Jurassic Park is my favorite movie of all time. The story line itself is captivating but the incredible special effects are what really set this film apart. The movie was released 20 years ago in 1993 and the CGI and robotic dinosaurs still look more realistic than the majority of special effects in movies today. Stan Winston has just released 3, never before seen videos of the creation of the robotic dinosaurs from the original Jurassic Park.
To describe Angelo Musco’s conceptual vision as deep would not even begin to scratch the surface to the magnitude of his surreal bodyscapes.
To create his work, hundreds of nude bodies have been photographed and arranged to create his insanely dense bodyscapes. Upon looking further into each photograph, details emerge and reveal how meticulous each human form has been carefully put together to become one object.
If you've ever wondered how photographers stitch together elaborate sequences of sports maneuvers, here's your answer. Pete Webb takes some of his snowboarding shots and offers us a detailed walk through on how to composite such an image in post. Although this concept is most easily applied to sports photography, I've also seen it show up with some fun applications in couples portraits and commercial work.
Whether you're just starting out or if you're a seasoned professional, you won’t want to miss this week's programming on creativeLIVE. Right now until March 2, they will be featuring some of the best instructors who will be teaching instrumental techniques for photographers. Some of the topics they’ll be covering include retouching and compositing, workflow and automation and using text and brushes. Start watching live NOW for FREE OR purchase the video downloads for $299 and watch them any time.
Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.
Here's a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude's day. We all know the importance of 'getting it right in camera', but this is what happens when post-processing runs amok.
The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a Revolutionary War battle scene to show you how to effectively light a composited image. He shows you how to shoot your background plates first, the main subject using a do it yourself motion rig and even shows you how to shoot explosions to help finish the image.
Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.
Iran recently released information and a photo regarding a new stealth fighter jet that left the US foreign policy makers nervous and concerned for the impending future. The problem with this news? It’s a pretty obvious Photoshop composite, and a pretty terrible one at that.
I really like the team at PLEARN because they consistently come up with great photo shoot concepts, but they don't just leave it at that. They also show you have to make those images yourself in a casual yet informative manner. This week they show you how to create a composite that takes a woman and puts her in a room that's just a little too small.
Jim Kazanjian’s surreal architecture images are a dreamlike scene that teeterings on turning into a nightmare at any moment. The dark dreamy mood and beautiful decay of crumbling elements allows the viewer to peek into a darker scene of a fictitious location. The hyper realism of the photographs was perplexing and I assumed that the images were shot and pieced together, little did I know that Kazanjian doesn't use a camera for his creations.
I have been following the amazing photographer Sam Hurd for a little over a year now. I just recently recommend a good friend to have an anniversary shoot done by Sam and I was intrigued by the techniques I heard he used. Shortly after this Sam released a blog post sharing his method of Prisming and his secrets were out of the bag. I have given his method a try and I love the results.
Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.
When I first got into portrait photography, I saw his work and I wanted to be Zim Killgore. Years later, I still have inspiration folders that are filled with his stuff. I've always been interested in his work because its nothing like anything I've ever seen before. Its a fresh take on portrait photography, that encourages you to just sit down and stare at it.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.