. However for some, like Piotr Wancerz, it's just not good enough without these movements being matched over the course of fourteen months. Using tripod timelapses, hyperlapses and a motorized slider, Piotr was able to capture the passage of time over all four seasons. As far as this author is aware, nobody has ever been able to do that before.
I've been there, standing in the middle of a field on a hot day with a scorching sun, mulling back and forth on how to capture a quality shot. In the back of my mind, I'm wishing for some cloud cover or an overcast sky to magically move in. A commercial client or art director doesn't care what time it is, they just want the right image. It’s up to you to capture that image with the weather Mother Nature has dealt.
By now, we’ve all seen the gigapixel landscape shots over the years, but I’m pretty sure never seen anything like the 900 gigapixel portrait series Swiss photographer Daniel Borschung has undertaken. I’m not much of a numbers guy, but when you have a robot arm taking 600 pictures of your subject with a macro lens, the results are a tiny bit mind blowing.
We all know that it's not the gear that takes the photo, but rather the photographer, however when we get a chance to peek into Chase Jarvis' bag, I can't help but get excited. Jarvis is probably the photographer with the most successful social media presence out there. Between his blog and Creative Live, Jarvis' reach is enormous. It doesn't hurt that he's an incredibly talented photographer as well. Now you can see what's in his camera bag!
Last year Dustin Farrell released a video that gave a quick walkthrough of his time-lapse workflow, we covered it here. He briefly introduced his workflow for shooting and processing his images from camera to export. Last week he released another video which takes a much closer look at the process behind his images.
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
You want to know what's better than Erik Almås shooting Sports Illustrated Swimsuit models for Dodge Ram trucks? Me too cause I can't seem to find or think of anything that could possibly be better than this. The 2014 SI swimsuit edition is on news stands now and should be at the top of your reading list for the month. Erik has shot the inside cover for this magazine the last 2 years in a row. Check out the BTS of how he did it.
Pepper Yandell is a talented young photographer out of Texas who shoots some of the coolest cars in the world. He recently was given an awesome opportunity to photograph a couple of supercars in a hanger with really expensive jets - the kind of shoot car photographers dream about. Pepper was nice enough to share with me about how he put this shoot together.
When retouching in Photoshop, there are many different ways to achieve the same thing. Personally, I've always struggled to find the best method to remove shadows under the eyes. Like everything else in Photoshop, there are a slew of methods to correct this, but each of them had their weaknesses. Check out this simple - yet slightly hidden - method that you probably never knew existed.