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Optical Art - A Beautiful Seamless Journey Through New York City

Optical Art - A Beautiful Seamless Journey Through New York City

New technology really doesn't do much for me, I have to be honest. Until I see it applied in a creative way, at which point everything changes. When you place new tech in the hands of inspired, creative minds to see what they can come up with, it can produce fascinating results. What you're about to see is probably the most serene and hypnotic journey through the streets of New York City you're ever likely to experience.

The Average Faces of Women Around the World

The Average Faces of Women Around the World

FaceResearch.org has published the results of a recent experiment where experimental psychologists at the University of Glasgow in Scotland have combined the faces of women around to world to approximate the "average face" of each country. Using a modern version of the technique that Sir Francis Galton pioneered in the 1800's, multiple images of faces are aligned and composited together to form the final result.

One of The Fastest and Most Accurate Ways To Cut-Out Subjects for Composites

One of The Fastest and Most Accurate Ways To Cut-Out Subjects for Composites

When first learning Photoshop, most of us are introduced to the pen tool, brush tool, or maybe even the eraser tool to remove sections of a layer. However, these methods can be both time consuming and mediocre in creating a clean final image. In this tutorial I'll be walking you through the steps that I use to isolate subjects shot in studio (against plain backgrounds) for the creation of a composite image.

Shooting "Point Blank" - High Resolution Gun Photography

Shooting "Point Blank" - High Resolution Gun Photography

Have you ever wondered what it would be like to stare down the barrel of a gun? Well Toronto-based photographer Peter Andrew teamed up with art directors Simon Duffy and Derek Blais to show us. The series, “Point Blank”, features iconic handguns in high-resolution "portraits", some of which are printed as large as 4×8 feet. In order to achieve the incredible detailing in these shots Peter used

Photographing The Most Epic Burger You've Never Eaten

Photographing The Most Epic Burger You've Never Eaten

Once upon a time at brunch in Santa Monica, I created the biggest, most complex cheeseburger anyone had ever even attempted to ask a chef to make. I basically picked my top 10 things off the menu and asked the chef to put it between ciabatta bread. Then I ate the entire thing. It gave me severe meat sweats and rendered me unconscious afterwards, but it was the most delicious thing I had ever created. It's my single greatest achievement in life. I learned a lot about myself that day and will tell the Epic Burger story to my great great great great grandkids.

Behind the Scenes: Creative National Ad Campaign with Michael Herb

Behind the Scenes: Creative National Ad Campaign with Michael Herb

A few months ago we featured one of commercial photographer Michael Herb's tutorials on masking and composting. Michael is back with an awesome behind the scenes video of a national ad campaign he shot for Textile Designer Patty Madden. Michael set out to create some creative photos to showcase the unique advertising that hasn't really been seen before in a nation ad campaign for furniture.

Rescue Highlights By Using a Luminance Mask

Rescue Highlights By Using a Luminance Mask

Many times when shooting objects in an uneven light (usually outside), we have to choose if we want to expose for the darker areas, or for the brighter areas. This means part of the image will be exposed 'correctly' while the other parts will be overexposed (or underexposed). There are few solutions that can help us avoid these issues like shooting HDR or adding artificial light. But these solutions are not always handy and not always something that can be done. This great tutorial shows you how to fix overexposed highlights in only few minutes.

One Light, 56 Layers, One Magazine Cover.

One Light, 56 Layers, One Magazine Cover.

Automotive Editorial Photography will teach you many things. Mostly though, it'll teach you how to make something out of nothing and how to operate quickly and efficiently. I can't tell you how many times I've shown up to shoot a car only to be told it can't be moved from where it sits. It's those situations that will really test your mettle as a photographer and I've actually grown to love those challenges. One challenge from last year that I really enjoyed was a RIDES Magazine cover that would require fitting and lighting 10 cars. Here's how I did it.

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