Composite

Glyn Dewis Shares Key Tips For Shooting Composite Image Backgrounds

Glyn Dewis Shares Key Tips For Shooting Composite Image Backgrounds

Curious how to properly shoot a background environment to drop a studio-photographed subject into? I know that is something I honestly struggled with early on. We regularly feature Glyn Dewis on Fstoppers, and recently he put together a quick and easy 2 minute video that gives crucial tips on how to make sure your focus/depth of field and angle of your background is captured correctly so it matches up with your portrait subject.

Fstoppers Real Estate and Architecture Photography Tutorial With Mike Kelley

Fstoppers Real Estate and Architecture Photography Tutorial With Mike Kelley

Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors.

The 2.5D Effect: How To Make a Parallax Image

The 2.5D Effect: How To Make a Parallax Image

There is something magical about having your 2D photos seem like they're actually 3D. It brings them to life in a way none other method can. The depth, the complexity and the subtle movements give your regular 2D photos more meaning and context, and it makes the viewer focus on the image much more than normal. Joe Fellows is a master of the 2.5D (Parallax) Effect and in this short video he shows you everything you need to know to make this effect yourself on your own images.

Photoshop: Mastering Selections and Refine Edge

Photoshop: Mastering Selections and Refine Edge

For a long time I've held firm to the belief that in my compositing work, the "refine edge" is worthless. Why? Maybe I'm just stuck in my ways but it just never seemed to work as well as I thought it should. However, Glyn Dewis may have convinced me to give it another shot. In this very straightforward tutorial he shows a fairly simple series of techniques to create a precise mask using this tool.

Behind the Scenes: Light Painting and Morphing with Red Bull

Behind the Scenes: Light Painting and Morphing with Red Bull

Max Riché, a commercial photographer based out of Paris recently shot a huge project for the Red Bull Media House using the same concept as his "Becoming and Athlete in One Photo" series. Shooting trail-biker Petr Kraus against a black backdrop and using light painting techniques, some strobes and then later bringing all of the images into Photoshop he created these awesome fluid-movement series of photos.

Low Budget, High Scale - Incredible Action Sequence With BTS

Low Budget, High Scale - Incredible Action Sequence With BTS

Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.

1940's Pin-Ups with a Dash of Milk

1940's Pin-Ups with a Dash of Milk

London-based photographer Jaroslav Wieczorkiewicz is a someone who loves pushing the boundaries and stepping outside his comfort zone. He's known for his high speed photography and pushing it to the extremes, most of the time involving milk! His newest set with milk combines his love for composites and high speed and it shines with some traditional 1940's pin-ups.

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