After hitting it out of the park a few months ago with the brilliant " Eye-Opening" commercial , Canon Austraila releases another one. "To the Ends of the Earth" features Canon Master Krystle Wright doing what she does best - creating breathtaking action photos in epic places. Her persuit of adventure leads her to some amazing locations in this video - from climbing the tops of mountains to jumping from sheer cliffs to freediving under the ocean. I'm pretty sure she's giving the Dos Equis guy a run for his money.
You might have missed it, but last night, the earth cracked and shifted a little in the world of the photo community. The “Stand Out! Photographic Forums” launched and details the first of a series of events that promise to offer up some of the most exciting photographic speakers I’ve seen in a long time. Not only that, but the price is ridiculously low to hear them talk. Something special is afoot, read on to get the full scoop.
If there is one medium that has been subject to the most censorship in society for well over a century, it's photography. Further, if there is one medium that has been responsible for the most heated debates about censorship, it's photography. For the most part, photographers decry and loathe censorship, whether it's because they capture nude figures, or create images with fictionalized depictions of violence, or perhaps - arguably the most important - they capture vital, photojournalistic visuals of the world around us which, let's face it, it's sometimes just plain scary. But consider this: Mainstream censorshop is not only necessary in photography, but it helps photography overall. No, really.
Growing up, my dad liked to quote an old song called “Warpaint” by the Brooks Brothers: “With all that lipstick powder and paint, you all dressed up like what you ain’t.” It was his defense against the inevitable growing up of his teenage daughters, but never once did I buy into it. Instead, I embraced makeup, hair styling, clothing, and more as a path to self-expression.
Annie Leibovitz has been pretty busy lately. Fstoppers recently posted her work as part of the "Live Who You Are" campaign for The Corcoran Group; the BTS video for it can be found here . In this campaign for Moncler, Annie pulls out all the stops - acrobats on ladders, backseat canoodling and even a hiker in the form of a Hindu deity (although to be fair, he could also be Buddhist or Jain). In any case, she brings her personal touch to the images.
I consider myself an advertising connoisseur - both of print and motion. As I continue on my journey as an image-maker, however, it becomes harder and harder for ads to impress me. I'm jaded. But that said, Under Armour is really killing it these days with their highly relable and modern ads.
As a commercial photographer, I specialize in product, food, and architecture. One of the products we've been shooting a lot of lately is jewelry, specifically jewelry for catalog use. In my opinion, jewelry is one of the hardest things to photograph, and many photographers don't know where to start. Whenever we're tasked with photographing shiny, reflective, spherical objects, our studio sounds like a group of sailors on leave with all the profanity flying around (often times strung together to make complete sentences).
The Corcoran Group specializes in the more exclusive brand of real estate. As such, a more exclusive brand of photography makes perfect sense. In her latest ad campaign, Annie Leibovitz shot numerous well-known talent in the fitting nature of their own homes. Dubbed, "Live who you are," the campaign centers around the idea of finding a home that perfectly complements your lifestyle. The spread between Jimmy Buffett and Tyson Chandler doesn't even begin to cover the variety of personalities in the new campaign that highlights some of the best-suited East Coast properities.
For many, it's a coffee table staple to browse and shop with, or simply to gawk at. To several photographers I know, it is eagerly awaiting the latest Victoria's Secret catalog so they can scour the images for inspiration. If you ask most glamour or boudoir focused photographers what they cite the most as their image making inspiration, the Victoria's Secret catalog comes up just as often Playboy , the Sports Illustrated swimsuit issue, and even Sue Bryce. And for good reason; it is generally very well done, and tasteful.
We have been sold on the biggest myth of all time; In order to succeed at anything and have a lustrous career you must spend 4 years in an overinflated educational institution and spend a small fortune, which doesn’t include costly textbooks, supplies and living expenses. All in exchange for a fancy sheet of paper we call a degree… a piece of paper that gives us instant credit and a golden ticket to the gravy train. Right?
How do you achieve long term success? Whether you want to grow a huge photography or video business, or just improve your skills, it would pay to look at the dramatic failures of others rather than just the “success stories”. Why? Because long term success is the result of resilience and determination in the face of constant failure and almost insurmountable odds, and if we understand - and embrace - this philosophy, we can overcome almost anything.
Advertising photographer, historical Fstoppers contributor and good friend of mine Blair Bunting today published a blog detailing exactly how he achieves his iconic images, specifically his popular football portraits. Blair has become known in advertising circles for his excellent use of rim light and kickers, and now you too can get this iconic look.
As one might expect (though perhaps not quite so soon after the H5D-50c announcement), Hasselblad has taken to Instagram to announce the H5D-200c MS, a 200-megapixel, multi-shot variant of the H5D-50c. The camera, which can still produce normal 50-megapixel stills at 6200 x 8272 pixels, also ads 4- and 6-shot capabilities for applications such as fine art reproduction, product photography, and more. At its highest resolution, the 200c MS produces massive and glory-clenching 600MB, 16-bit TIFF files.
If you’ve shot in any studio, then you know the rules. Larger studios may require the use of protective booties on a freshly painted cyc wall or some practice the unsaid "no shoes" rule when stepping onto background paper. But, unfortunately, that just doesn’t happen and if the subject is jumping or moving look after look that background is going to get dirty. We all know the pain of re-touching that dirt.