To say that I have been absent from writing lately is a slight understatement. In all reality I have been absent from life in general. I have been sitting on planes listening to podcasts more than I have been sitting at bars listening to friends. All for one giant campaign: “Give Me Strength” by Muscle Milk. [more]
Photojournalist David Eulitt recently completed Punching Back Time, a series of photographs that features senior athletes who at seasoned ages, strap on gloves and spar in the ring.
The boxers were participants in the 2nd Annual Ringside Masters Championship boxing tournament, a competition for amateur boxers ranging in ages from 35 to 75. [more]
The Phottix Mitros TTL Flash was announced in early 2012 but saw another full year of development before it was finally officially released in March of 2013. That kind of time spent building a product really resonates with me, and I was expecting a finished product that was going to stand up to the rigors of daily use. I was not disappointed. [more]
Sometimes, I find it difficult to motivate myself to go out and just shoot for the heck of it. Unless it is a project I’ve planned, or a client shoot, I often find myself making excuses for not going out to shoot.
I haven’t been able to decide if this is my inner lazy shining through, or if I am subconsciously convincing myself that “There is nothing good to shoot today, I’ll go tomorrow.” but it is a counter productive habit that I decided I needed to break.
It occurred to me today that the vast majority of modern photographers are completely dependent on the perks of technology to make their images. Of course even in the darkroom there is a certain level of “tweakability” but never before have we been able to do the things we can now. The phrase “fix it in post” is so commonplace today that everyone assumes that we can alter the very fabric of reality in Photoshop…and while that may be true, [more]
Steve Gullick, one of rock music’s most prominent photographers of our time takes us into his darkroom and talks about the short time he spent capturing Seattle’s Grunge scene during 1990-1993. Steve shot bands like The Screaming Trees, Soundgarden and Nirvana for Melody Maker and Sounds. [more]
You know what I think the worst feeling is? Going into a creative slump. I loathe when it happens, but to any of us who are creative by nature and trade, occasionally you go into a slump, a mental block if you will, and creativity is nowhere to be found. I will search high and low for inspiration and still nothing moves me to create and be creative. I think though I have found a way to avoid this now.
Warning: The following interview contains adult language, adult situations and nudity.
Michael Donovan rules. It says so on his website. It also says so on his Tumblr. It says so anywhere you’d find his name. And to be perfectly honest, believe the hype. Michael Donovan does rule. This is why I’m here, in a Lower East Side bar that never left 1982, having a drink and trying to hold a conversation while Asian fetish porn plays on TVs that I’m sure were taken from the dumpster behind a Motel 6. [more]
Salvador Dali was a Spanish surrealist painter, known for his mind bending paintings that border on nightmare and fantasy. So what happens when this creative mind teams up with award winning photographer Philippe Halsman in 1951… amazing creative work. See the post for their NSFW photos and portraits of Dali’s mustache.
Since I reviewed the Sigma 35mm f/1.4 last year, I have been hit with a barrage of inquiries as to if it was better to grab the Sigma 35mm f/1.4, the Canon 35mm f/2 IS or spend some real cash and spring for the Canon 35mm f/1.4 L. After using all three lenses for the past couple months, I’m finally ready to name my favorite. And you know what? This one was closer than you might think. [more]
A few minutes ago I received an email that contained some big red flags and alerted me of a dangerous situation that all photographers and models should be aware is happening. Recently here on Fstoppers we reported on models that went missing after accepting jobs on these modeling sites. Well now I have discovered that someone is actually representing themselves as me on one of these sites and trying to setup various shoots with models. [more]
Okay, the post title is a little bit harsh, but hear me out. It will never be the social network it wants to be unless it redesigns the user interface. I love Google products maybe twice as much as the next guy and I have tried very hard, over and over again, to force myself to use Google+ and to like it, but it’s just not happening. Since I’m all about user experience, Google+ design doesn’t really do it for me. Even though many have said that Google+ has become a photographer’s playground, I’d like beg to differ. [more]
Personal feeling: we don’t give our websites enough attention. It’s usually a “good enough” situation. It shows our photos, gets our name on Google and it serves as a place for us to send clients and prospects. That attitude tends to result in an attitude of “settling.” We settle for what we find and it is, again, good enough. Or is it? I wasn’t ready to just be happy with “good enough” on my website. [more]
An assignment to capture images of trophy canines at the Westminster Dog Show yielded a striking New Yorker magazine portfolio by photographer Landon Nordeman. An award-winning imagemaker who frequently shoots for Saveur, ESPN The Magazine, and The New Yorker, Nordeman is no stranger to visual storytelling at the greatest dog show on earth. [more]
Whether you shoot video or stills, we’ve all been there. That point at which you lose all objectivity and the ability to discern thoughtful, evocative images that nail the concept on the head, from the ones that are “too artistic,” or simply don’t fit the story. Our eyes numb the part of our brain that lets us separate what works from what doesn’t. Here are a few thoughts on how to approach critiques and kill your babies so that you end up with your best work. [more]