“The French Navy labeled this day a double code red prohibiting and threatening to arrest anyone that entered the water. Kelly Slater described the day by saying “witnessing this was a draining feeling being terrified for other people’s lives all day long, it’s life or death. Letting go of that rope one time can change your life and not many people will ever experience that in their life.”"
Have you ever wondered just how many photographs are taken each day? Maybe you’ve wondered where the most photos are taken throughout the world. Well the GPS data tracking company Triposo has released a timelapse video that shows exactly where most of the world’s photographs are taken. With the help from sites like Flickr, Dmoz, TouristEye, Open Street Maps, and dozens others, Triposo was able to plot popular areas for photography using GPS data embedded into the photographs themselves. Not only did they capture the location of the photos but also the day it was taken. Click the full post to see still shots of the most popular days people are using their cameras.
Check out this video from Corridor Digital! I love graffiti and street art, and it’s a great lesson to all of us on how mixing and matching media can make an addictive, fun video. The fake door shot reminds me of so many shows and cartoons I saw growing up. If you think about it, they mixed graffiti, acting, and stills for an awesome end product. I want to see one of our readers do something similar with photo stills! I can’t help but think Corridor Digital’s style in this video has incredible, untapped power in the advertising world. What do you think? And which one of you is going to top this?
Amy Lynn must really want to win some of the $20,000 in photo gear we are giving away in our Behind the Scenes Contest because the photoshoot idea she came up with is one of the most original ideas we’ve seen yet! Amy wanted to create a fashion image with a twist. Her plan was to take a bunch of photos of her friends in a circle and stitch them together in a way that would allow the viewer to pan around the scene in full 360 degrees. I wasn’t quite sure how the image would turn out when I first started watching her video but the final product is pretty impressive. I’ve embedded the final image HERE so make sure you check out the full post to see how awesome this turned out. If you have any questions for Amy about how she created this awesome fashion image, leave her a comment below. We wish Amy and everyone else who has entered this contest so far the best of luck!
We are heading into the final stretch for our 2011 Behind The Scenes Contest and someone is about to win a truckload of gear! The latest video that caught my attention was from LA photographer Mike Kelley. Mike has been featured on our site before but in case you missed that post, his portfolio is full of some pretty kick ass commercial images of buildings and outdoor environments. So it was only fitting for his contest entry to showcase how he approaches an outdoor commercial architectural shoot. Mike uses a lot of exposures and some well thought out accent lighting to create a composite image that looks really nice. As much as I love this video, Mike won’t win this competition by impressing anyone here at Fstoppers. Instead his video has to make a lasting impression among our celebrity panel of judges. If you have any questions for Mike, leave them in the comments below.
I just realized that our Fstoppers Twitter account has tons of unread direct messages (we prefer you email us). One of them was from Douglas Sonders who had a crazy experience with one of the original Ghostbusters Ecto 1 Cadillacs. These caddies have so many lights on them that I can’t make any sense of what is going on but it looks pretty cool. Douglas does a good job explaining how he plans on using a few long exposure shots to burn in the ambient light while using spot grids to pop in just the right amount of flash for specific areas of the photo. Does anyone know if the Roscoe Fog Machine in this video is made by the same company that makes Roscoe Speedlight Gels? Either way, nice touch on bringing the smoke machine to the shoot. Check out more details about this shoot over at Douglas Sonders’s Blog.
It seems every week someone is producing a piece of art that pushes the limits of both technology and also creativity. One trend has been to create commercials and videos completely in camera with minimal post processing. The new music video for Kina Grannis completely blows my mind! Director Greg Jardin worked with Kina to produce a music video that features “jellybean art” in a stop motion sort of way. The video is not only incredibly entertaining but by creating such an interesting video, Kina has found a way to spread her talent to a much larger audience (almost 2 million people at the moment). Even if you may never create something that requires this much work, as a creative professional you should always be thinking of a clever way to share your work to a larger audience. Check out the video below and then click the full post to watch the making of video.
Jay P. Morgan is a commercial photographer based out in Los Angeles. His behind the scenes videos have been a hit with our readers because they always feature some useful lighting or photoshopping technique. In his latest video, Jay shuts down a highway ramp in order to light an 18 wheeler truck against the LA skyline. It’s pretty interesting that an image like this is shot in camera and not completely photoshopped but that’s what makes Jay P. Morgan a hero around the office. If you enjoy this video be sure to check out some of his other videos here.
Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I’m trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below. [more]
Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.
The amount of effort that went into Sony’s 3D commercial Two Worlds is pretty unbelievable. I’ve watched this video twice now and still don’t know if I know what I’m seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I’ve ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it’s real, making sense of what is real and what isn’t real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.
Awhile back we shared a few videos of photographers intentionally throwing their cameras in the air. Well now the Throwable Panoramic Ball Camera actually makes that feat much easier. The new camera allows photographers to create 360 degree images with 36 individual cameras arranged in a buckeyball shape (any organic chemists out there?). Using an accelerometer, the spherical camera takes a photo at the apogee when there is the least amount of movement for surprisingly sharp images. It’s also made of soft collision material which just begs you to throw it at someone’s face or fling it with a water balloon launcher. The whole project is pretty interesting, and you can read more about it on Jonas Pfeil’s website.
Now this isn’t your normal behind the scenes video. The guys over at Jess3, a creative agency, were asked by ESPN to create a video that explains how the Nielsen television rating system works. I know it sounds a bit boring but it’s actually pretty interesting to see how it works especially if you’ve ever wondered how in the hell Two and A Half Men is rated as the top tv sitcom on the air for the last several years. Check out the behind the scenes video below on how director Mark Kulakoff created this 70s concept and employed his “2.5D” vision into the final production. Click the full post to watch the final ESPN mini show.
Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively “paint” over your subject and capture it on your sensor. The newest image in Eric’s American Pride and Passion series is one of the most complex light painting images I’ve ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric’s website to see many more examples of his layered light painting photographs.
Ryan Enn Hughes just submited his entry for our BTSV contest and it is quite impressive. Ryan teamed up with The Big Freeze and set up 48 D700 cameras in a circle and then fired them all at once as dancers did their thing. The photographs are pretty cool on their own but the real magic happened in post during the editing phase when Ryan teamed up with sound designers at Zelig Sound to create two incredible 30 seconds videos. Obviously this is an extremely high budget project but our contest will not be judge on that so don’t be discouraged if you don’t have 48 $3000 cameras to play with. As always, you can check out all of the submissions to our contest as they come in here on our forum.