Editorial Photography

Sony's new Alpha 7R is flying off the shelves at B&H. From what I've gathered, they're selling pre-orders at a ridiculously rapid pace for a camera body that has not yet been reviewed. Based on that, and generally the hankering by photographers for more full frame bodies, it is only a matter of time before it's joined by other camera makers.

We all know it can be overwhelming when walking into your first paid photo gigs. You want to look like you know what you're doing and you don't want to disappoint your clients. Here's a helpful short video by Jasmine Star sharing key tips about what to keep in mind when walking into your first portrait photoshoot. Click through to see the rest of the post to learn more tips:

How can you take HOURS of footage from completely different projects, and edit together a montage that's only a few minutes? Here is the second part of the Making A Better Demo Reel article where I'll share a few techniques on reducing the number of clips you have, selecting music, and more.

Cameron Davis is a photographer, cinematographer and creative director based in New York. Growing up in Southern California, Cameron has developed a style that blends East Coast with West Coast, adding in flavors of London and Paris. Focusing primarily on shooting editorial fashion imagery, Cameron's work has been published in treats!, GQ Italia, Fault and S Magazine.

I've been using Adobe Lightroom rather intensely for several years now. Overall I've been quite happy with how the program streamlines my workload, organizes my photos, and how often it get's an update. Having said that, I am rather surprised that Adobe hasn't improved one area of Lightroom and it's wasting both me and my clients valuable time every week. The following letter is written on behalf of photographers everywhere that use Adobe web galleries. Please share this so Adobe listens and improves.

If you’ve ever wondered how much time a good make up artist can really save you in post on your stills images, you might want to take a look at the absolutely stunning before and after shots in this article. Believe it or not, no Photoshop was used in the making of any of these images, this is all done the old fashioned way - straight out of camera.

In the competitive landscape of fashion photography, Charles LUCIMA stands out with fashion-editorial images and videos that have graced magazines and televisions around the world. We caught up with Charles after his three-day, Destination MARS workshop and right before shooting a new line of cosmetics.

When Nikon released the D610, I’m sure that many of you (myself included) initially reacted with joy. “Hooray!” we said. “They’ve fixed the problem of the D600! Nikon made things right!” But then I let things sit for a few hours and I realized, Nikon did no such thing. They didn’t fix anything, no more than Canon “fixed” the T4i when they released the T5i. Hooray? No. Not hooray.

I'm a big fan of clever puns. I'm an even bigger fan of puns done in an original way, which is hard to do these days. The Instagram / Tumblr account "Talking Food" has blended the awesomeness of food photography and pop culture puns like "Go Shawty It's Sherbert Day" and my favorite "Batman and Reuben." If you have a few minutes to kill check out the page for over 100 puns that will put a smile on your face and food that will make you hungry. The most impressive part, the graphic design is all done on an iPhone.

We've all seen behind-the-scenes videos before right? Most are quick little tidbits showing how much fun a shoot is and how amazing the life of a photographer is. Some of them even give you some amazing insight into the techniques used by some of the top pros working today. Well, this is NOT that kind of BTS video. This 16 hour (yes, you read that right) marathon of a video is by far the BEST BTS that I've found that really shows you what the elite in the fashion world actually do to make those amazing editorials we all love.

I've got a fun little DIY light modifier for you today. I call it the High Fashion Specular Reflector or "shiny board" for short. In my travels, I have to carry a LOT of gear. Especially when the trip is on my own dime and I don't have a budget to rent the cool toys I want to have. I came up with the idea for this reflector through experimentation and just obnoxious luck. I wanted to create a very hard light (in addition to the sun) to use on my model while on location.

Whatever type of photography you focus on, I doubt there are many of us that aren’t mesmerized every time we pick up and thumb through a copy of National Geographic magazine. Over it’s lifetime, it's become synonymous with capturing images of people, places and wildlife that show us the undiscovered or hidden side of our increasingly homogenized world.

If you’ve ever struggled to put together a video demo reel, or you’re planning to make one in the future, this post is for you. Below, I’ll share some tips that will help you be more efficient in your process to prepare for editing hours of your footage down to a montage of a couple of minutes.

Michael De Rubeis, AKA Michael J. Distasio Photography, never heard the timeless advice "under promise -over deliver." Or maybe he may have completely misinterpreted the saying and ran with it. Mr. De Rubeis made a living out of scamming couples on their wedding day, which is probably one of the worst things you could do to someone. The Passaic County, N.J.police department says there are at least 70 couples who paid the Walden photographer thousands of dollars for photos and albums they never received.

Kesler Tran is a photographer based out of Los Angeles and New York specializing in fashion, editorial and beauty. Of the three, one will probably find his beauty work resonating the strongest; it teems from every pore of his images. His eye for light and shape, as complex and trained as it is, seems effortless when one browses through the images on his tumblr. With the sheer amount of content, it's also hard to imagine him ever taking a break. Thankfully, he took one for us.

Kiliii Fish, Seattle-based commercial photographer, was always fascinated by how people interact with nature and how they use it to live their lives. Aside from being a full time photographer Fish is also an avid rock climber. Recently he decided to combine these 3 things he loves to a unique photography project showing the grace, power, beauty and vulnerability that goes into rock climbing. Kiliii spent days in each location and worked for months to complete the series. The results are absolutely amazing.

