We all know that it's not the gear that takes the photo, but rather the photographer, however when we get a chance to peek into Chase Jarvis' bag, I can't help but get excited. Jarvis is probably the photographer with the most successful social media presence out there. Between his blog and Creative Live, Jarvis' reach is enormous. It doesn't hurt that he's an incredibly talented photographer as well. Now you can see what's in his camera bag!
Last year Dustin Farrell released a video that gave a quick walkthrough of his time-lapse workflow, we covered it here. He briefly introduced his workflow for shooting and processing his images from camera to export. Last week he released another video which takes a much closer look at the process behind his images.
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
You want to know what's better than Erik Almås shooting Sports Illustrated Swimsuit models for Dodge Ram trucks? Me too cause I can't seem to find or think of anything that could possibly be better than this. The 2014 SI swimsuit edition is on news stands now and should be at the top of your reading list for the month. Erik has shot the inside cover for this magazine the last 2 years in a row. Check out the BTS of how he did it.
Pepper Yandell is a talented young photographer out of Texas who shoots some of the coolest cars in the world. He recently was given an awesome opportunity to photograph a couple of supercars in a hanger with really expensive jets - the kind of shoot car photographers dream about. Pepper was nice enough to share with me about how he put this shoot together.
When retouching in Photoshop, there are many different ways to achieve the same thing. Personally, I've always struggled to find the best method to remove shadows under the eyes. Like everything else in Photoshop, there are a slew of methods to correct this, but each of them had their weaknesses. Check out this simple - yet slightly hidden - method that you probably never knew existed.
There is an old quote that says, “If you want to shoot fashion, shoot in color, but if you want to shoot emotion, shoot in black and white.” I don’t know who said it, but I tend to agree. I do love myself a good black and white portrait. There is something special about black and white imagery which has the ability to cut through all the baggage and display both the inner beauty and turmoil which can be so easily hidden away by color photography.
Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost. If you're a motion graphics designer, or love sweetening your video edits with funky filters, check out the video and see if Universe is for you.
I'm going to be honest with you right off the bat. As far as behind the scenes videos go, this one leaves a lot to be desired. However, as always there is still some information to be gained from it. The first and most important being that this entire series appears to be lit with one Profoto Acute2-D4 head nestled snugly in a Softlighter. Naturally with this being a Leibovitz shoot there is a solid bit of post production and that is surprisingly where the lesson lies here.
Over the last 12-months there has been a surge of photographers wanting to learn off-camera flash. Regularly I receive emails or Facebook messages from other photographers asking for tips. Over the years I have tried to remember what made learning off-camera flash so easy for me and time and time again it comes down to one simple tip.
Online education through video tutorials has become one of the most economical and convenient ways to learn almost any topic, especially if it's photography. Joey L recently launched a new website that takes you on-location and in the studio to see the workflow, thought process, lighting design, post processing, and on-set dialogue that takes place in one of his commercial photo shoots. Check out more trailers below.
A few months ago, I was involved in a shoot that seemed to do everything right. Managing ever larger shoots, photo or video, is not rocket science but does require planning and thought. Here are some basic pointers of what I saw first hand that we can all apply to increase the chances of successful outcomes on our shoots.
Matt Davey, a music photographer based in Essex, and iPhonographer Dilshad Corleone take to the streets of London and go on a fun journey of self-discovery and in the process create a collaborative project of creative individuals using the power of photography. I caught up with Matt and he broke down the project and the great experiences that he gained from collaborating with his fellow colleagues.
Eric Kress, an accomplished cinematographer whose credits include "The Girl With A Dragon Tattoo," (2009) recently led a lighting class at Gokinema, an annual film workshop in Sweden. This video is the first in a series that captured Eric's demonstrations. Grab a coffee, sit back, and watch as he masterfully crafts a cinematic look for a mock scene.
In this fantastic video from National Geographic Live!, documentary photography Chris Rainier talks about his adventures around the world, the myriad cultures he's encountered and the power of photography to translate an emotional response to the art that exists all around us. Rainer began his career as the last assistant to Ansel Adams - a position he doesn't take lightly and one that helpe define is way of seeing.