Yesterday marked the 65th anniversary of the dropping of an atomic bomb on Hiroshima. After the bomb was dropped, censorship of the event was a priority in both Japan and abroad, and journalists were barred from entering, reporting, or photographing the area. Yoshito Matsushige was living just outside of the blast radius, and snapped some of the only known photos of the aftermath. They are a grim reminder of the event, a testament to the power of a photograph, and a testament to the gruesome reality of World War II. [more]
We all get to that point. That point where we can’t take it anymore. Where we just have to voice an opinion lest our head explode from the building pressure. Rebecca has just about enough of bad clients searching for free services, and decided to take her stand on Craigslist- the soap box of the internet. [more]
Here is something I never expected to see in the biggest sporting event in the world: Guardian’s Photographer Dan Chung is covering the Olympics using only his iPhone 4S. When you think of photographers who are shooting events like this, you think of guys with suitcases filled with camera bodies and huge lenses. You think of many D4s and many MK IV aimed on the best athletes in the world. What Dan is doing is truly amazing, and i’m sure all the photographers around him look at him and think he’s crazy. Check out his crazy results!
The current issue of TIME Magazine is focusing on the growing population of the ultra-Orthodox community in Jerusalem and the way it changes the city. They sent Israeli photographer and Pulitzer Prize winner, Oded Balilty, to photograph ultra-Orthodox families and neighborhoods, and the results are really amazing. It looks like the images were taken in a different universe or time.
I’ve written a number of articles about how the police and other law enforcement agencies, both in the US and abroad, have been interfering with and hassling photographers and videographers who are only trying to document a scene that’s in front of them. There have been multiple instances of people in power (such as Obama himself) saying that this is unconstitutional. And finally, it would seem, one police department has begun to realize that. [more]
In the June 2012 issue of Vogue, photographer Annie Leibovitz had the amazing opportunity to photograph eight very talented US Olympic athletes alongside supermodel Karlie Kloss. Over the years, Annie has become known for her over-the-top sets and detailed lighting set-ups. [more]
Our friends over at SLR Lounge just brought up an interesting topic that Jezebel posted on a few days ago. I personally received an email alert letting me know that the new magazine Pix, which is aimed specifically at female photographers, was now available. I pointed it out to the rest of the Fstoppers staff, but we didn’t know what to make of it without looking at the content. Well apparently the content can be construed as particularly offensive. [more]
Many of you are familiar with Blair Bunting, one of the premier commercial portrait photographers in the United States, and a good friend of mine. A couple weeks ago we were chatting about lenses when he brought up this project he did several years back. I instantly wanted to share it, and we tweeted an image of his 50mm f/1.4 next to his 110mm f/.95, which many of you thought was fake. It wasn’t. [more]
I’ve been looking at the Sony Cyber-Shot DSC-RX100 for a couple weeks now, and as awesome as the specs look on paper, I’m somehow still in a fog of “meh.” The compact point-and-shoot camera used to be relevant, but I haven’t felt that to be the case for some time now. These days, the compact camera market belongs to the cell phone, and for anything else I’ll just pick up a DSLR or a mirrorless. So what do you think? Do you care this camera exists? [more]
When the Canon 40mm f/2.8 pancake lens was announced a couple weeks ago, Canon fans all over were squealing with joy- myself included. This tiny lens would be great for life on the go, had a brand new AF engine called the Stepping Motor (or STM), and looked to be extremely versatile. But does it live up to the expectations? [more]
We all take a lot of photos with our phones. And you know what? That’s ok. The camera on the iPhone takes pretty darn good images, and the plethora of mobile editing apps gives us all more flexibility than we would ever need. But what happens to all these photos after we edit them and post them to Facebook or Twitter? We forget about them. Well now we can actually make use of those photos, and bring them into the physical world hassle free, insanely cheap, and unexpectedly gorgeous. [more]
If you’re a sports fan, or even if you just like toned and tan bodies, you’re going to want to pick up the next issue of ESPN (hits newsstands Friday). It’s filled with some pretty sexy images of the United States’ favorite athletes in nothing but their birthday suits. [more]
As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month’s article, I’ve invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers. [more]
Last weekend, my buddy David Cross who works with our friends over at BorrowLenses sent me a text that he was building something unusual and really cool. When he sent me the photos after he finished his project, I was immediately excited. His DIY ring light (which they are calling the spider light, tentatively) not only leaves really unusual catch lights, but is easy and fun to build. Ok, so it’s not really a “ring” light, but it casts similar light and I don’t know what else to compare it to. So let us show you how to make yours! [more]
Clever camera angles and captivating b-roll are important when making a solid and complete video product. When you’re on the move in a car, dune buggy, sailboat or tank, great videographers create enthralling footage by capturing unusual angles and movement. The Delkin Fat Gecko shines as a low-cost, effective suction mount for any slick surface that allows you to get your camera in the face of the mobile action. [more]