Steve Fischer is a Los Angeles based fashion photographer specializing in shooting women for the fashion, high fashion, lingerie, swimwear and beauty markets. Steve started shooting about 15 years ago, taking a minor hiatus to write and produce television commercials. Not too long ago, he was in a car accident that nearly killed him and left him physically unable to shoot for several years. He returned to his love of fashion photography about four years ago and is here to stay.

Whether we shoot stills, video or both, better utilizing light is probably the single quickest and most effective way to boost the quality of our work. I recently came across the beautiful work of cinematographer and DP Matthias Koenigswieser. If you love to shoot natural or ambient light and want to see just how beautiful applying lighting to achieve a natural light look can be, you’re in for a treat.

Magnum photographer Steve McCurry is one of the heavyweights in National Geographic's stable of assignment photographers with more than 13 books to his credit. "Untold: The Stories Behind the Photographs" by Phaidon Press is not a visual feast for the coffee table but an insightful, autobiographic look at 14 of McCurry's select images including the famous Afghani Girl. “Untold: The Stories Behind the Photographs” explores McCurry’s archive including handwritten notes and records and his personal mementos and ephemera from travels abroad.

When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.

Imagine one day you let a photographer, maybe even a friend, take some photos of you. Then imagine that a few years later your friends and colleagues alert you that you are the poster child of an HIV positive ad in a free AM New York Newspaper. This appears to be the situation for a Brooklyn woman now suing Getty Images for the infraction.

Exactly one week ago we marked the 12th anniversary of the 9/11 terror attacks which resulted in the deaths of nearly 3,000 people. As they do every anniversary, The Municipal Art Society of New York created two vertical columns of light ("Tribute In Light") right next to the World Trade Center in remembrance of the Twin Towers using 88 powerful searchlights pointing up to the sky. Every year I photograph the Tribute In Light from a different spot, and this year, for the second time, I decided to photograph it from above. From a helicopter. Here is how and why I did it.

In this fantastic little gem of a video, we are able to glimpse at something very few people have had the opportunity to see - images from Helmut Newton's contact sheets accompanied with the stories that go with them. The clip is taken from the documentary "Contacts, Vol. 1" and is one of my favorite videos on Newton. By ignoring any narrative beyond Newton's own words, we are able to witness many subtleties of his character that most documentaries miss.

Now that the discussion post on the fight between pro and anti-Photoshop has been up for a little while, let's see what we've gotten back in the comments.

"VICE Meets: David LaChapelle" goes inside David LaChapelle's studio in Los Angeles and sits down with him to talk about his early days in New York, what he did in art school and why photography is the parameter that prevents his head from exploding. It's always amazing to get a glimpse into the mind of a great artist and begin to see what makes them tick.

It is getting pretty hard to avoid reading a story a couple times a month where a photographer's photos are stolen in some way. It has become, sadly, the nature of the internet. Sometimes photographers aren't even aware of it until the image spreads beyond containment, but others, like Swedish photographer Tuana, do their best to nip it in the bud and succeed with help from what many would consider to be an unlikely source: the company who was unlawfully selling the image.

Have you ever felt inadequate as a creative artist? Have you internally credited luck to your success rather than give yourself credit for the hard work you put in to get where you are today? Maybe you even just feel like a fake? All of this even though you have worked your ass off to become the successful artist you are today. I know I personally have felt this way on numerous occasions. It wasn't until photographer Sascha Reinking shared a post he got from Brian Friedman in a Facebook group that I realized there is a name for this condition.

Joey Wright is a swim and lifestyle photographer based in Florida. Despite only picking up a camera a few years ago, Joey is a already regular contributor to SI.com with clients ranging from Callaway Golf, the Atlanta Falcons and the Seminole Hard Rock Hotel & Casino and is recognized as a Wescott Top Pro. He's also really, really likable.

When you think of fashion photography, you typically think of women being the main subject. It's not without reason because female models typically dominate the fashion scene. When it comes to shooting male models in fashion, there's a lack of information out there for aspiring photographers. I reached out to my friend and colleague Chris Davis who was happy to share a few tips on shooting male models in specific.

There is a fine line between having a well defined photographic style, and constantly putting out the same stale, boring work week after week. A fine and dangerous line. A line that can make the difference between being a successful, inspiring photographer and a photographer who has lost his audience and has even lost interest in his/her own work.

A few years ago we featured photographer Kevin Kozicki in a behind the scenes video using pointsettias for a beauty shoot. Kevin is back with an amazing glamor photo and video shoot with filmmaker Christopher Park in a beautiful pool location using the Phase One IQ180 that was featured in Sessions Magazine. We had the opportunity to speak with Kevin and get his insight on the shoot.

Alright, So you've made it past the hard part, making contact and getting the ok from the agency to work with their talent (As discussed in Part 1). Now what? Well now you book your first model!

A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to "fix it later in Photoshop." I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.

There are a few unarguable reasons for getting it right in camera.

What makes music and photography both so exciting to me is that they have such a beautiful mix of artistic talent and technical skill. Some would say that you can be "born with talent" and that you can "learn a skill". I agree with both of these thoughts, and I think the great thing is that they can both be honed and mastered as well.