When I first got into portrait photography, I saw his work and I wanted to be Zim Killgore. Years later, I still have inspiration folders that are filled with his stuff. I've always been interested in his work because its nothing like anything I've ever seen before. Its a fresh take on portrait photography, that encourages you to just sit down and stare at it.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.
Special effects are crazy and if they're overused, can be off-putting (I'm looking at your Star Wars Episodes 1-3). But used right, and special effects can make a scene and drastically reduce set budgets. Check out these before and after shots of rather notable sets that we stumbled upon, including a pair from everyone's favorite zombie show, The Walking Dead.
A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong. He explains how he was able to accomplish the shoot in the pool and how he brought all of the elements together to create a wonderful behind the scenes image of the entire cast and crew at work.
Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.
My buddy, Eric Doggett, is one of those commercial photographers that I want more people in the community to know about because he is very talented. Every holiday season, Eric will create a Christmas card using composites of himself and his family. This year, he took a page right from one of my favorite movies, Back To The Future. He created a fantastic in-depth tutorial video on how he created this year's holiday image form scratch.
About a year ago, we featured the work of Joel Robinson here. He continually pushes himself to produce better work each time we see more. Here are a new set of conceptual photos that will hopefully command your attention and interest. The mood of his work is always surreal. Although these photos aren't a cohesive series, each of them seem to tell their own stories.
If you've watched the TV series "Grimm," you may be curious how the mythological creatures from Grimm's fairy tales make it onto screen. Bent Image Lab, the production company behind the cg creations of the show, explains their process of transforming characters into creatures and adding a fantastical element to each episode.
Marvel's 'The Avengers' is the top grossing movie of 2012 and the third of all time, ensuring that the superhero genre of movies are here to stay. Industrial Light & Magic have finally released the behind the scenes and walkthrough for the post production on one of the most amazing scenes in the movie, a long take of all the heroes fighting off the Alien horde that is uninterrupted and seamless with New York City as its backdrop.
Al Magnus is a brilliant digital manipulator. His creations are so fascinating, they just seem to keep drawing me in due to the peculiar stories they tell. His work some of the most well executed conceptual digital art I have ever seen. Al has been working with the digital medium for over 12 years now and I believe his work speaks for itself."I was ten when I first discovered photography and waseven then fascinated by the light that B & W prints suffused.
Gavin Hoey with AdoramaTV put together this simple yet informative video that includes beginner tips on techniques for bracketing your aperture, finding different materials for textures, and finally bringing it all together in Photoshop. Gavin shows how he works in Photoshop to transform images to make them fit your composites in a more pleasing way, and also uses blending modes and layers masks to make the textured vignettes fit his images.
To shrink the hobbits in "Lord of the Rings" was not a simple feat for Peter Jackson, it took a lot of set crafting and perspective tricks. Instead of going through those extra hoops for the recently released "The Hobbit," Peter and his team took a different composite approach to the process of resizing the actors. Our friends at Popular Mechanics detailed how the results were achieved.