Last night's episode of "Modern Family" was both hilarious and very well filmed. Using nothing more than iPhones, iPads, and MacBooks, each character used FaceTime to interact with one another in a first-person selfie view. We are all familiar with various movies and television shows using iPhones to snap quick scenes here and there, but this episode went even further by using it as the basis of the entire episode; with genius I might add.
Last year I interviewed Stijn Verlinde, probably the best dance music festival filmmaker in the world right now. Last week, RED, makers of the camera equipment Stijn uses, recognized this and released a gorgeous 4K mini-profile that takes us deep into Stijn’s life, philosophy, shooting style and creative vision. If you're in need of a little inspiration today, take 4 minutes to check out this beautiful mini doc on one of the world's best.
Indonesian born photographer Edy Harjo has created a series unlike any other; complex in setup yet seemingly so simple in its comedic genius. Using characters we all know and love from the Marvel and DC Universe, he has created stories far beyond those we have read in the comics or seen in recent movies. Only his creative mind could have Thor, Hulk, Wolverine, Spiderman, and even the Joker peeing against a wall in an alley.
Making generous use carbon fiber throughout the 4K cube that will be released as the Arri Alexa Mini, Arri's newest camera takes a direct stab at RED's Dragon, as both feature incredibly similar specifications — even their 2.3 kilogram weight. Of course, Arri isn't new to the game; they know enough to bring some game with the Mini.
Go behind the scenes with London-based photographer Jason Bell as he shoots the one and only Benedict Cumberbatch for Vanity Fair. Walking us through the detailed setup, including gear from Phase One, you can see all that goes into such a high-end editorial piece. From concept to completion, it's refreshing to see that not one hand was wasted in creating this magnificent series.
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work. Let me introduce you to Leonardo Dalessandri, and his latest project “Watchtower Of Turkey”, a video that he worked on over the course of a year and quite possibly some of the best visual media you’ll see in 2015.
Photographer, director, and writer Tyler Shields is known for his world class, oft avant garde, work. We've covered many of his previous over-the-top projects here on Fstoppers, including feeding a $100,000 purse to a crocodile, his Mouthful exhibit, and blowing up his Rolls Royce Silver Shadow — all in the name of art. Shields is at it again with his fine art series Sirens which blends the genres of landscape and nude in a beautifully surrealist way. In this video, Tyler takes you behind the scenes in a look at the creation of some of the Sirens images.
If you’ve worked in this industry long enough, you’ve heard the phrase that suggests why being a good businessperson is just as, if not more, important that being a good photographer. The more jobs I do, the more I see the wisdom in this statement, and this article will illustrate a few key points why.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
When a client came to me and asked if I could do a composite that featured a dragon, my first response was, "Of course, no problem. This is going to be so much fun!" Immediately following the conversation, reality set in and the haunting feeling that I had bitten off more than I could chew began to overwhelm me. After a momentary panic episode, I promptly began racking my brain on how I was going to pull off this impossible feat. Luckily in the end, creativity prevailed!
Last summer, photographer and director Dixie Dixon was called upon by Nikon to shoot a campaign for their new touch screen DSLR, the D5500. This incredible opportunity had one interesting challenge in store for Dixon, however; All of the material would be photographed and filmed — kit lens, auto settings, and Photoshop-free — using the consumer-level D5500 itself.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Even if you're new to this site, I'm pretty confident you've seen some sort of article about this unique photo series in which Michael Paul Smith builds intricate models and photographs them to recreate scenes from his imaginary childhood. Even I marveled at the fact that these were photographs of 1/24 scale models and not real scenes from history. Soon, Smith will be releasing a book called "Elgin Park" in which he explains his creative process and his life. If it is anything like the video above I will absolutely read it.
Travis Jensen is easily one of my favorite street photographers. He moved to San Francisco almost 20 years ago with a duffel, a skateboard, and a little cash, and has been beating the pavement ever since. In this video, Jensen talks about street photography, his method of shooting, what makes him tick as a photographer, and gives some advice to people trying to make a go of it themselves.