Automotive photography can be an extremely rewarding niche in the photography industry. The fast, shiny, power-inducing machines that rush by in a blur of color can be a thrill to anyone photographer, but it can also be daunting making sure that every detail is just perfect. Automotive photographer John Zhang walks us through the post processing of one of his lates shots of a Lexus LFA.
When it comes to compositing, the most tedious part of the Photoshop workflow to me has to be the extracting of objects from the background. With so many different ways to extract a subject: the pen tool, the lasso tool, refine edge, or Fluid Mask, it can be hard to find the technique that best suits your workflow. Commercial and editorial photographer Michael Herb has recently released an amusing quick mask tutorial that might just be the thing to get you out of your compositing rut.
Double Exposure is something most of us who ever had a film camera experienced at least once. By accident. It happened when the film got stuck, or when we used a used film again by mistake. With the digital age coming in and replacing film, in-camera double exposures became a very rare kind of photography, but in recent years, many DSLRs added the option to create a double exposure in camera, and this old style came back to life. Check out these great examples of Double Exposure found on Flickr.
So, what happens when you bring two very popular themes in photography, fashion and pyrotechnics, together? A combustion of epicness emerges on your screen. Fstoppers favorite, Benjamin Von Wong, is at it again, and this time he's brought along a few friends to help create the stunning images you see in the video. Pyrotechnician, Andrey DAS, and amazing designer, Virginie Marcerou, worked with Ben to create the intricate scenes in the photographs.
If you're familiar with Fstoppers, you'll know our love for Benjamin Von Wong. We've featured him so many times over the past couple of years on our site. We just can't help ourselves! With his equally educational and entertaining BTS videos, everyone seems to love them. I decided that it would be a great time to take a moment and look into his world to learn more about him and what keeps him going.
Jurassic Park is my favorite movie of all time. The story line itself is captivating but the incredible special effects are what really set this film apart. The movie was released 20 years ago in 1993 and the CGI and robotic dinosaurs still look more realistic than the majority of special effects in movies today. Stan Winston has just released 3, never before seen videos of the creation of the robotic dinosaurs from the original Jurassic Park.
To describe Angelo Musco’s conceptual vision as deep would not even begin to scratch the surface to the magnitude of his surreal bodyscapes.
To create his work, hundreds of nude bodies have been photographed and arranged to create his insanely dense bodyscapes. Upon looking further into each photograph, details emerge and reveal how meticulous each human form has been carefully put together to become one object.
If you've ever wondered how photographers stitch together elaborate sequences of sports maneuvers, here's your answer. Pete Webb takes some of his snowboarding shots and offers us a detailed walk through on how to composite such an image in post. Although this concept is most easily applied to sports photography, I've also seen it show up with some fun applications in couples portraits and commercial work.
Whether you're just starting out or if you're a seasoned professional, you won’t want to miss this week's programming on creativeLIVE. Right now until March 2, they will be featuring some of the best instructors who will be teaching instrumental techniques for photographers. Some of the topics they’ll be covering include retouching and compositing, workflow and automation and using text and brushes. Start watching live NOW for FREE OR purchase the video downloads for $299 and watch them any time.
Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.
Here's a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude's day. We all know the importance of 'getting it right in camera', but this is what happens when post-processing runs amok.
The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a Revolutionary War battle scene to show you how to effectively light a composited image. He shows you how to shoot your background plates first, the main subject using a do it yourself motion rig and even shows you how to shoot explosions to help finish the image.
Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.
Iran recently released information and a photo regarding a new stealth fighter jet that left the US foreign policy makers nervous and concerned for the impending future. The problem with this news? It’s a pretty obvious Photoshop composite, and a pretty terrible one at that.
I really like the team at PLEARN because they consistently come up with great photo shoot concepts, but they don't just leave it at that. They also show you have to make those images yourself in a casual yet informative manner. This week they show you how to create a composite that takes a woman and puts her in a room that's just a little too small.