Most cloth backdrops I have found cost between $70 – $100, but today I was turned onto a cheaper alternative. Photographer Elena Jasic posted a tutorial today on her blog on how she made her on distressed canvas background for around $50. The materials can be purchased at local stores such as Lowes, Home Depot, and Walmart.
Adrien Broom, Connecticut based photographer, recently successfully funded her new project “Where did All the Colors Go?” on Kickstarter. The project is a multimedia story for children in the forms of a children’s book, a short film and also an integrated platform to be viewed through a tablet. For both the photo and video production, Adrien created amazing sets featuring different colors. The first color Adrien shot was White. Check out how she built the set and of course the final results.
Last week I tried my hand at emulating Martin Schoeller’s portrait lighting with a single bare-bulb speedlite. Though the experiment was technically a failure, it still produced a nice portrait. Since then, I have tried two more lighting scenarios before finally nailing it on the fourth (please excuse my OCD tendancies) and final attempt. [more]
Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is. [more]
Israeli based photographer Dima Vazinovich is specializing in news, documentary and wedding photography. One thing that separates him from other photographers in the industry is the unique and creative look his photography has. Recently Dima decided to try adding a new kind of look to his portfolio, and the results are truly amazing. The idea: “Freelensing” / tilt shifting with a cheap broken 50mm 1.8 lens to create magical images. [more]
Calvin Frederick is an experimental animator who put some fantastic thought and creative talent into this trippy work called “Bermuda.” By using an LED panel, a motion control rig, and a bunch of mirrors, Calvin managed to create this piece without any visual effects or compositing in post. Before you click play, brace yourself for the twilight zone.
So, how do you shoot at the legendary Disney Concert Hall without breaking their rule of ‘No Professional Photography‘? You do it with finesse. Benjamin Von Wong was faced with the task of shooting the Trio Dinicu at the location without looking like a professional photographer. In this behind the scenes video he shows you how he accomplished that and also walks you through cleaning any distractions from your photo using Photoshop. [more]
I have been following the amazing photographer Sam Hurd for a little over a year now. I just recently recommend a good friend to have an anniversary shoot done by Sam and I was intrigued by the techniques I heard he used. Shortly after this Sam released a blog post sharing his method of Prisming and his secrets were out of the bag. I have given his method a try and I love the results. [more]
Timelapses aren’t just for moving clouds and the northern lights (but they sure are pretty) but in fact their use for studying earth sciences is becoming a key part in learning more about our landscape and using the images to educate and inform the masses. I interviewed Forrest Pound of San Francisco based Kontent Films, who was tasked with building custom timelapse rigs to document parts of the Colorado River. He has shared this DIY project step by step, so read on to learn more. [more]
One thing I love about the Fstoppers Facebook Group is seeing all the amazing work our readers publish. Taylor Tupy is a pretty awesome fashion and editorial photographer based out of Minneapolis. In this video he shared on Facebook, Taylor brought in gulf coast white sand into the studio to produce an awesome effect. Taking your production value to the next level is probably the most important thing a photographer [more]
DIY photo/video gear projects can almost always save you a few bucks if you have the skills and time to make it. But there are a few DIY gems out there that can save you hundreds of dollars, if not more. One of these gems is stillmotion‘s tutorial on 3 point lighting for video interviews made from a whopping total of $26! They did a great job of pinching every penny while still yielding a great DIY product. If you end up trying this (or variations of it) we’d love to see your outcome in the comments below. Enjoy! [more]
Alright, just when I thought he couldn’t do anything more amazing, he proves me wrong, way wrong. If you have seen any sort of sports portraits, they usually do something different then your normal portrait. Adding cool lighting effects, lots of post work ect, not Wyn. His story for this shoot is a must read and great advice for anyone wanting to blow away their competition in their town. The way Wyn went about getting this all organized, shot, and edited is a pure masterpiece. [more]
Ever have a filter get stuck on the front of your lens? I personally have not, but I can imagine how irritating it can be. Travel photographer (and friend of mine) Craig Pulsifer posted the method he was instructed to use by Canon Professional Services to his blog. His warning: this is not for the faint of heart. [more]
This Do-It-Yourself equipment video by Jay P Morgan of The Slanted Lens features Cinematographer Lars Lindstrom as he shows us how easy it is to build your own camera shoulder rig. To make this rig all you’ll need is some standard PVC piping and a few other items from your home-improvement store. If you’re in a bind and can quite afford one of the more expensive rigs, this is a great alternative for just under $10. [more]
Good photography isn’t all about having a big budget and I am always a fan of photographers who can prove it. Columbus, Ohio based photographer Nick Fancher just sent me a quick video that outlines his very simple, yet brilliant, lighting idea. Nick took some cheap pegboard and lit it from behind creating a hundreds of little beads of light behind his subject. By using a wide aperture he could blur each of these bursts of light to create some pretty compelling images. [more]