I am shocked that I’ve never seen this amazing commercial before. I actually overlooked it a few times because I thought it was fake. It wasn’t until I saw this BTSV that I found out that this really did happen. The camera had to endure temperatures down to 90 degrees below 0 and a massive fall once the balloon finally popped. Luckily the gear survived with the help of a parachute and they were able to create this amazing commercial. Check out the finished commercial in the full post.
We just received a very interesting contest entry from Viet Q. Mac, a recent graduate from the University of California, Santa Cruz. His buddy from Film Matters contacted him about an upcoming video production involving the 311RS and a couple Red Epics. Viet decided that this would be the perfect opportunity to create something for our BTS Contest. Although this video leaves many questions unanswered it is a beautiful look at a production of this size. To check out all of the contest entries as they come in you can keep an eye on our forum.
Some of my favorite behind the scenes videos we’ve featured on Fstoppers are of Matthew Jordan Smith. He speaks well and always articulates his lighting and setups in a way that both amateurs and pros can understand. In this video Matthew talks about exposing for a high key background, metering your subject’s face for dramatic studio light, and balancing ambient backlight with a studio keylight. I’ll be honest and say that I’ve never used a Sekonic Light Meter but I can see how useful they can be for more advanced studio lighting. I think Matthew might be the only professional I know of shooting on a Sony DSLR! I guess it goes to show that your camera brand makes little difference in producing great images. Check out more of Matthew’s tutorials here.
In this Slanted Lens lesson Jay shows you how to create background motion by moving the camera and subject together on something with wheels. This image was shot at a warehouse for one of Jay’s clients. Jay was trying to think of something a little different when putting the camera on the fork lift idea came out. Its hard sometimes to come up with something fresh when you’re shooting the same location and subject over and over again but Jay created something that the client was really pleased with.
After almost a year of work we have finally finished Peter Hurley: The Art Behind The Headshot. We created this to be a double DVD tutorial and we may eventually still make a physical copy but for now we have decided to begin with a digital download. I would like to thank each one of you that supported us by pre-ordering this video and I am so sorry it took so long to produce. Patrick and I filmed and edited this and it was far more complicated than we ever imagined. Creating this video has been the hardest project I have ever worked on but at the same time one of the most rewarding.
During the 5 days of filming this video Peter completely opened my eyes to a new way of shooting people. Peter helped me look past the technical side of the camera and the lighting to see the emotion and feeling that each of his clients were producing in each image. When his clients weren’t producing compelling images, Peter knew exactly how to coach them into creating that perfect “look.” This experience has changed my photography more profoundly than any other experience in my life and I hope that everyone who watches this video will feel the same way.
Fstoppers is full of new and free information every single day including the first video we did with Peter over a year ago. This video was created with the professional photographer in mind and it costs $300 for a digital download of the 4 hour video. We know that many of our readers are photography hobbyists and if you don’t shoot professionally you may not see the value in this download and that is fine. Please realize that this is a tool and a piece of education that will help (some) professionals take their business to the next level. If you don’t see the value in it, please do not buy it and enjoy all of the other free material on our site. If you do decide to buy this video, I would like to thank you so much for supporting this venture and Fstoppers.com. Never in a million years would I have thought we (two wedding photographers from South Carolina) could have created a 4 hour tutorial of this complexity. I know we will never make enough money from DVD sales to make up for the time spent producing it (for some reason we thought it would only take a few weeks to edit) but I hope that this video will impact the photographers who watch it in a huge way.
Nick Fancher is the lifestyle photographer for the website JackThreads.com. JackThreads is constantly receiving large shipments of totally different types of apparel that need to be shot as quickly as possible. Nick takes us through a normal day of shooting that may involve multiple, totally different looking photoshoots. This is a fantastic example of how a poorly filmed video can still become a killer BTSV with some simple voice over information. The bottom line is that Nick uses the absolute smallest amount of gear to come up with fantastic images in an extremely short amount of time. I’m hoping that Nick has something big planned for our Behind The Scenes Contest.
For any of you DSLR video shooters out there, you might not know why you may need some of the equipment you often see on some of the larger rigs found on major studio sets. Well the guys over at Cinevate show you exactly why you might need one of those tools called a mattebox. Matteboxes are essentially barn doors for your camera lens and allow you to control flares and the subtleties of light that make a good film into a great film. Cinevate also shows you how using different filters can really make parts of your movie stand out.
Read the full post to see some side by side examples so you can really examine the differences closely.
Some of our readers might have met up with Monte Isom at last month’s Fstoppers NYC Meetup. His videos have been fan favorites on the site and this week he is sharing another one of his commercial shoots. In this behind the scenes video, Monte shows you how he photographed his latest Molson Export Ale ad campaign featuring hockey players as they slide in towards the camera. As always, Monte has a lot of fun on his shoots and hopefully you can gain some ideas for shoots of your own from this video.
As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.
If you were approached by a big client and asked to only shoot with one light, would you freak out or would you make the most of the situation? In Nike’s latest basketball commercial Basketball Never Stops, they only used one single hard light to tell the story how the game and fans go on even after the court lights turn off. I think videos like this are a great reminder that sometimes less is more. Sometimes a simple setup can still produce dramatic results (even if you have you substitute a helicopter for a lightstand). Check out the video below and click the full post to see a short Behind The Scenes video on the making of this latest Nike Ad.
Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I’m trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below. [more]
This striking image (pun intended) was shot by Blair Bunting for a Deadliest Catch ad for Discovery Channel. Curious to know how he did it? Well, luckily for us, his assistant Paul Morton filmed the whole thing, and Mike Maez was kind enough to edit it down into a digestible and inspiring video. Do not worry, it did not take any knocked out teeth or injured sailors to get the job done, but rather a couple of Pro-7a units and 3 high powered leaf blowers. Have a look and see for yourself!
via the ProFoto Blog
I was just sent a fantastic video by architectural photographer Scott Hargis. In the video Scott talks about framing a shot, something that I struggle with at every interior shoot I’ve ever had. It’s very temping to shoot ultra wide so that you can see more of the room but as Scott points out, when you do you also loose the feeling of that room. Once you check out the video below head over to Scott’s website to see what a great photographer is capable of.
Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.
The amount of effort that went into Sony’s 3D commercial Two Worlds is pretty unbelievable. I’ve watched this video twice now and still don’t know if I know what I’m seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I’ve ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it’s real, making sense of what is real and what isn’t real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.