Photographer, director, and writer Tyler Shields is known for his world class, oft avant garde, work. We've covered many of his previous over-the-top projects here on Fstoppers, including feeding a $100,000 purse to a crocodile , his Mouthful exhibit , and blowing up his Rolls Royce Silver Shadow — all in the name of art. Shields is at it again with his fine art series Sirens which blends the genres of landscape and nude in a beautifully surrealist way. In this video, Tyler takes you behind the scenes in a look at the creation of some of the Sirens images.
If you’ve worked in this industry long enough, you’ve heard the phrase that suggests why being a good businessperson is just as, if not more, important that being a good photographer. The more jobs I do, the more I see the wisdom in this statement, and this article will illustrate a few key points why.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
When a client came to me and asked if I could do a composite that featured a dragon, my first response was, "Of course, no problem. This is going to be so much fun!" Immediately following the conversation, reality set in and the haunting feeling that I had bitten off more than I could chew began to overwhelm me. After a momentary panic episode, I promptly began racking my brain on how I was going to pull off this impossible feat. Luckily in the end, creativity prevailed!
Last summer, photographer and director Dixie Dixon was called upon by Nikon to shoot a campaign for their new touch screen DSLR, the D5500. This incredible opportunity had one interesting challenge in store for Dixon, however; All of the material would be photographed and filmed — kit lens, auto settings, and Photoshop-free — using the consumer-level D5500 itself.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Even if you're new to this site, I'm pretty confident you've seen some sort of article about this unique photo series in which Michael Paul Smith builds intricate models and photographs them to recreate scenes from his imaginary childhood. Even I marveled at the fact that these were photographs of 1/24 scale models and not real scenes from history. Soon, Smith will be releasing a book called "Elgin Park" in which he explains his creative process and his life. If it is anything like the video above I will absolutely read it.
Travis Jensen is easily one of my favorite street photographers. He moved to San Francisco almost 20 years ago with a duffel, a skateboard, and a little cash, and has been beating the pavement ever since. In this video, Jensen talks about street photography, his method of shooting, what makes him tick as a photographer, and gives some advice to people trying to make a go of it themselves.
Larry Busacca of Getty Images was given a very limited time and cramped space to create some of the most memorable images from the Sundance Film Festival. The video showcases Busacca in action, blowing through group shots, pairings, and solos without missing a beat. With some of the most well known faces in Hollywood no less.
Super Bowl XLIX is just two days away and most of us are looking forward to the commercials as much - if not more - than the actual game. This year will feature a Snickers’ commercial that is bound to be the talk of the work place come Monday.
The commercial follows the familiar “You’re Not You When You’re Hungry” campaign – only this time, it takes place within an episode of The Brady Bunch.
I will start this article off by saying that I am not a pet photographer. I am a portrait photographer that typically captures humans for magazines and ads. However, a couple years ago I started a pit bull charity ( Not A Bully ) and it unexpectedly led me to some jobs photographing rescue animals. If you're reading this, you already know that capturing animal portraits is a unique challenge in itself. I've done some of the difficult leg work for you and put together a list of tips to hopefully make your next in-studio pet portrait session much easier.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
About a month ago I listed some of my favorite editing tricks and while experienced editors knew the deal, I got a lot of feedback saying that at least one or two of those techniques were helpful for people who have only started to edit videos in the last few years. So here are 5 more, some maybe a touch more advanced, editing tips for the video editors out there.
Ornana Films is a small production company based in San Rafael that is no stranger to awards. They took home the Jury Award at the SXSW film festival in 2012 for their short " (notes on) Biology " which continued on to win several other awards that same year, including Exceptional Short at Santa Fe Independent and the Grand Jury Prize at FFF. Two years later at SXSW, they premiered their latest short "Confusion Through Sand" to much acclaim. Now, after a year of waiting, the hand-drawn masterpiece is online for free along with a behind-the-scenes video documenting the work that went into this brilliant animated short.
After endless hours wasted, I found the solution for an issue I've had using the Intous tablet with my Macbook Pro. The brush would get stuck and I couldn't hit Photoshop shortcuts between brush strokes. I went through the hassle of reinstalling all drivers, buying a new tablet and setting all my Photoshop settings back to default before finding the following simple 30-second fix. This issue pertains to people using Apple computers with Photoshop CS6 or CC and a Wacom Intous tablet. The fix is for the following issues: