It’s no secret that many people have predetermined opinions about strippers and the private lives they may lead. In a recent project by photographer Bronwen Parker-Rhodes, their lives and their method of self-expression via exhibitionism are put on display.
Parker-Rhodes’ began this project after forming relationships with some of the dancers at various clubs she would DJ at. It begs the question, ‘How do you capture the private lives and intimate moments of someone that exposes everything (or almost everything) regularly? What do you choose to reveal?’ [more]
Reviews are a tricky subject. On one side, there are a lot of people out there who want to hear as many voices on a product as possible before they make a decision. On the other side, there are skeptics across the internet who assume the worst of people and believe every review to be somehow influenced in a particular direction by unseen greedy fingers. We really want to clear the air on what makes an Fstoppers review, both in the past and in the future. [more]
GL Wood is an editorial fashion photographer who’s work has graced the covers of Nicki Minaj’s Pink album as well as magazines like Elle, Vogue, Out and Bullett. When you look through his portfolio, this caliber of client comes as no surprise. It may, however, shock you to hear that Wood rarely uses Photoshop, but instead opts for old school methods of collaging, painting and drawing to alter his final images. [more]
On May 20th, one of the deadliest twisters in known history touched down in Moore, Oklahoma, a suburb of Oklahoma City. The Tornado caused catastrophic damage to homes (over 13,000 of them were destroyed), infrastructure, schools and a hospital. Take a look at these powerful images showing the aftermath of the deadly Tornado as found on (the new) Flickr. [more]
The New York Times is being forced to examine their policy in regards to retouching on their images. Of course, they stand by the fact that manipulation of their news images “strictly forbidden.” But recently, they received backlash when the cover of their [style] magazine T had what many readers felt was a fashion model that looked ‘shockingly thin’ and ‘underage.’ [more]
The longer I’ve been a photographer, the more I’ve come to realize that the quality of the camera you own is far less important than how you shoot. The iPhone fashion shoot, now an iconic post on Fstoppers, showed that quality images can be taken without the biggest or latest camera body. While I’ll affirm that shooting professionally shouldn’t be determined by what kind of cameras you have, I think professionalism should be somewhat defined by how many cameras (and lenses) you have. [more]
Sigma, hot on the heels of the outstandingly successful 35mm f/1.4 Art lens, has been releasing and announcing new lenses in their Global Vision realignment like crazy. Recently they released the 30mm f/1.4 lens for APS-C cameras, and I had high expectations for it after being told that the president of Sigma was aiming it to meet the performance set by the 35mm. So did it? [more]
Original BBC Article (w/video)
Prof. Miles Padgett and his team of scientists at Glasgow University’s School of in Scotland have created a technology which can generate a 3D image using just four stand-alone pixels by capturing light frequency waves beyond what the human eye can see.
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Whether I’m going out for a short hike, a weekend camping trip, shooting the zombie apocalypse, or assisting someone for their personal project, there are many times when I’ve needed to be light and fast in my video rig setup. Besides going with a single camera and lens, the accessories I choose enable me to be versatile and get better clips in the end. Here’s my top 8 list of items that keep me on the move while I’m shooting video. [more]
You may not have known it, but I’m certain you’ve seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders’ article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring. [more]
Monopods, once really only useful in a handful of situations, have evolved into irreplaceable members of our creative arsenals due to the advent of high quality video being produced in DSLRs. The idea of a “video monopod” might frighten video purists, but there are those such as Patrick Hall and myself who swear by them. Manfrotto’s version was a fantastic foray into the medium, but slightly pricey. Benro recently released their more affordable versions, and I was more than ready to see if they were able to hold their own. [more]
Photographer Mario Testino shoots my favorite super lady, Kate Upton, for the June 2013 Vogue. Kate keeps things super classy for her spread and even rocks some rather large, dark eyebrows with her look. I am certainly one that appreciates some curves on a model, so I am glad to see Vogue is beefing up to the competition (see what I did there) instead of the same ol’ too-skinny girl. Click through to see the shots from her upcoming feature [more]
Ok, so we’ve covered why you should love the Creative Cloud: it gives you access to everything Adobe everywhere you go. It gives you all the outstanding programs at your fingertips. It is taking connectivity to a whole new level for creative collaboration. Updates are instantaneous. But all that aside, it’s a stifling, expensive system that might be forcing you into something you don’t want. [more]
Adobe Creative Cloud, in lieu of Adobe Creative Suite 7, has some great new features but also some hotly contested issues including the loss of disc support and move to a monthly payment feature for all future software. Mike Kelley, Rebecca Britt and I (Jaron Schneider) discuss what this means for creatives and why it may not be the big deal some are trying to make it out to be. [more]
“These new ways might be found by men who could abandon their allegiance to traditional pictorial standards—or by the artistically ignorant, who had no old allegiances to break. There have been many of the latter sort. Since its earliest days, photography has been practiced by thousands who shared no common tradition or training, who were disciplined and united by no academy or guild, who considered their medium variously as a science, an art, a trade, or an entertainment, and who were often unaware of each other’s work… [more]
