When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.
Imagine one day you let a photographer, maybe even a friend, take some photos of you. Then imagine that a few years later your friends and colleagues alert you that you are the poster child of an HIV positive ad in a free AM New York Newspaper. This appears to be the situation for a Brooklyn woman now suing Getty Images for the infraction.
Exactly one week ago we marked the 12th anniversary of the 9/11 terror attacks which resulted in the deaths of nearly 3,000 people. As they do every anniversary, The Municipal Art Society of New York created two vertical columns of light ("Tribute In Light") right next to the World Trade Center in remembrance of the Twin Towers using 88 powerful searchlights pointing up to the sky. Every year I photograph the Tribute In Light from a different spot, and this year, for the second time, I decided to photograph it from above. From a helicopter. Here is how and why I did it.
In this fantastic little gem of a video, we are able to glimpse at something very few people have had the opportunity to see - images from Helmut Newton's contact sheets accompanied with the stories that go with them. The clip is taken from the documentary "Contacts, Vol. 1" and is one of my favorite videos on Newton. By ignoring any narrative beyond Newton's own words, we are able to witness many subtleties of his character that most documentaries miss.
Some of you might remember Art Streiber as the man who photographed an absolutely epic shot of a huge group of celebrities for Paramount's 100th anniversary. Well Art is back to give you a look on how he captured these images for the #1 hit nonfiction show that has an astonishing 11.8 million viewers.
"VICE Meets: David LaChapelle" goes inside David LaChapelle's studio in Los Angeles and sits down with him to talk about his early days in New York, what he did in art school and why photography is the parameter that prevents his head from exploding. It's always amazing to get a glimpse into the mind of a great artist and begin to see what makes them tick.
It is getting pretty hard to avoid reading a story a couple times a month where a photographer's photos are stolen in some way. It has become, sadly, the nature of the internet. Sometimes photographers aren't even aware of it until the image spreads beyond containment, but others, like Swedish photographer Tuana, do their best to nip it in the bud and succeed with help from what many would consider to be an unlikely source: the company who was unlawfully selling the image.
Have you ever felt inadequate as a creative artist? Have you internally credited luck to your success rather than give yourself credit for the hard work you put in to get where you are today? Maybe you even just feel like a fake? All of this even though you have worked your ass off to become the successful artist you are today. I know I personally have felt this way on numerous occasions. It wasn't until photographer Sascha Reinking shared a post he got from Brian Friedman in a Facebook group that I realized there is a name for this condition.
Joey Wright is a swim and lifestyle photographer based in Florida. Despite only picking up a camera a few years ago, Joey is a already regular contributor to SI.com with clients ranging from Callaway Golf, the Atlanta Falcons and the Seminole Hard Rock Hotel & Casino and is recognized as a Wescott Top Pro. He's also really, really likable.
When you think of fashion photography, you typically think of women being the main subject. It's not without reason because female models typically dominate the fashion scene. When it comes to shooting male models in fashion, there's a lack of information out there for aspiring photographers. I reached out to my friend and colleague Chris Davis who was happy to share a few tips on shooting male models in specific.
There is a fine line between having a well defined photographic style, and constantly putting out the same stale, boring work week after week. A fine and dangerous line. A line that can make the difference between being a successful, inspiring photographer and a photographer who has lost his audience and has even lost interest in his/her own work.
A few years ago we featured photographer Kevin Kozicki in a behind the scenes video using pointsettias for a beauty shoot. Kevin is back with an amazing glamor photo and video shoot with filmmaker Christopher Park in a beautiful pool location using the Phase One IQ180 that was featured in Sessions Magazine. We had the opportunity to speak with Kevin and get his insight on the shoot.
A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to "fix it later in Photoshop." I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.
There are a few unarguable reasons for getting it right in camera.