Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?
"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
I have always been a firm believer that the best camera is the one that is with you. Images are about story and feeling, not megapixels and dynamic range. When a moment happens, you want to be ready. Buttons, menus, confusing UI and accessories just delay a photographer from capturing those moments right at their peak. The less switches, buttons and taps your camera takes to get ready to take the shot, the better off you are to be ready to take the shot.
This week we get to look at yet another style of retouch, a sports styled image. Each genre, weather it be fashion, beauty, landscape, or sports is going to have different parameters to follow and slightly different goals to achieve. With a female athlete it can be particularly tricky, because it can be challenging to find the line between doing to much or not enough especially as it come to skin retouching. In this post we will look at some of the steps and tricks used in this particular image that can be applied to your own sport retouch. We will also take a look at what else can be done to this image.
Prior to the a7RII’s release, the Sony Alpha mirrorless lineup played as a group of ambassadors to the possibilities in the technology. Each had their own role in showcasing how mirrorless could do amazing things that matched or exceeded DSLRs. With the a7RII, Sony has released the camera that its competition was warned of, and ultimately did nothing about. It has taken away the asterisk next to the Alpha name and is ready to play ball with the other top brand’s professional cameras on all levels.
In the last few weeks I interviewed both the Wickstrom’s and the Hage’s, creative couples who make their living while traveling full time. In this article, I’ll be sharing what I’ve learned from spending two months on the road with my partner, while trying to stay on top of projects and work on new ones. Come to find out, it is not as fun and dreamy as it sounds.
Many beginning photographers find it very difficult to translate their vision verbally. In order to save yourself time, effort, and frustration the day of your shoot, use a mood board. Mood boards are visual collages of inspiration designed to provide your team or client with a visual reference guide that everyone can agree on before your photo shoot.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
In my recent Natural Light Tutorial with RGGEDU, I went through every aspect of natural light photography and retouching... Or so I thought. During a shoot this week, I realized I missed one thing: enhancing freckles with Photoshop. In this article I will show a simple method to making those freckles pop.
In this tutorial I will show you how to setup your studio strobes for full length portraits as we shoot an editorial style lighting setup. First we will look at the entire gear list we used and you can use for a similar setup, from the backdrop to the studio heads. I will breakdown our lighting. with lighting diagrams and explanation of WHY we are placing our lights where we are. Also, in this video tutorial we share some Behind The Scenes from our shoot day.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.
Over the course of a wedding day, you can shoot in countless locations with varying difficulties. Most of the time, the locations will be places you have never been before. If you ask around online for advice, you will probably be told to scout out your locations days or even weeks in advance. You may be advised to know which location you are going to shoot each image in and that you should build a list so you don't forget. When I first started shooting weddings, I would scout locations and build the shot lists; however, the more I would shoot, the more I would realize that this process was actually making things more difficult for me. That’s why I prefer to go into a wedding day with no idea what I’m doing.
It's Monday morning and that means another completed retouch and time to submit your image for next week. We had more amazing submissions last week and here is the winner! In this post, you will see the SOOC image compared to the retouched image and I will discuss the particular challenges and the direction I decided to go with the photo. You can also watch the entire retouch in the video. And once again, you can post any image of yours that you would like and it may be chosen to be retouched for free and delivered to you in full-res to do with what you'd like.