Last summer we flew Mike Kelley, one of my favorite architecture photographers, to Charleston for 3 weeks to film the 8 hour tutorial How To Photograph Real Estate, Architecture and Interiors . Mike's technique of light painting and compositing is so polished and time consuming that I assumed no Realtor would actually want to pay for it. I was wrong.
The concept of doing a Robocop photoshoot has always been on my wish list, but have not been able to find someone with the proper original costume... until now. You see, my friends and I have always obsessed over the original Robocop film since it first came out (don't mention the sequels). I am just thankful that my photography career has allowed me to recreate the daydreams I had as a kid. Read below about how I put this ultimate personal shoot together and see the final results.
Sometimes tattoos can add a lot to the character and the general feeling of your images. The problem is most models you'll work with wont have any tattoos, or won't have the type of tattoo you would like to have in the image. In this 15 minute video tutorial you can learn how to add any tattoo to your subject in Photoshop, and make it look real. The techniques used in this tutorial are very useful for many other uses, so if tattoos are not your thing, it's still a great video to learn from.
Lets face it, it takes awhile to get the absolute perfect double exposure. Although the Canon 5D Mark III might make it a little bit easier with it's live view, the truth is that it takes time. For these double exposures, Francesco Paleari was able to do just that. He merged people with architecture in the most perfect sense.
Some years back, we featured the beautiful Lego Star Wars world that Finnish illustrator, designer and photographer Vesa Lehtimäki created with simple but ingenious lighting and table top model work. His latest project again features iconic Star Wars models, shot and then composited back into scenes, rendering the spacecraft to epic proportions. Vesa proves again that some solid technical know-how coupled with a vivid imagination delivers fantastic results.
The Academy Awards nominations were recently released and it's no surprise that "The Wolf of Wall Street" received nominations in the "Best Picture" and "Best Actor" categories, but what about visual effects? The visual effects for the movie while extremely subtle are outstanding to say the least. The company behind the special effects for the movie is Brainstorm Digital. They released the VFX breakdown of "The Wolf on Wall Street", and proves just how much special effects can have an impact on modern storytelling.
Few months back we featured a great video showing how Joe Fellows creates his stunning parallax videos. After posting the article, many of you had follow-up questions on his techniques and methods, so he decided to release a 'part 2' video explaining some of the cool tricks he uses to transform a 2D photo into a 2.5D video.
I’m always intrigued by those photographers who shoot self portraits, particularly when they bring something new to the mix. Chino Otsuka used her camera and some skillful Photoshop work to not only carry out a self portrait series, but to transport herself back in time, into photographs featuring her younger self - sometimes from almost three decades in to her past. The results are both thought provoking and mesmerizing.
Featured last year for his "Wedding Day Zombie Apocalypse" composite, Photographer Josiah Moore is up to his old tricks again. This past fall he shot a wedding where both the Bride and Groom were car enthusiasts. He decided to make a fun chase scene out of a photo from the reception, and this video shows his process in Photoshop.
This year for Christmas I wanted to surprise my father with his dream car, an original Chevrolet Camaro convertible in hugger orange with white rally stripes. Being that I'm a photographer I decided to photograph the car and give my father a framed print of the car before I revealed that I am actually giving him the car.
UPDATE: WE'RE SOLD OUT - 6 years ago I built a collapsible softbox that could easily fit in my pocket while I was shooting weddings. I built this product for myself and never dreamed that it would become a real product one day. 2 years ago Patrick and I set out to have the "Flash Disc" mass produced and patented. We just received our patent and first batch. Order now and get 3 before Christmas.
Curious how to properly shoot a background environment to drop a studio-photographed subject into? I know that is something I honestly struggled with early on. We regularly feature Glyn Dewis on Fstoppers, and recently he put together a quick and easy 2 minute video that gives crucial tips on how to make sure your focus/depth of field and angle of your background is captured correctly so it matches up with your portrait subject.
When you're successful you get tons of requests, but sometimes there's that one that captures your interest and intrigues you. That's what happened recently to Benjamin Von Wong. A woman by the name of Nicole emailed Benjamin's agent asking what she thought was an impossible favor, to be featured in one of Ben's magical and dream-like sessions, on very short notice.
Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors.