You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.
Though there are other programs out there that say they can quickly cutout objects from the background via masks and leave you with a clean end result, I've tried a few of those programs and they just don't seem to cut it. The process to create these masks also seem very awkward. Now you can quickly create (pretty darn good) masks on your iPad using Photoshop Mix, a mobile offering from Adobe we told you about earlier this year.
If you’ve shot in any studio, then you know the rules. Larger studios may require the use of protective booties on a freshly painted cyc wall or some practice the unsaid "no shoes" rule when stepping onto background paper. But, unfortunately, that just doesn’t happen and if the subject is jumping or moving look after look that background is going to get dirty. We all know the pain of re-touching that dirt.
LA based photographer Krocky Meshkin began experiementing with what he calls "paranormal street photography" in 2008 when he first started his Headless Sightings series. Having worked in reality TV, Krocky thought the idea behind altering the "reality" in shows was quite interesting and decided to try his hand at it.
Dave Hill and crew have put together a behind the scenes documentary video to showcase their latest collaboration with Fiat for a unique four concept ad in Vanity Fair. Watch as they break down the concepts and show you in detail the amount of work and production that went into each image!
This photographer not only creates situations that are unique and comical -- but sends you to a surreal universe in just a glance. John Wilhelm lives in Switzerland with the subjects of many of his works --his girlfriend and three daughters, he's also an IT director in the university there. His hobby is art. Aside from being technically perfect, his eccentric portraits each tell a story which will have you dumbfounded, but pining for more.
If you are into fantasy or photo-illustration style photographs, you are likely well aware of compositing, or shooting key elements separately and blending them in Photoshop. While compositing is made easier thanks to software solutions like Photoshop, have you ever considered how they are done without it?
The guys from Film Riot catch ‘Guy Ritchie Disease’ and in the process teach you how to create the "Guy Ritchie" freeze frame effect. Whether you need an awesome intro title for your film or even a great effect for your own behind the scenes photography vlog, this Film riot video shows you how to create it in Adobe After Effects. If you’re more comfortable in Photoshop, you can put it together in there and then animate it in After Effects.
Last year we teamed up with Mike Kelley to produce the 7+ hour tutorial: How To Photograph Real Estate, Architecture and Interiors. We were fearful that Mike's fancy equipment would be discouraging to new photographers so we asked Mike if he could create a signature image with much cheaper gear. Mike shot an incredible, world class image with the original Canon Rebel and kit lens and only a few accessories.
In this brilliant tutorial from Phlearn, Aaron Nace shows you how to create an artistic, composite image to replicate the double exposure effect. Despite being a little complex, the instruction is easy to follow. Nace’s great tips include: finding an appropriate blending mode, using detailed masking and grouping as well as using the gradient tool to add that extra something to your image.
The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.
Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique. For the past few years the slow motion technologies have continued to improve, and just last year the Phantom Flex4K Digital Cinema Camera was announced introducing some groundbreaking slow motion abilities like shooting at 1,000fps at at 4K resolution. Shortly after its release, Director Brendan Bellomo and cinematographer Greg Wilson got their hands on the camera and took it for a test and created this beautiful video called "Let Me Know When You See Fire."
From concept to finsihed piece Danielle Evans creates incredible pieces of art using various mediums for clients Target, Romano's Macaroni Grill and Kellogg. Her style is freeform and specializes in hand lettering to create stunning scenes with perfect lighting to match the feel she is looking for.